Tagged / FMC

FMC Faculty Research Seminar Series 2016-17

Faculty of Media and Communication

Faculty Research Seminar Series 2016-17

May at a Glance

A Conflict, Rule of Law and Society

Research Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

 Wednesday 17 May 2017 at 3pm

 CRoLS

Welcomes:

Mark “Max” Maxwell

Deputy Legal Counsel – U.S. Africa Command

Modern conflict and the rules of engagement: the changing individual right of a soldier’s right of self defence today

The term self-defense is used in a multitude of ways that do not accurately convey what occurs at the moment of decision. My discussion will advance that the term self-defense has three dimensions — scope, context, and level — and each one molds and defines what is meant by self-defense. Self-defense has a ‘scope’ component: it is a concept that can apply to an individual, to another person, to an armed unit, to a collection of designated people, to a foreign force, and even to non-state actors. It also has a ‘context’ component: on the one side you have the military context and its application is for the soldier engaged in operations ranging from peacetime operations, to peacekeeping missions or to armed conflict in both international and non-international scenarios. The other side of the equation is the domestic context with application to police officers in law enforcement scenarios or even the exercise of self-defense by an individual citizen. Finally, self-defense has a ‘level’ facet: self-defense on an individual or tactical level is profoundly different from strategic actions with international import. The word self-defense loses its meaning when there is a lack of precision as to what force is allowed in a particular scenario; this is particularly true when there are other legitimate uses of force at play. For example, if a soldier encounters a civilian taking direct participation in hostilities (DPH), what is the relationship between the use of force under self-defense and the use of force under the concept of DPH? And why is that important; in other words, what is the significance of the legal basis of force?

My discussion will define self-defense according to the various situations in which it is exercised; for example, is the exercise of self-defense by a soldier in a peacekeeping operation distinct from that exercised by a police officer on the beat in Boston? The key factor in all definitions (and the facets listed above) of self-defense is whether the threat is imminent; that is, what is the trigger point for the use of force. In the end, it is an inherently subjective test. It is important to probe the elements of what is the inalienable core of self-defense. Can, for example, self-defense be suspended? There are many positivist definitions of self-defense but is the core of self-defense a product of natural law? If so, what are the legal interpretations of the limits of this authority, and overlying the legal analysis, the policy interpretations of what constitutes self-defense and when it will be applied? My perspective will be inevitably United States centric, but the intent is for the audience to appreciate the multitude of meanings in one phrase: self-defense. And, as a corollary, I will propose terminology that can be applied to discrete situations instead of using an overused term. When force is required, from defending oneself to defending the nation, lingual precision is not a luxury, it is a requirement.

As of July 2015, Max Maxwell became the Deputy Legal Counsel for U.S Africa Command. Until he retired from the U.S. Army after 25 years of service, Max was a member of the U.S. Army Judge Advocate General’s (JAG) Corps. He ended his military career as the first Strategic Initiatives Officer for the JAG Corps. Previously, from July 2011 to July 2013, Max was the Staff Judge Advocate for V Corps and concurrently, while deployed to Afghanistan from June 2012 to May 2013, was the Senior Legal Advisor for NATO’s International Security Assistance Force Joint Command.

Max considers North Carolina home, where he grew up in the Tidewater area. He attended undergraduate at Duke University, majoring in economics and history. While at Duke, Max was an ROTC cadet and upon graduation received his commission as an officer. He then attended law school at the University of North Carolina at Chapel Hill, where he served on the Board of Editors of the North Carolina Journal of International Law and Commercial Regulation. He graduated from Chapel Hill in 1990 and entered the active component of the U.S. Army as a Judge Advocate.

Max is a graduate of the U.S. Army Judge Advocate General’s Legal Center and School in 1999 (LL.M. and Commandant’s List); U.S. Army Command and General Staff College in 2004 (Distinguished Graduate); and the National War College in 2011 (M.A. and Distinguished Graduate). Max has published over a dozen articles and book chapters on various topics to include criminal law, the law of armed conflict, and the use of force in non-international armed conflict.

He is married to Mary and they share of love of reading, art and travel, and most of all, our 15-year old son who is a fan of reading, as well, and anything related to Pokémon and Minecraft.

