CQR “In Conversation” Seminar
This Wednesday 1 p.m. RLH 201
Michele Board and Karen Cooper present the use of ephemera to uncover life stories in qualitative research.
What is ”ephemera”? It consists of objects of little or no monetary value that represent moments in our past. They can include pamphlets, railroad tickets, stamps, old letters or photographs, a food stained recipe card, a small piece of clothing, an accessory like a ribbon or a badge, sheet music, keys, post cards, used concert or theatre tickets, a self‐penned poem or a song, or a drawing. They all have a story to tell if we are willing to listen.
The CQR Seminar series consists of a 20 minute conversation between two presenters, then lots of time for discussion with the audience. Come along and join in the conversation!
Bring along some of your own ephemera if you’d like!
Kip Jones, a pioneer in Performative Social Science at Bournemouth University (BU), has two substantial book Chapters now available in texts published by Wiley-Blackwell and Palgrave Macmillan. Both texts move the practice of arts-led research forward substantially and will become valued resources for students and researchers for years to come.
The first Chapter, “Performative Social Science”, in J. P. Matthes, C. S. Davis, & R. F. Potter (Eds.), The International Encyclopedia of Communication Research Methods, rehearses the development of Performative Social Science (PSS) as a research approach and method, developed over ten years at Bournemouth University through publication, film, research, workshops, Masterclasses, and PhD studies. Jones explains that PSS is not simply ‘art for art’s sake’ instead of research. PSS is research and dissemination practices based in the philosophy of Relational Aesthetics and has much in common with Social Constructionism. The ‘audience’ or reader/viewer are key to PSS, as is the wider community.
This 3-volume Encyclopedia is touted as the most current authoritative single-source reference on communication methods. The editors state that they have invited the best scholars from all over the world to accomplish this. Jones’ Chapter (draft) is now available at: https://www.academia.edu/22126458/Performative_Social_Science
The second Chapter, “Emotivity and Ephemera Research”, in Innovative Research Methodologies in Management: Volume I, edited by L. Moutinho and M. Sokelem provides an in-depth worked example of PSS. The Chapter reports on a two-day experimental workshop in arts-led interviewing technique using ephemera to illicit life stories and then reporting narrative accounts back using creative means of presentation. The workshop took place at Bournemouth and participants were all University faculty members. A key to the process was in replicating what research participants may be feeling and going through when they share very personal stories with researchers. The exercise built a respect for this process by acknowledging that fact through the personal experiences and emotive connectivity of workshop participants.
The Editors of this book on management were keen to include the Chapter, stating that many who are attempting a PhD, particularly using a qualitative approach, spend little or no effort in finding, then learning, an appropriate method for their research question. The felt that the Chapter would contribute substantially in this way to management studies. The Chapter was originally published as “A report on an arts-led, emotive experiment in interviewing and storytelling” in The Qualitative Report, 20(2), 86-92 and is available here: https://www.academia.edu/10835482/A_Report_on_an_Arts-Led_Emotive_Experiment_in_Interviewing_and_Storytelling
It is examples like these that substantiate the work being done not only by Jones, but by other members of the Centre for Qualitative Research (CQR) at Bournemouth University. Membership of CQR comes from across Health and Social Sciences’ disciplines at BU as well as from a number of other BU faculties, This attraction attests to the universal appeal of qualitative methods and particularly arts-led ones, including Performative Social Science, which are being developed through CQR.
The Centre for Qualitative Research invites you to its continuing series of lunchtime seminars this Wednesday at 1 pm in RLH 201 for “Poetry as Research” “In Conversation” with Lee-Ann Fenge and Wendy Cutts.
This year’s theme is “LISTEN MAKE SHARE”. Each month two CQR members present their experiences to the audience ‘in conversation’ with either Narrative Methods (listening to stories), Arts-based Research methods (making stories), or Dissemination methods (sharing stories).
The seminars will involve two conversants and plenty of opportunity for audience participation in listening, making, and sharing. Not lectures, the seminars consist of two presenters ‘In Conversation” about a topic or method. There will be no PPT, but plenty of time for audience interaction and feedback!
