Category / Global engagement

Growing wealth of migration publications at Bournemouth University

Yesterday saw the latest publication based on Bournemouth University (BU) migration research.  The international journal BMC Public Health published our quantitative paper ‘Psychological morbidity in Nepali cross-border migrants in India: a community based cross-sectional study’ [1].  This scientific article highlights that since Nepali migrants can freely cross the border with India and hence work and stay there, they are largely undocumented. The majority of these Nepali migrant workers is involved in semi-skilled or unskilled jobs with limited labour rights and social security, which predisposes them to psychological distress. The paper assessed the prevalence of and factors associated with psychological morbidity among Nepali migrants upon their return from India.

Just a few days ago the UN Migration Agency in Nepal IOM (International Organization for Migration) published ‘Research on the Health Vulnerabilities of the Cross-Border Migrants from Nepal‘, an online report to which BU academics (Aryal, Regmi & van Teijlingen) had contributed [2].  Just recently we had published the qualitative sister paper on Nepali migrants working and living in India. [3].  Whilst Dr. Nirmal Aryal was the lead author on a paper highlighting the need for more research specifically focusing on adolescents left behind by migrant workers [4]. Earlier this year BU PhD graduate Dr. Pratik Adhikary published his latest paper from his thesis, the paper is called ‘Workplace accidents among Nepali male workers in the Middle East and Malaysia: A qualitative study’ and was published in the Journal of Immigrant & Minority Health [5].

Last year was also a very good year for BU migration research, including a systematic review on sex trafficking (perhaps the worst kind of migrant workers) [6], an earlier research paper by Dr. Adhikary with his PhD supervisors [7], and one paper on Nepali female migrants workers in the Middle-East & Malaysia [8].  Earlier BU academics published on general health issues and accidents among Nepali migrant workers in Malaysia, Qatar & Saudi Arabia [9-10], Nepali migrants in the UK [11-12] , other papers included: a call for action on Public Health [13]; a systematic review [14]; a paper on migrant workers’ spouses [15]; migrant health workers in the UK [16-17]; migration and tourism industry [18-20]; migrants and space in Italy [21-22]; an anthropological perspective on migration [23]; a media studies’ perspective [24]; and archaeological perspective [25]; and a socio-economic perspective [26].  No doubt there are several other publications I have forgotten or I am simply unaware missed in this list.

 

Prof. Edwin van Teijlingen

Centre for Midwifery, Maternal & Perinatal Health

 

References:

