Tagged / Centre for Qualitative Research

CQR’s Last Seminar for the Year Wed 1pm RLH 201

The Centre for Qualitative Research will end the academic year with a final “In Conversation” Seminar this Wednesday at 1 pm in RLH 201.  All are most welcome!

The presenters originally set for this date had to postpone until next year due to ill health. We decided to go ahead with the seminar anyway. It will provide us with a time in which to converse about the year’s seminars, what was helpful, and what people would like to have as topics next year. We also will be discussing the potential of short hands-on taster sessions with arts-based research methods for next year. Perhaps you have a idea for an ‘In Conversation” seminar that you would like to contribute?

Do come along and join in the conversation!  We look forward to spending this time together. CQR Members and non-members equally welcome!

Ground-breaking article by Jones and Fenge

Kip Jones and Lee-Ann Fenge are pleased to announce that our article to appear shortly in Creative Approaches to Research, a peer-reviewed open-access journal, “Gift Stories How Do We Retell the Stories that Research Participants Give Us?” is now available on BRIAN.

We passionately believe that as narrative researchers and storytellers we must promote narrative in the content and styles of our publications. To revert to a style of publication or presentation that is counter to this does a disservice to our commitments as narrativists.

We can no longer afford to ignore the great advances made in representation of qualitative data. These have been overwhelmingly demonstrated by the successes achieved in auto-ethnography, poetic enquiry, ethno-drama, film, Performative Social Science and/or other arts-based efforts in research and dissemination.

 

Recent Writing from Kip Jones Available on the Internet

 

“Kyle’s photo-montage of black and white clippings, mostly from fashion magazines, Bailey and Avedon, etc., glued to the walls surrounding his bed”.

Kip Jones is pleased to announce that the tripartite story, “True confessions: why I left a traditional liberal arts college for the sins of the big city”, first published in Qualitative Research Journal, is available on Academia.edu.  Jones is particularly pleased that what is now called ‘auto-fiction’ has been accepted for publication by such a major qualitative journal. The three stories in the article conclude with a scene from Jones’ ongoing development of the feature film script for “Copacetica”. All three stories portray aspects of the sexual fumbling and romantic insecurities typical in youth.

“Dirty Frank’s” bar, Philadelphia, where the main characters of “Copacetica” frequently meet.

The second piece of writing consists of the bar scene from “Copacetica”. This is the scene in which all the major characters are introduced and the story sets up the conundrum that the main character will face in the film.

“Copacetica” tells the tale of a gullible youth on a roller coaster ride of loss of innocence and coming out in the flux and instability of 1960s hippy America. Often seen as a period of revolution in social norms, Copacetica’s themes include being different, the celebration of being an outsider, seeing oneself from outside of the “norm”, and the interior conflicts of “coming out” within a continuum as a (gay) male in a straight world. These observations are set within the flux and instability of a period of great social change, but which are often viewed in retrospect as consistent and definable. Being straight or being gay can also be viewed in a similar way within the wider culture’s need to set up a sexual binary and force sexual “choice” decision-making for the benefit of the majority culture, or ‘heteronormativity’.  Through the device of the fleeting moment, the story interrogates the certainties and uncertainties of the “norms” of modernity.

In the later gallery scene (not yet published), a minor character explains the meaning of the word, “copacetic”:

VISITOR TWO
What d’he say?

VISTOR ONE
“Everything’s copacetic”! (Beat) 
What does that mean, anyway?

VISITOR THREE
Everything’s cool. Everything’s okay. 
Or “Groovy” as they like to say.

Asked what he enjoyed about writing the script for this film, Jones said, “Definitely revisiting the slang used by youth of the 1960s! It’s virtually its own language. And writing the sex scenes. Exciting and very tiring. Almost like the real thing”.

You can read the opening scene planned for the film on KIPWORLD: “Copacetica” Scene 1. EXT SUBURBAN HOUSE POOL NIGHT

Free Workshop: Sexuality & Gender in the 21st Century

 

 

 

FREE Workshop:
Gender & Sexuality in the 21st Century

Bournemouth University

31 May 2017, 10:00 – 15:00

Unimaginable a decade ago, the intensely personal subject of gender identity has entered the public square.’—National Geographic (Jan 2017)

This openness to discussion of sexuality, gender, and emotion begins to expose this latest generation’s ambivalence, even dissonance regarding these terms. The workshop will explore this, both historically and within the contemporary culture of the 21st Century.