Come along and join ‘In Conversation’!
Wed. 1 pm RLH 201 “Poetry as Research” with Lee-Ann Fenge & Wendy Cutts
A two-day FREE workshop in creative writing with Kip Jones for Bournemouth University staff and students only.
Writing week: Wednesday 3 Jan and Thursday 4 Jan.
Wed: 9:30 – 3:30
Thurs 9:30 – 12:30 (followed by lunch at La Piccola Italia)
Executive Business Centre, 7th Floor
Places are limited, but the workshop is free. Please express your interest by emailing Kip asap. You will be expected to attend for both days, and attend the lunches. You are asked to buy your own refreshments and lunches, but we will eat together at a restaurant each day. The first day we will go to the International Centre next to EBC for lunch. The second day, we will have a concluding longer lunch at La Piccola Italia Restaurant, near EBC. Writing is a very solitary endeavor. Sharing of experiences and conviviality are important components of a balanced approach.
Summary: The Creative Writing workshop will be a unique event in that it will not be a typical ‘writing retreat’ (with trees to hug and lots of time to ruminate), but rather a very active experience with lots of exercises, suggestions and supportive feedback on participants’ work from Kip Jones and other participants. The point is to encourage both students and academics who would like to include more creative writing in their outputs, particularly those whose writing includes reporting on narrative and other qualitative methods of research. It also helps immensely in the move to publishing in the wider world of blogs and online outlets, moving work to media and film, auto-ethnography and even fiction.
Justification: The important point of Creative Writing for Academics is to help academics and students achieve the goal of seeing more of their work read by wider audiences; in other words, impact. By providing an intense two-day experience for participants to engage in developing writing skills, the playing field is levelled and opportunities for facilitated learning developed. By engaging in creative writing, it becomes possible for all to write more clearly, more simply, even more creatively, when writing not only for academic publications, but also for outlets previously unimagined.
Methods: The workshop will present opportunities to work with academic material and expand its means of production and dissemination to new and creative levels through interfaces with techniques from the arts and humanities, including blog and magazine writing, film treatments and scripts, and poetry and fictional exercises. These intellectual exchanges encourage joint exploration of how researchers can engage with principles and tools from the arts in order to expand and extend the possibilities of dissemination of research data. Concepts of creativity itself will evolve and be transformed by participants’ outlooks and willingness to engage with unfamiliar territory. These processes comprise ‘facilitated learning’—in that knowledge will be gained as a secondary goal through a process of developing new relationships through small group problem-solving and self examination, grounded in personal past experience and knowledge.
‘I’m Her Partner, Let Me In!’ Bringing the Narrative to Academic Papers
Lee-Ann Fenge and Kip Jones
A blog recently requested by the editor of Sage Publications’ Methodspace highlights an article representing focus group data in a new way. In a recent report, two BU Academics, Lee-Ann Fenge and Kip Jones (FHSS), took an inventive approach in writing up their findings in the online journal, Creative Approaches to Research. The Sage editor said, “I thought your paper brought up some good methodology issues”.
The authors believe that as narrative researchers and storytellers we should be promoting narrative in the content and styles of our publications. We can no longer afford to ignore the great advances that have been made in representation of qualitative data in recent history. As narrative researchers, we are natural storytellers and need to keep this in focus when reporting studies, particularly in publications. In this way, as researchers, we move to the background, and the research participants are foregrounded.
Pleased to announce a ground-breaking Chapter on the use of film in research from FMC’s Trevor Hearing and FHSS’ Kip Jones in Guilford Publications’ Handbook of Arts-Based Research edited by Patricia Leavy.
Chapter 22, “Film as Research/Research as Film,” is a spirited dialogue between Trevor Hearing and Kip Jones about film as a performative research practice and means of disseminating research. Hearing comes to the conversation with a background in documentary film-making for television, while Jones is a qualitative researcher who has turned biographic research data into the story for an award-winning short film, RUFUS STONE. The authors collaborated on the trailer for that film, as well as documenting its production on video.