  1. Dhungana, R.R., Aryal, N, Adhikary, P., KC, R., Regmi, P.R., et al. (2019) Psychological morbidity in Nepali cross-border migrants in India: A community-based cross-sectional, BMC Public Health 19:1534
  2. International Organization for Migration (2019) Research on the Health Vulnerabilities of the Cross-Border Migrants from Nepal, Kathmandu, Nepal: International Organization for Migration.
  3. Regmi, P., van Teijlingen, E., Mahato, P., Aryal, N., Jadhav, N., Simkhada, P., Syed Zahiruddin, Q., Gaidhane, A., (2019) The health of Nepali migrants in India: A qualitative study of lifestyles and risks, Journal of Environmental Research & Public Health 16(19), 3655; doi:10.3390/ijerph16193655.
  4. Aryal, N., Regmi, P.R., van Teijlingen, E., Simkhada, P., Mahat, P. (2019) Adolescents left behind by migrant workers: a call for community-based mental health interventions in Nepal. WHO South East Asia Journal of Public Health 8(1): 38-41.
  5. Adhikary P, van Teijlingen E., Keen S. (2019) Workplace accidents among Nepali male workers in the Middle East and Malaysia: A qualitative study, Journal of Immigrant & Minority Health 21(5): 1115–1122. https://link.springer.com/article/10.1007/s10903-018-0801-y
  6. Simkhada, P., van Teijlingen, E., Sharma, A., Bissell, P., Poobalan, A., Wasti, S.P. (2018) Health consequences of sex trafficking: A systematic review, Journal of Manmohan Memorial Institute of Health Sciences, 4(1): 130-149.
  7. Adhikary P, Sheppard, Z., Keen S., van Teijlingen E. (2018) Health and well-being of Nepalese migrant workers abroad, International Journal of Migration, Health & Social Care 14(1): 96-105. https://doi.org/10.1108/IJMHSC-12-2015-0052
  8. Simkhada, P.P., van Teijlingen, E.R., Gurung, M., Wasti, S. (2018) A survey of health problems of Nepalese female migrants workers in the Middle-East & Malaysia, BMC International Health & Human Rights 18(4): 1-7. http://rdcu.be/E3Ro
  9. Adhikary, P, Sheppard, Z., Keen, S., van Teijlingen, E. (2017) Risky work: accidents among Nepalese migrant workers in Malaysia, Qatar & Saudi Arabia, Health Prospect 16(2): 3-10.
  10. Adhikary P., Keen S., van Teijlingen E (2011) Health Issues among Nepalese migrant workers in Middle East. Health Science Journal 5: 169-75. www.hsj.gr/volume5/issue3/532.pdf
  11. Adhikary, P., Simkhada, P.P., van Teijlingen E., Raja, AE. (2008) Health & Lifestyle of Nepalese Migrants in the UK BMC International Health & Human Rights 8(6). Web address: www.biomedcentral.com/1472-698X/8/6
  12. van Teijlingen E, Simkhada, P., Adhikary, P. (2009) Alcohol use among the Nepalese in the UK BMJ Rapid Response: www.bmj.com/cgi/eletters/339/oct20_1/b4028#223451
  13. Aryal, N., Regmi, PR., van Teijlingen, E., Simkhada, P., Adhikary, P., Bhatta, YKD., Mann, S. (2016) Injury and Mortality in Young Nepalese Migrant Workers: A Call for Public Health Action. Asian-Pacific Journal of Public Health 28(8): 703-705.
  14. Simkhada, PP., Regmi, PR., van Teijlingen, E., Aryal, N. (2017) Identifying the gaps in Nepalese migrant workers’ health & well-being: A review of the literature, Journal of Travel Medicine 24 (4): 1-9.
  15. Aryal, N., Regmi, PR., van Teijlingen, E., Dhungel, D., Ghale, G., Bhatta, GK. (2016) Knowing is not enough: Migrant workers’ spouses vulnerability to HIV SAARC Journal of Tuberculosis, Lung Diseases & HIV/AIDS 8(1):9-15.
  16. Scammell, J., 2016. Nurse migration and the EU: how are UK nurses prepared? British Journal of Nursing, 25 (13), p. 764.
  17. Sapkota, T., Simkhada, P., van Teijlingen, E. (2014) Nepalese health workers’ migration to United Kingdom: A qualitative study. Health Science Journal 8(1):57-74.
  18. Janta, H., Ladkin, A., Brown, L., Lugosi, P., 2011. Employment experiences of Polish migrant workers in the UK hospitality sector. Tourism Management, 32 (5): 1006-1019.
  19. Dwyer, L., Seetaram, N., Forsyth, P., Brian, K. (2014) Is the Migration-Tourism Relationship only about VFR? Annals of Tourism Research, 46: 130-143.
  20. Filimonau, V., Mika, M. (2017) Return labour migration: an exploratory study of Polish migrant workers from the UK hospitality industry. Current Issues in Tourism, 1-22.
  21. De Martini Ugolotti, N., 2016. ‘If I climb a wall of ten meters’: capoeira, parkour and the politics of public space among (post)migrant youth in Turin, Italy. Patterns of Prejudice, 50 (2), 188-206.
  22. De Martini Ugolotti, N., 2015. Climbing walls, making bridges: children of immigrants’ identity negotiations through capoeira and parkour in Turin. Leisure Studies, 34 (1), 19-33.
  23. Mai, N., Schwandner-Sievers, S. (2003) Albanian migration and new transnationalisms, Journal of Ethnic & Migration Studies 29(6): 939-948.
  24. Marino, S., Dawes, S., 2016. Fortress Europe: Media, Migration and Borders. Networking Knowledge, 9 (4).
  25. Parker Pearson, M., Richards, C., Allen, M., Payne, A. & Welham, K. (2004) The Stonehenge Riverside project Research design and initial results Journal of Nordic Archaeological Science 14: 45–60.
  26. Chowdhury, M., 2014. Migration, Human Capital Formation and the Beneficial Brain Drain Hypothesis: A Note. Migration & Development, 3 (2), 174-180.