The workshop will gather academics and community representatives from within BU and beyond, whose work may help us to understand more fully contemporary takes on sexuality, gender, and emotion. These may include:

  • Youth and Sexuality
  • Sex Tourism
  • Sex Trafficking
  • Disability and Sexual Well-being
  • Sexuality and Ageing
  • Gender and Sexuality in the Workplace
  • LGBTQ+ concepts of gender and sexuality
  • Other issues we haven’t even considered yet?

We will spend the day learning informally about each other’s interests and previous work around sexuality, gender, and emotion, thus creating the beginnings of new partnerships for further exploration, discovery, research, dissemination, and community action. NO lectures!

Workshop organised by Dr Kip Jones, Director, Centre for Qualitative Research, BU and Dr Lee-Ann Fenge, Deputy Director, National Centre for Post-Qualifying Social Work, BU.

Free lunch provided, places are limited.

Register here: https://gender-sexuality.eventbrite.co.uk

CQR Seminar: Trevor Hearing & Kip Jones “In Conversation”

Next Wednesday,  1 pm Royal London House 303

‘In Conversation” Trevor Hearing (Media) and Kip Jones (HSS)

“Research as Film/Film as Research”

 

 

 

 

 

 

 

The two will present the research method as a CONVERSATION…first, between each other, and then with the audience.  We are also asking that no PowerPoint be used in order that it is truly a conversation and NOT a lecture. All are welcome!

The series has been very popular so far, playing to a jam packed room. Come and join in the conversation.

Please note that there is a change of room from the regular location. The seminar will take place in RLH 303!

Many of us go to Naked next door for coffee following to continue the conversations and networking.

Come along and join in the conversation!

Still places left for Creative Writing for Academics Workshop

Writing quotesCreative Writing for Academics with Kip Jones

Thursday 20 & Friday 21 April 2017 
Executive Business Centre, Bournemouth, UK

Workshop objectives:

  •  Have more of your work read by wider audiences; in other words, impact.
  •  By providing an intense two-day experience the playing field is levelled and opportunities for facilitated learning developed.
  •  By engaging in creative writing, it becomes possible for all to write more clearly, more simply, even more creatively, when writing not only for academic publications, but also for outlets previously unimagined.

The workshop will take place at the BU Executive Business Centre, 7th Floor. Thursday, 20 April and Friday, 21 April 2017

Workshop Price: £175. For two days of activities. The price includes lunch and refreshments and all class materials. Accommodation and travel costs are not included.

Register online: http://creative-writing-2017.eventbrite.co.uk

Take a b&w photo you’ve never seen and write 1000 words about it.

Participant in Creative Writing for Academics at Bournemouth University about to write a story based on one photograph

Participant in Creative Writing for Academics at Bournemouth University about to write a story based on one photograph

P1020072-001 P1020060-001

 

 

 

CQR Narrative Group Welcomes a Student Research Assistant

cof

Figure 1 Guste Kalanaviciute, Lee-Ann Fenge, Anne Quinney, Jen Leamon & Kip Jones

The Centre for Qualitative Research (CQR) Narrative group, a centre of the Faculty of Health & Social Sciences (FHSS) is an interprofessional group, with representation from across social work, nursing, midwifery, physiotherapy, education practice and media production. We have an interest in how stories and dialogue can be used to create meaning and understanding, and in particular how novel and creative methods can be used to support both the collection of data and the dissemination of findings. This includes the use of film as a method of sharing findings as well as public engagement

 

Over the last few years we have run numerous seminars, and public engagement events (as part of the HEA workshop series, Festival of Social Science and BU’s own Festival of Learning https://vimeo.com/174549052).

 

We are delighted to have a student research assistant, Guste, join us to help explore the mountains of narrative data we have accumulated over several years of community activities. As part of her work with us, we hope to develop a digital story around the meanings attached to health and well-being as well exploring opportunities for a publication.