 

A

Centre for Politics and Media Research

Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 24 May 2017 at 3pm

 Politics

Welcomes:

 

Prof James Martin – Goldsmiths, University of London

The Force of the Bitter Argument

James Martin is professor of politics at Goldsmiths, University of London. He is a political theorist with an interest in rhetoric and psychoanalysis. He has published on these topics but also on Gramsci and other figures in Italian political theory and post-Marxist thought. He is author of a number of books, including Gramsci’s Political Analysis, Third Way Discourse, and Politics and Rhetoric. He is convenor of the PSA specialist group in Rhetoric and Politics and is co-editor of the Palgrave journal, Contemporary Political Theory. He is currently working on a book titled The Psychopolitics of Speech.

A

Centre for Politics and Media Research

Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 24 May 2017 at 4pm

 Politics

Welcomes:

 

Paul Reilly – University of Sheffield

Social media and contentious parades in divided societies: Tweeting the 2014 and 2015 Ardoyne parade disputes

 To what extent do social media facilitate debate between Catholics and Protestants about contentious parades and protests in post-conflict Northern Ireland? Do these ‘affective publics’ tend to escalate or de-escalate the tensions caused by these events? This paper addsresses these issues through a qualitative study of how citizens used Twitter in response to contentious Orange Order parades in the Ardoyne district of North Belfast in 2014 and 2015. Twitter provided a platform for ‘affective publics’ who expressed a myriad of sentiments towards the Orange Order, in addition to the residents who opposed the loyalist parade passing the predominantly nationalist area. This study focused on the extent to which these tweeters appeared to use the site to prevent a recurrence of the sectarian violence that followed the parade in previous years. A critical thematic analysis of 7388 #Ardoyne tweets, collected in July 2014 and July 2015, was conducted in order to investigate these issues. Results indicate that Twitter’s greatest contribution to peacebuilding may lie in its empowerment of citizens to correct rumours and disinformation that have the potential to generate sectarian violence. However, the site does not appear to function as a shared space in which cross-community consensus on contentious issues such as Ardoyne parade can be fostered.

Paul Reilly is Senior Lecturer in Social Media & Digital Society in the Information School at the University of Sheffield. His research focuses on the study of online political communication, with a focus on three key areas: (1) the use of social media by citizens to create and share acts of sousveillance (inverse surveillance); (2) the ways in which digital media can be used to crowdsource crisis information; and (3) the use of new media to reduce sectarian tensions and promote better community relations in divided societies such as Northern Ireland. He has published one monograph on the role of the internet in conflict transformation in Northern Ireland (Framing the Troubles Online: Northern Irish Groups and Website Strategy, Manchester University Press 2011) and has published articles in a number of journals including First Monday, Information, Communication & Society, New Media & Society, Policy and Internet and Urban Studies. His most recent research projects include a British Academy funded study of YouTube footage of the union flag protests in Northern Ireland, a study of how social media is used by first responders during crisis situations funded by the EU 7th Framework Programme for Research (FP7) and a Horizon 2020 funded study of how social media can be used to build community resilience against disasters.

A Promotional Cultures and Communication Centre

Research Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 31 May 2017 at 3pm

PCCC

Welcomes:

 

Andrea Esser –  Roehampton University

The Quiet Revolution: From Broadcasting and Advertising to Branded Entertainment

Efforts to endear brands to consumers go back as far as the 1920s, when branded entertainment was widespread on US radio and later television. In the UK advertiser-funded programming has no history. The public-service broadcasting remit demanded a clear separation between advertising and editorial content. But recent years have opened the doors to branded entertainment. The unregulated on-line mediascape offers endless possibilities and British broadcast legislation was revised in 2011 to allow for product placement. Building on an extensive analysis of trade journal articles since 2011, this paper seeks to illuminate recent developments and to build a theoretical framework by identifying drivers and tokens of change and different types of TV-related branded entertainment. History, I will argue, has left its mark. British broadcasters and TV producers seem to have been reluctant to embrace branded entertainment. But traditional content providers, like advertisers cannot escape the consequences of digitalization. Branded entertainment in multiple forms is revolutionising both marketing and the production and delivery of audiovisual content.

All are welcome and we look forward to seeing you there!

About the series

This new seminar series showcases current research across different disciplines and approaches within the Faculty of Media and Communication at BU. The research seminars include invited speakers in the fields of journalism, politics, narrative studies, literature, media, communication and marketing studies.  The aim is to celebrate the diversity of research across departments in the faculty and also generate dialogue and discussion between those areas of research.