Hearing and Jones have worked together for over a decade on several projects and presentations, which offers a starting point for their conversation about the power and potential of film for researchers.
Congratulations to Jane Fry, Janet Scammell and Sue Barker in the Faculty of Health & Social Science on the publication of their latest paper ‘ Drowning in Muddied Waters or Swimming Downstream?: A Critical Analysis of Literature Reviewing in a Phenomenological Study through an Exploration of the Lifeworld, Reflexivity and Role of the Researcher’.
This innivative paper proceeds from examining the debate regarding the question of whether a systematic literature review should be undertaken within a qualitative research study to focusing specifically on the role of a literature review in a phenomenological study. Along with pointing to the pertinence of orienting to, articulating and delineating the phenomenon within a review of the literature, the paper presents an appropriate approach for this purpose. How a review of the existing literature should locate the focal phenomenon within a given context is illustrated by excerpts from the literature review within a descriptive phenomenological study. This article was recently published in the Indo-Pacific Journal of Phenomenology. Click here for freely available copy online.
Prof. Edwin van Teijlingen
The Centre for Qualitative Research presents its annual Lunchtime “In Conversation” Seminars on the first Wednesday of each month at 1p.m. in Royal London House.
This year’s theme is “LISTEN MAKE SHARE”. Each month two CQR members will present their experiences to the audience ‘in conversation’ with either Narrative Methods (listening to stories), Arts-based Research methods (making stories), or Dissemination methods (sharing stories).
Most seminars will involve two conversants and plenty of opportunity for audience participation in listening, making, and sharing. Not lectures, they are two presenters ‘In Conversation” about a topic or method. No PPT and plenty of time for audience interaction and feedback!
The first lunchtime seminar, however, will take place on the second Wednesday, 13 September.
CQR Seminars for the Coming Year
FHSS’ Prof Lee-Ann Fenge & Dr. Kip Jones
FHSS’ Kip Jones and Lee-Ann Fenge are pleased to announce that their article , “Gift Stories How Do We Retell the Stories that Research Participants Give Us?” is now available across several platforms. Along with the open-access version from Creative Approaches to Research now being available, it can be downloaded on Academia.edu and BRIAN.
Jones and Fenge comment: “We can no longer afford to ignore the great advances made in representation of qualitative data. These have been overwhelmingly demonstrated by the successes achieved in auto-ethnography, poetic enquiry, ethno-drama, film, Performative Social Science and/or other arts-based efforts in research and dissemination”.
Narrative methods contribute greatly to the advances made in qualitative research. A narrative style should also be promoted in publications and presentations. This study on older LGBT citizens in rural Britain highlights this by means of a report on one part of that study—a Focus Group.
Narrative researchers are natural storytellers and need to foreground this when reporting studies for publication. Qualitative research is always about story reporting and story making, and narrative research (listening to and retelling stories) is a key democratising factor in qualitative social science research.
Last Summer the Centre for Qualitative Research organised a series of short (half hour) surgery sessions where participants could ask us any questions that they might have about qualitative methods and their research. If we didn’t have the answer, we have a list of CQR Members who often do!
Dr Kip Jones, Centre Director and Deputy Director, Caroline Ellis-Hill will offer sessions this Summer!
To book a half hour (in person) with Kip at Royal London House on a Tuesday morning or Thursday afternoon, just email firstname.lastname@example.org with your possible date. Kip will get back to you with a time.
To book a a half hour (via Skype only) with Caroline on a Wednesday morning, email email@example.com with our possible date. Caroline will get back to you with a time and Skype arrangements. (We particularly hope that colleagues and students at Yeovil and Portsmouth will take advantage of this particular distance resource.)
CQR members have expertise in a wide range of methods. If necessary, through the surgery process we can connect you up with a particular resourceful person.