 

Guste reports:

 

I am very grateful for this amazing opportunity to join such a friendly group of people and gain invaluable experience for my future career. At first I felt a bit overwhelmed with all the new information as I am only a first year Psychology student and do not yet have experience with qualitative data. However, Lee-Ann was very supportive, assured me that with time the skills will come and set me off to start my journey by reading around qualitative data and themes of health and well-being. So far I have read some papers around these topics, a few of Lee-Ann’s and Kip’s publications, watched clips of their past projects (Seen but Seldom Heard; Rufus Stone) and met the team in person to discuss our next steps. Everything is going well now, will start looking into some of the data they have collected, try to find emerging themes and report it for the feedback.

 

CQR Photo-elicitation “In Conversation” Seminar Wed 1pm

13432167_10154245215569855_4045956637427322389_n-001

The Centre for Qualitative Research presents its First Wednesday Seminar,

Photo-elicitation, “In Conversation” with Michele Board and Jenny Hall.

This Wednesday, 1 March at 1 pm Royal London House 201

The two will present the research method as a CONVERSATION…first, between each other, and then with the audience.  We are also asking that no PowerPoint be used in order that it is truly a conversation and NOT a lecture. All are welcome!

The series has been very popular so far, playing to a jam packed room. Come and join in the conversation. Many of us go to Naked next door for coffee following to continue the conversations and networking.

Come along and join in the conversation!

Creative Writing for Academics Two-day Workshop

The Creative Writing for Academics Workshop with Kip Jones will take place at the Executive Business Centre 20th & 21 April, 2017.

Writing

The last workshop filled up quickly.

Don’t wait too late to register. Do it today!

12244527_10153944392744855_5964270964680626949_o

Write your life story on a postcard

Chose one of 11 B&W photos and write 1,000 word story about it.

Share with others who chose the same photo.

P1020055-001 P1020073-001

Just a few of the exciting writing exercises that take place over the two days.

Writing quotes

 

 

 

 

Creative Writing

Three tales of sexual intrigue from Kip Jones

C4nQP3CXUAAICo9 ‘True confessions: Why I left a traditional liberal arts college for the sins of the Big City’ by Kip Jones has been published today in Qualitative Research Journal (QRJ)

Three tales of sexual intrigue from Kip Jones.  A story, a reminiscence, and a scene from a film.

By means of several auto-ethnographic stories (including a scene from a working script for a proposed film), the author interrogates numerous ideas and misconceptions about gay youth, both past and present. 

Being straight or being gay can be viewed within the wider culture’s need to set up a sexual binary and force sexual “choice” decision-making for the benefit of the majority culture. Through the device of the fleeting moment, this essay hopes to interrogate the certainties and uncertainties of the “norms” of modernity by portraying sexuality in youth.

Also available as a draft on Academia.edu

Centre for Qualitative Research presents “Appreciative Inquiry” … in Conversation!

13432167_10154245215569855_4045956637427322389_n-001The Centre for Qualitative Research presents Clare Gordon and Caroline Ellis-Hill

“In Conversation…” about Appreciative Inquiry” next Wednesday at 1 pm in RLH 201.

The two will present the research method as a CONVERSATION…first, between each other, and then with the audience.  We are also asking that no PowerPoint be used in order that it is truly a conversation and NOT a lecture. All are welcome!

The series has been very popular so far, playing to a jam packed room. Come and join in the conversation. Many of us go to Naked next door for coffee following to continue the conversations and network.

Come along and join in the conversation!

Creative Writing for Academics with Kip Jones

Recently Updated19Creative Writing for Academics with Kip Jones

Workshop

Thursday 20 & Friday 21 April 2017 
Executive Business Centre, Bournemouth, UK

Workshop objectives:

  •  Have more of your work read by wider audiences; in other words, impact.
  •  By providing an intense two-day experience the playing field is levelled and opportunities for facilitated learning developed.
  •  By engaging in creative writing, it becomes possible for all to write more clearly, more simply, even more creatively, when writing not only for academic publications, but also for outlets previously unimagined.

The workshop will take place at the BU Executive Business Centre, 7th Floor. Thursday, 20 April and Friday, 21 April 2017

Workshop Price: £175. For two days of activities. The price includes lunch and refreshments and all class materials. Accommodation and travel costs are not included.

Register online: http://creative-writing-2017.eventbrite.co.uk

This unique event isn’t a typical ‘writing retreat’ (with trees to hug and lots of time to ruminate), but a very active experience with exercises, suggestions and supportive feedback on participants’ work from Kip Jones and other participants.