Contributions include speakers on behalf of 

The Centre for Politics and Media Research

Promotional Cultures and Communication Centre

Centre for Public Relations Research and Professional Practice

Centre for the Study of Journalism, Culture and Community (JRG/NRG/Civic Media)

Centre for Intellectual Property Policy & Management

Conflict, Rule of Law and Society

EMERGE

Centre for Film and Television

FMC Faculty Research Seminar Series 2016-17 *UPDATED*

Faculty of Media and Communication

Faculty Research Seminar Series 2016-17

May at a Glance

 

 A Journalism Research Group

Research Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 10 May 2017 at 3pm

JRG

Welcomes:

Dr James Dennis –  University of Portsmouth

“It’s Better to Light a Candle than to Fantasize About a Sun”: Social Media, Political Participation and Slacktivism in Britain

This presentation examines how routine social media use shapes political participation in Britain. Since the turn of the century, many commentators have argued that political activism has been compromised by “slacktivism,” a pejorative term that refers to supposedly inauthentic, low-threshold forms of political engagement online, such as signing an e-petition or “liking” a Facebook page. This is explored in three interrelated contexts, using three different research methods: an ethnography of the political movement, 38 Degrees; an analysis of a corpus of individually-completed self-reflective media engagement diaries; and a series of laboratory experiments that were designed to replicate environments in which slacktivism is said to occur. I argue that slacktivism is an inadequate and flawed means of capturing the essence of contemporary political action, as Facebook and Twitter create new opportunities for cognitive engagement, discursive participation, and political mobilisation.

Dr James Dennis is Senior Lecturer in Journalism at the University of Portsmouth. His research interests lie in political communication, with a particular focus on social media, political participation and citizenship, and digital news. His work has been published in the Civic Media Project, published by MIT Press, Participations: Journal of Audience & Reception Studies, and Political Studies. James maintains a personal research site at jameswilldennis.com, and can be found on Twitter at @jameswilldennis.

 

A Narrative Research Group

Research Seminar

Dr Matthew Freeman –  Bath Spa University – CANCELLED

Small Change – Big Difference: Tracking the Non-Fictionality of Social Transmedia

 

A Conflict, Rule of Law and Society

Research Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 17 May 2017 at 3pm

CRoLS

Welcomes:

Mark “Max” Maxwell

Deputy Legal Counsel – U.S. Africa Command

Modern conflict and the rules of engagement: the changing individual right of a soldier’s right of self defence today.

The term self-defense is used in a multitude of ways that do not accurately convey what occurs at the moment of decision.  My discussion will advance that the term self-defense has three dimensions — scope, context, and level — and each one molds and defines what is meant by self-defense.  Self-defense has a ‘scope’ component:  it is a concept that can apply to an individual, to another person, to an armed unit, to a collection of designated people, to a foreign force, and even to non-state actors.  It also has a ‘context’ component:  on the one side you have the military context and its application is for the soldier engaged in operations ranging from peacetime operations, to peacekeeping missions or to armed conflict in both international and non-international scenarios.  The other side of the equation is the domestic context with application to police officers in law enforcement scenarios or even the exercise of self-defense by an individual citizen.  Finally, self-defense has a ‘level’ facet:  self-defense on an individual or tactical level is profoundly different from strategic actions with international import.  The word self-defense loses its meaning when there is a lack of precision as to what force is allowed in a particular scenario; this is particularly true when there are other legitimate uses of force at play.  For example, if a soldier encounters a civilian taking direct participation in hostilities (DPH), what is the relationship between the use of force under self-defense and the use of force under the concept of DPH?  And why is that important; in other words, what is the significance of the legal basis of force?

My discussion will define self-defense according to the various situations in which it is exercised; for example, is the exercise of self-defense by a soldier in a peacekeeping operation distinct from that exercised by a police officer on the beat in Boston?  The key factor in all definitions (and the facets listed above) of self-defense is whether the threat is imminent; that is, what is the trigger point for the use of force.  In the end, it is an inherently subjective test.  It is important to probe the elements of what is the inalienable core of self-defense.  Can, for example, self-defense be suspended?  There are many positivist definitions of self-defense but is the core of self-defense a product of natural law?  If so, what are the legal interpretations of the limits of this authority, and overlying the legal analysis, the policy interpretations of what constitutes self-defense and when it will be applied?  My perspective will be inevitably United States centric, but the intent is for the audience to appreciate the multitude of meanings in one phrase:  self-defense.  And, as a corollary, I will propose terminology that can be applied to discrete situations instead of using an overused term.  When force is required, from defending oneself to defending the nation, lingual precision is not a luxury, it is a requirement.