Global Challenges Research Fund (GCRF) Best Practice Workshop

On 24 October 2019, the GCRF Panel of the University hosted the first GCRF Best Practice Workshop that brought together well-over 20 academics, GCRF Principal Investigators/Co-Investigators and interested parties to discuss best practice from existing ongoing GCRF projects and activities being undertaken at BU.

The day began with a rough guide to GCRF terminology delivered by GCRF Panel Chair, Professor Lee Miles of the BUDMC and the morning session was completed by targeted presentations by GCRF project leaders at the University on the nature and progress of their respective projects. This latter session not only provided an opportunity for all those present to have a detailed insight into the diversity of work going on at the University under GCRF auspices – from research on elephant movements in Sumatra, to disaster management scenario building and guidance in Africa and Nepal, to the challenges of utilising new technologies to communicate the views of indigenous communities in South America.

This was followed in the afternoon by detailed sessions chaired by members of the GCRF Panel on design, implementation, monitoring and reporting and synergising of GCRF projects that were not only opportunities for those at the workshop to learn some of the challenges and instances of best practice, but also provided a chance to further discuss the nuances of the respective GCRF open call competition that is presently being advertised by the University.

A vibrant and good natured discussion was a characteristic of all the respective sessions. Informal feedback has been very positive and the GCRF Panel intends to capture some of the insights and commentary of the GCRF workshop to inform its future deliberations.

Gamechangers with a heart: Women Entrepreneurs in India

Dr Mili Shrivastava based on her research in Women Entrepreneurs in UK and India published an article on Indian women Entrepreneurs in The Conversation. The article outlined how women entrepreneurs are creating businesses based on environmental problems while creating opportunities for sections of society.

The article has reached far and wide across continents and was widely shared on social media.

World Economic forum reprinted the article.

The article can be found here:https://theconversation.com/how-women-entrepreneurs-are-changing-indian-society-122352

 

The importance of preservation and sustainability of digital data in the arts

The AHRC research project, ArtoP: The Visual Articulations of Politics in Nigeria sets out to collect and archive visual material that is produced by artists, animators, filmmakers, photographers in Nigeria around and following the elections in February 2019. As part of the project outputs, the research will culminate in a digital archive that will serve two purposes i) to preserve this collection over a period of 10 years and ii) to disseminate parts of the collection with a wider public through a web-based platform. These outputs present a number of challenges that highlight the importance of planning for digital archiving and ensuring its sustainability given the rapidity with which digital traces are created, disseminated and in turn disappear (Ernst, 2013). This post forms part of a longer paper in development that seeks to focus upon changes in archival practice in the arts, especially where contexts of contemporary image making practices tend to be based in the digital and circulate in virtual spaces. Additionally, the variances in technological landscapes across different geographies also present separate sets of challenges that a researcher may face – who has access to this data; which voices are included and excluded; how does one curate for fair access?  