- Research as Film/Film as Research
- Grounded Theory
- Performance Poetry
- Focus Groups
- Participatory Action Research
- Biographic Narrative Interpretive Method
- Appreciative Inquiry
- Arts-based methods
- Telephone interviews
- Questionnaire design
- Performance Poetry
- Performative Social Science
Sessions will generally run through July and the first half of August.
These sessions seemed to work quite well last Summer. We hope that you will find them a valuable assistance. No need to be a CQR member (but you may want to become one!)
Kip and Caroline
“Kyle’s photo-montage of black and white clippings, mostly from fashion magazines, Bailey and Avedon, etc., glued to the walls surrounding his bed”.
Kip Jones is pleased to announce that the tripartite story, “True confessions: why I left a traditional liberal arts college for the sins of the big city”, first published in Qualitative Research Journal, is available on Academia.edu. Jones is particularly pleased that what is now called ‘auto-fiction’ has been accepted for publication by such a major qualitative journal. The three stories in the article conclude with a scene from Jones’ ongoing development of the feature film script for “Copacetica”. All three stories portray aspects of the sexual fumbling and romantic insecurities typical in youth.
“Dirty Frank’s” bar, Philadelphia, where the main characters of “Copacetica” frequently meet.
The second piece of writing consists of the bar scene from “Copacetica”. This is the scene in which all the major characters are introduced and the story sets up the conundrum that the main character will face in the film.
“Copacetica” tells the tale of a gullible youth on a roller coaster ride of loss of innocence and coming out in the flux and instability of 1960s hippy America. Often seen as a period of revolution in social norms, Copacetica’s themes include being different, the celebration of being an outsider, seeing oneself from outside of the “norm”, and the interior conflicts of “coming out” within a continuum as a (gay) male in a straight world. These observations are set within the flux and instability of a period of great social change, but which are often viewed in retrospect as consistent and definable. Being straight or being gay can also be viewed in a similar way within the wider culture’s need to set up a sexual binary and force sexual “choice” decision-making for the benefit of the majority culture, or ‘heteronormativity’. Through the device of the fleeting moment, the story interrogates the certainties and uncertainties of the “norms” of modernity.
In the later gallery scene (not yet published), a minor character explains the meaning of the word, “copacetic”:
What d’he say?
“Everything’s copacetic”! (Beat)
What does that mean, anyway?
Everything’s cool. Everything’s okay.
Or “Groovy” as they like to say.
Asked what he enjoyed about writing the script for this film, Jones said, “Definitely revisiting the slang used by youth of the 1960s! It’s virtually its own language. And writing the sex scenes. Exciting and very tiring. Almost like the real thing”.
You can read the opening scene planned for the film on KIPWORLD: “Copacetica” Scene 1. EXT SUBURBAN HOUSE POOL NIGHT
Gender & Sexuality in the 21st Century
31 May 2017, 10:00 – 15:00
‘Unimaginable a decade ago, the intensely personal subject of gender identity has entered the public square.’—National Geographic (Jan 2017)
This openness to discussion of sexuality, gender, and emotion begins to expose this latest generation’s ambivalence, even dissonance regarding these terms. The workshop will explore this, both historically and within the contemporary culture of the 21st Century.
The workshop will gather academics and community representatives from within BU and beyond, whose work may help us to understand more fully contemporary takes on sexuality, gender, and emotion. These may include:
- Youth and Sexuality
- Sex Tourism
- Sex Trafficking
- Disability and Sexual Well-being
- Sexuality and Ageing
- Gender and Sexuality in the Workplace
- LGBTQ+ concepts of gender and sexuality
- Other issues we haven’t even considered yet?
We will spend the day learning informally about each other’s interests and previous work around sexuality, gender, and emotion, thus creating the beginnings of new partnerships for further exploration, discovery, research, dissemination, and community action. NO lectures!
Workshop organised by Dr Kip Jones, Director, Centre for Qualitative Research, BU and Dr Lee-Ann Fenge, Deputy Director, National Centre for Post-Qualifying Social Work, BU.
Free lunch provided, places are limited.