As of July 2015, Max Maxwell became the Deputy Legal Counsel for U.S Africa Command.  Until he retired from the U.S. Army after 25 years of service, Max was a member of the U.S. Army Judge Advocate General’s (JAG) Corps.  He ended his military career as the first Strategic Initiatives Officer for the JAG Corps.  Previously, from July 2011 to July 2013, Max was the Staff Judge Advocate for V Corps and concurrently, while deployed to Afghanistan from June 2012 to May 2013, was the Senior Legal Advisor for NATO’s International Security Assistance Force Joint Command. 

Max considers North Carolina home, where he grew up in the Tidewater area.  He attended undergraduate at Duke University, majoring in economics and history.  While at Duke, Max was an ROTC cadet and upon graduation received his commission as an officer.  He then attended law school at the University of North Carolina at Chapel Hill, where he served on the Board of Editors of the North Carolina Journal of International Law and Commercial Regulation.  He graduated from Chapel Hill in 1990 and entered the active component of the U.S. Army as a Judge Advocate.

Max is a graduate of the U.S. Army Judge Advocate General’s Legal Center and School in 1999 (LL.M. and Commandant’s List); U.S. Army Command and General Staff College in 2004 (Distinguished Graduate); and the National War College in 2011 (M.A. and Distinguished Graduate).  Max has published over a dozen articles and book chapters on various topics to include criminal law, the law of armed conflict, and the use of force in non-international armed conflict. 

He is married to Mary and they share of love of reading, art and travel, and most of all, our 15-year old son who is a fan of reading, as well, and anything related to Pokémon and Minecraft. 

 

A

Centre for Politics and Media Research

Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 24 May 2017 at 3pm

Politics

Welcomes:

Prof James Martin – Goldsmith

A

Centre for Politics and Media Research

Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 24 May 2017 at 4pm

Politics

Welcomes:

Paul Reilly – University of Sheffield

A Promotional Cultures and Communication Centre

Research Seminar

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB

Wednesday 31 May 2017 at 3pm

PCCC

Welcomes:

Andrea Esser –  Roehampton University

The Quiet Revolution: From Broadcasting and Advertising to Branded Entertainment

Efforts to endear brands to consumers go back as far as the 1920s, when branded entertainment was widespread on US radio and later television. In the UK advertiser-funded programming has no history. The public-service broadcasting remit demanded a clear separation between advertising and editorial content. But recent years have opened the doors to branded entertainment. The unregulated on-line mediascape offers endless possibilities and British broadcast legislation was revised in 2011 to allow for product placement. Building on an extensive analysis of trade journal articles since 2011, this paper seeks to illuminate recent developments and to build a theoretical framework by identifying drivers and tokens of change and different types of TV-related branded entertainment. History, I will argue, has left its mark. British broadcasters and TV producers seem to have been reluctant to embrace branded entertainment. But traditional content providers, like advertisers cannot escape the consequences of digitalization. Branded entertainment in multiple forms is revolutionising both marketing and the production and delivery of audiovisual content.

All are welcome and we look forward to seeing you there!

 

About the series

This new seminar series showcases current research across different disciplines and approaches within the Faculty of Media and Communication at BU. The research seminars include invited speakers in the fields of journalism, politics, narrative studies, literature, media, communication and marketing studies.  The aim is to celebrate the diversity of research across departments in the faculty and also generate dialogue and discussion between those areas of research.