Collecting Digital Images

In 2018, the ICA (Institute of Contemporary Art, Boston) ran an exhibition on ‘Art in the Age of the Internet’, that examined how ‘the internet has radically changed the field of art, especially in its production, distribution, and reception’ (Respini, 2018). This exhibition is connected to a wider ongoing discourse within the arts on digital media (Gere, 2004, 2006) and the impact this is having upon museums and galleries. Therefore it is not surprising to see that in recent years there has been a growing recognition of the urgent need to actively collect and preserve digital art and digital graphics – material which is inherently ephemeral.  Archives have been tempted to wait until a top down collections management system is developed. This has resulted in gaps in collections.There is a consensus emerging that researchers and archivists urgently need to take a DIY, active approach to collecting digital content as near to the time of its publication as possible. Unlike physical collections, there is less chance of acquiring large collections of digital content at a later date, long after the material was created. This is because material on digital platforms are fleeting, with people entrusting storage of their digital creations to third-party proprietorial platforms whose commitment to the long term preservation of material is uncertain:     

“Digital works increasingly operate within a culture that replaces ownership with access. The idea that anything is accessible anytime online changes the motivation to collect and archive within the personal sphere. Personal cultural material is now embedded in proprietary software and third party platforms where responsibility for its longevity in a fast changing technological environment is ambiguous. Certainly, the ability to capture the online object within the context which makes it meaningful recedes as time passes […] digital collecting is best approached as a process of rapid response.” (CCDP 2018) 

One only needs to think of the demise of Myspace, a once-popular social media platform and a medium for sharing artwork and music, which recently lost all content uploaded by users before 2016, to recognise how transient and vulnerable our individual and collective digital heritage is. (Hern  2019)

Capturing Context and Circulation

Another challenge in collecting and archiving digital images and artworks is capturing the contexts and the patterns of circulation which make the images meaningful. Simply saving a digital graphic as an individual image file severs the image from its context. One challenge has been in capturing the interactive web environments in which digital graphics are published, republished and commented upon by users of Web 2.0. The sharing and modification of images online by a variety of actors is increasingly rapid and dynamic. For example, people can change the meaning of an image by reposting it on social media with a different caption, presenting new opportunities for engaged political citizenship and satire (Agbo 2018). This, along with the growing availability of digital editing tools, which are often embedded within the interface of social media platforms themselves, also allow users to easily edit the visual content of images, leaving them ripe for subversion and parody. Social media users quickly respond to each other in a humorous, conversational form, in ways which reframe images, reference earlier posts and trade ‘in-jokes’. In such exchanges users demonstrate their visual literacy and quick textual wit (Dike 2018). As both the content and context of digital images is endlessly mutating, it doesn’t make sense to archive once instance of an image, or even to think in terms of individual images. A recent report by the Collecting and Curating Digital Posters (CCDP) project recommends thinking in terms of “graphic events” rather than discrete images in order to reflect the ongoing social practices in which images are referenced, negotiated and transformed.  We should capture many iterations of the same image, the way in which they have migrated, the online environments in which they are encountered, and the ways audiences have interacted and commented on the images. The CCDP project recommends using the open-source tool Web-Recorder, in which collectors ‘record’ a web session, allowing them to capture their experience of browsing a website, trace the circulation of images online and record the ways in which it was possible to interact with digital graphics within native software and social media environments. These ‘sessions’ can be saved and played back by future users of the archive using the open source Web Recorder Player.  

There are problems in capturing such phenomenon in retrospect.  The rapidly changing appearance and technological environment of social media platforms introduces temporal distortion when searching social media platforms for, say, memes produced in response to a particular political controversy in 2014. We need to capture such phenomena as soon as possible. This requires us to be active and embedded users of the web in order to spot emerging visual trends as they occur.      

‘The archival infrastructure in the case of the Internet is only ever temporary, in response to its permanent dynamic rewriting. Ultimate knowledge (the old encyclopedia model) gives way to the principle of permanent rewriting or addition. ‘ (Ernst, 2013:85)

Storage and Access: Open Source Solutions.

‘Our obsession with memory functions as a reaction formation against the accelerating technical processes that our transforming our Lebenswelt (lifeworld) in quite distinct ways. [Memory] represents the attempt to slow down information processing, to resist the dissolution of time in the synchronicity of the archive, to recover a mode of contemplation outside the universe of simulation, and fast-speed information and cable networks, to claim some anchoring space in a world of puzzling and often threatening heterogeneity, non-synchronicity, and information overload’. (Husseyn, 1994)

Any discussion of a digital archive necessitates an active engagement with technological apparatus in order to consider the relationship between a technological environment and the production of (and obsession with) memory (Husseyn 1994). Storage and preservation are key aspects to any discussion on digital archiving, and as digital technologies accelerate their pace of change, paradoxically, so must a digital archive respond to this by mitigating against it. 