Students and academics will be encouraged to include more creative writing in their outputs, particularly those whose writing includes reporting on narrative and other qualitative methods of research.

The workshop will also help with publishing in the wider world of blogs and online outlets, moving work to media and film, auto-ethnography and even fiction.

Methods: The workshop presents opportunities to work with academic material and expand its means of production and dissemination to new and creative levels through interfaces with techniques from the arts and humanities, including:

  •  Blog and magazine writing
  •  Film treatments and scripts
  • Poetry and fictional exercises.

    P1020069 copy  Response from the Previous Workshop:

  • “I enjoyed the freedom that came from writing creatively, without prescriptions. Having no other goal than the story/ poem itself was intimidating initially, but then turned into an amazing experience”.
  • “It was wonderful to meet academics interested in creative writing”
  • “The psychological and physical space to write”
  • “I really liked the focus and mix of activities/exercises and writing time”
  • “The pace was gentle & focused, allowing & facilitating different approaches”

Report from the previous workshop

Reporting back from the BSA Auto/Biography Christmas Conference!

“I say tomato, You say tomato”. Is Autoethnography Auto/Biography by any other name?

Prior to our holiday break, Dr Judith Chapman and Dr Sarah Collard presented their research at the recent British Sociological Association (BSA) Auto/Biography Conference in London. This was a novel presentation, not limited to following a power point, but involving discussions with one other and the audience about the differences between the two research methods of autoethnography and auto/biography.

As they recently presented on this topic at the Centre for Qualitative Research lunchtime seminar, Judith and Sarah felt warmed up for the conversation and debates that occurred when presenting and discussing the topic in front of an audience of methodological experts within this area! After each shared their own experiences of conducting either authethnography or auto/biography, they opened it up to the audience to debate the merits of the two methods. An exciting and interesting dialogue with the audience ensued, with the ethical considerations of each method being fervently discussed, as well as the challenges of deciding what can be classified as autoethnography or auto/biography. There was no lull in the exchange of views and conference members applauded the informative and interactive element of our presentation.

After our presentation, we were able to forge links with others at the conference and were requested to share our work even more! It was very exciting to be so well received and have such a positive response to the presentation. However, there was no overall consensus and we agreed to differ on the syllabic emphasis of “tomato”!

CQR Seminar Wed 11 Jan at 1 p.m. “Participatory Action Research and Co-operative Inquiry”

13432167_10154245215569855_4045956637427322389_n-001The Centre for Qualitative Research presents Lee-Ann Fenge and Carole Pound “In Conversation…” about Participatory Action Research and Co-operative Inquiry this Wednesday at 1 pm in RLH 201.

The two will present each research method as a CONVERSATION…first, between each other, and then with the audience.  We are also asking that no PowerPoint be used in order that it is truly a conversation and NOT a lecture. All are welcome!

The series has been very popular so far, playing to a jam packed room. Come and join in the conversation. Many of us go to Naked next door for coffee following to continue the conversations and network.

Come along and join the action!

CQR lunchtime seminars “In Conversation …” continue with “Phenomenology” this Wednesday!

13432167_10154245215569855_4045956637427322389_n-001

Breaking News! In spite of the recent flooding in Royal London House, the CQR Wed Seminar will go ahead as planned in Room 201. The lifts, however, will be out-of-order.

Following  on from the two very successful (and jam packed!) earlier seminars, the Centre for Qualitative Research “In Conversation …”  series continues with

“Phenomenology”

presented by

Jane Fry and Vanessa Heaslip

Wed., 2 Nov., Royal London House 201 at 1 pm.

 Mark your diaries now and join us for an intriguing conversation!

Because CQR is keen to make information available to students and staff about qualitative METHODS, the seminars are arranged somewhat differently than the typical lunchtime seminar.

We are asking TWO (or more) presenters to agree to present each research method as a CONVERSATION…first, between each other, and then with the audience.  We are also asking that no PowerPoint be used in order that it is truly a conversation and NOT a lecture. The conversations will be about a particular research method and its pros and cons, NOT research projects or outcomes.

Many of us then move next door to RLH to Naked Cafe to continue the conversations and network. Faculty and Students invited to attend!

See you Wednesday at Royal London House 201 at 1 pm.  Students and Staff are Welcome!!