Contributions include speakers on behalf of 

The Centre for Politics and Media Research

Promotional Cultures and Communication Centre

Centre for Public Relations Research and Professional Practice

Centre for the Study of Journalism, Culture and Community (JRG/NRG/Civic Media)

Centre for Intellectual Property Policy & Management

Conflict, Rule of Law and Society

EMERGE

Centre for Film and Television

 

 

 

FMC Faculty Research Seminar Series 2016-17 *UPDATED*

Faculty of Media and Communication

Faculty Research Seminar Series 2016-17

May

at a Glance 

 

A Journalism Research Group

Research Seminar 

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB 

Wednesday 10 May 2017 at 3pm 

JRG

Welcomes: 

Dr James Dennis –  University of Portsmouth

“It’s Better to Light a Candle than to Fantasize About a Sun”: Social Media, Political Participation and Slacktivism in Britain 

This presentation examines how routine social media use shapes political participation in Britain. Since the turn of the century, many commentators have argued that political activism has been compromised by “slacktivism,” a pejorative term that refers to supposedly inauthentic, low-threshold forms of political engagement online, such as signing an e-petition or “liking” a Facebook page. This is explored in three interrelated contexts, using three different research methods: an ethnography of the political movement, 38 Degrees; an analysis of a corpus of individually-completed self-reflective media engagement diaries; and a series of laboratory experiments that were designed to replicate environments in which slacktivism is said to occur. I argue that slacktivism is an inadequate and flawed means of capturing the essence of contemporary political action, as Facebook and Twitter create new opportunities for cognitive engagement, discursive participation, and political mobilisation.

Dr James Dennis is Senior Lecturer in Journalism at the University of Portsmouth. His research interests lie in political communication, with a particular focus on social media, political participation and citizenship, and digital news. His work has been published in the Civic Media Project, published by MIT Press, Participations: Journal of Audience & Reception Studies, and Political Studies. James maintains a personal research site at jameswilldennis.com, and can be found on Twitter at @jameswilldennis. 

 

 

A Narrative Research Group

Research Seminar 

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB 

Wednesday 10 May 2017 at 4pm 

NRG

Welcomes: 

Dr Matthew Freeman –  Bath Spa University

Small Change – Big Difference: Tracking the Non-Fictionality of Social Transmedia 

Today’s convergent media industries readily produce stories across multiple media, telling the tales of Batman across comics, film and television, inviting audiences to participate in the Star Wars universe across cinema, novels, the Web, and more. This transmedia phenomenon may be a common strategy in Hollywood’s blockbuster fiction factory, tied up with ideas of digital marketing and fictional world-building, but transmedia is so much more than movie franchises. Yet while scholarship dwells on transmedia’s commercial, global industry formations (Jenkins, 2006; Scolari, 2009; Evans, 2011; Mann, 2014; Freeman, 2014), smaller communities and far less commercial cultures now make new and very different uses of transmedia, in some ways re-thinking transmedia by applying it to non-fictional projects as a socio-political strategy for informing and unifying local communities. There has been little attempt to track or understand such a socio-political idea of transmedia: Henry Jenkins (2006) famously theorised this phenomenon within a digital and industrial context, but what does it mean to examine transmedia from a social perspective?

In one sense, examining transmedia from a social perspective means thinking about it as a non-fictional engagement strategy that has ramifications in terms of people, leisure, activism, politics, and society itself. As such, this paper begins to theorise a social, non-fictional form of transmedia, pointing to Comic Relief in the UK and to political projects in Colombia to tease out the fabric of social transmedia campaigns. This includes re-thinking modes of participation, documentary and community media.

Dr Matthew Freeman is Senior Lecturer in Media and Communication at Bath Spa University, and Director of its Media Convergence Research Centre. He is the author of Historicising Transmedia Storytelling: Early Twentieth-Century Transmedia Story Worlds (Routledge, 2016), the author of Industrial Approaches to Media: A Methodological Gateway to Industry Studies (Palgrave Macmillan, 2016), and the co-author of Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines (Palgrave Pivot, 2014). His research examines cultures of production across the borders of media and history, and he has also published in journals including The International Journal of Cultural Studies, Historical Journal of Film, Radio and Television, and International Journal of Communication. 

 

 

A Conflict, Rule of Law and Society

Research Seminar 

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB 

Wednesday 17 May 2017 at 3pm 

CRoLS

Welcomes: 

Mark “Max” Maxwell

Deputy Legal Counsel – U.S. Africa Command

 

 

 

A

Centre for Politics and Media Research

Seminar 

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB 

Wednesday 24 May 2017 at 3pm 

Politics

Welcomes: 

Prof James Martin – Goldsmiths

A

Centre for Politics and Media Research

Seminar 

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB 

Wednesday 24 May 2017 at 4pm 

Politics

Welcomes: 

Paul Reilly – University of Sheffield 

 

 

 A Promotional Cultures and Communication Centre

Research Seminar 

Venue: F309, Fusion Building, Talbot Campus, Bournemouth University, Fern Barrow, Poole, Dorset, BH12 5BB 

Wednesday 31 May 2017 at 3pm 

PCCC

Welcomes: 

Andrea Esser –  Roehampton University

The Quiet Revolution: From Broadcasting and Advertising to Branded Entertainment 

Efforts to endear brands to consumers go back as far as the 1920s, when branded entertainment was widespread on US radio and later television. In the UK advertiser-funded programming has no history. The public-service broadcasting remit demanded a clear separation between advertising and editorial content. But recent years have opened the doors to branded entertainment. The unregulated on-line mediascape offers endless possibilities and British broadcast legislation was revised in 2011 to allow for product placement. Building on an extensive analysis of trade journal articles since 2011, this paper seeks to illuminate recent developments and to build a theoretical framework by identifying drivers and tokens of change and different types of TV-related branded entertainment. History, I will argue, has left its mark. British broadcasters and TV producers seem to have been reluctant to embrace branded entertainment. But traditional content providers, like advertisers cannot escape the consequences of digitalization. Branded entertainment in multiple forms is revolutionising both marketing and the production and delivery of audiovisual content.

All are welcome and we look forward to seeing you there! 

About the series

This new seminar series showcases current research across different disciplines and approaches within the Faculty of Media and Communication at BU. The research seminars include invited speakers in the fields of journalism, politics, narrative studies, literature, media, communication and marketing studies.  The aim is to celebrate the diversity of research across departments in the faculty and also generate dialogue and discussion between those areas of research.

Contributions include speakers on behalf of 

The Centre for Politics and Media Research

Promotional Cultures and Communication Centre

Centre for Public Relations Research and Professional Practice

Centre for the Study of Journalism, Culture and Community (JRG/NRG/Civic Media)

Centre for Intellectual Property Policy & Management

Conflict, Rule of Law and Society

EMERGE

Centre for Film and Television

 

 

Bill Douglas Stipend Awarded to CEMP

bill-douglas-cinema-museum-exeter1CEMP’s Professor Julian McDougall has been awarded the Bill Douglas Cinema Museum Research Stipend.

The Bill Douglas Cinema Museum at the University Exeter, UK is both a public museum and a rich research resource for scholars of moving image history. The museum is named after the renowned filmmaker Bill Douglas and was founded on the extraordinary collection of material he put together with his friend Peter Jewell. In the twenty years since its opening, the museum has received donations from many sources and now has over 75,000 artefacts on the long history of the moving image from the seventeenth century to the present day.

The stipend enables the recipient to access collections at the museum to undertake significant research that will generate publication or other demonstrable outcomes and a blog post for the museum¹s website about the research.

Julian’s project is ‘Comrades and Curators’: this research seeks to trace the importance of multiple third spaces constructed in and around Comrades, hitherto not conceptualized as such by either Douglas, film commentators or academics. Related directly to the Bill Douglas Cinema Museum’s stated areas of significance, the research will explore the relationship between Comrades as a film text, the curation of the director’s collection of magic lanterns and other optical artifacts, the situating of lanternist as pivotal to the representation of social history in the film and the curation of this social history in museums in Tolpuddle and Dorchester.

The research will be conducted between March and December 2017.

Three tales of sexual intrigue from Kip Jones

C4nQP3CXUAAICo9 ‘True confessions: Why I left a traditional liberal arts college for the sins of the Big City’ by Kip Jones has been published today in Qualitative Research Journal (QRJ)

Three tales of sexual intrigue from Kip Jones.  A story, a reminiscence, and a scene from a film.

By means of several auto-ethnographic stories (including a scene from a working script for a proposed film), the author interrogates numerous ideas and misconceptions about gay youth, both past and present. 

Being straight or being gay can be viewed within the wider culture’s need to set up a sexual binary and force sexual “choice” decision-making for the benefit of the majority culture. Through the device of the fleeting moment, this essay hopes to interrogate the certainties and uncertainties of the “norms” of modernity by portraying sexuality in youth.

Also available as a draft on Academia.edu