Storage and preservation

A question we faced in designing the ArtoP project was which software we should use for digital preservation and storage. Digital preservation can be difficult as the file formats we may take for granted now can become obsolescent in future – the software which opens them can disappear, rendering the contents of a file irretrievable. We therefore wanted to ensure that material was packaged in stable file formats, adhered to widely agreed-upon archival standards, and was stored securely. We identified Archivematica as the ideal software for our purposes. 

Archivematica is an open source, web-based digital preservation system that is used by a variety of institutions. The fact that the software is open access and free to install and operate actually ensures greater longevity. Proprietary software, tied to the variable fortunes of individual companies, are more liable to disappear than open source projects, which enjoy the support of an active community of users and developers. 

Archivematica is not a single piece of software but rather an ecosystem containing a number of tools, components and specifications which run the ‘microservices’ necessary to preserve digital content. For example, one of the microservices performed by Archivematica is called ‘normalisation’. During normalisation the files you upload are converted into preservation-friendly formats, using an active list of stable and accessible file formats compiled and updated by the UK National Archives. This provides some insurance against the rapid cycles of change and obsolescence which characterise the life of file formats. 

Archivematica’s core functions are as follows: 

  • User submits data to Archivematica in the form of Submission Information Packages (SIPs)
  • From the SIPs, Archivematica creates Archival Information Packages (AIPs) for the long term preservation of data.
  • Archivematica stores (and backs up) AIPs
  • Archivematica creates Dissemination Information Packages (DIPs) to export content to populate an archival access system, such as Access to Memory (AtoM), Archive Space, Figleaf etc.

Ensuring Access

As mentioned earlier, another priority of the project was to make a selected range of images from the archive available for public consumption through a public archive hosted on a web-based platform. Increasingly users of archives wish to be able to actively interact with collections and desire wider access (Fossati 2009), challenges which digital access and display offers potential solutions to.  For this process we are opting for the web-based access platform Access to Memory (AtoM).  

Like Archivematica, AtoM is open source – it is free to use, free to share and free to develop. All documentation is freely available online. This is complemented by a supportive community of users, who communicate and solve problems using a google mailing list, as well as by congregating in person at the UK User Group’s meetings, which are attended by a number of archivists and librarians from prestigious UK universities.

AtoM supports the use of a choice of widely agreed-upon archival standards for describing archival objects. This enables digital images to be presented along with explanatory context, or metadata, crucial to its understanding. Using archival descriptive standards also means there is the potential for us to link the material to larger aggregators of archival holdings, and material on our access page could be discovered by people using archival search portals such as Archives Hub.

Crucially, AtoM is also integrated into Archivematica – the two systems were developed by the same company and are configured to ‘speak’ to one another.  Archivematica produces Dissemination Information Packages (DIPs) that can populate AtoM with images, video and metadata. 

We also liked how AtoM can be customised according to the diverse needs of different organisations and audiences. We aim to hold workshops in Lagos to ask for feedback from Nigerians as to how they think material should be described and presented to the public, and we will attempt to customise our AtoM page accordingly. Rather than projecting our own assumptions on the material by presenting it in certain ways, we are eager to have this determined by local knowledge and needs, as well as local technological landscapes (see below). Moreover, Atom features multi-lingual support, with the potential to add translations, making the material relevant to different audiences. Our aspiration is for the public side of the archive to be a resource for Nigerian citizens, artists and researchers. 

We are inspired by the wide range of institutions that have used and customised AtoM in creative and innovative ways to present visual context, ranging from the Glasgow School of Arts to The Chinese Canadian Artefacts Project. We are currently exploring and brainstorming ways of customising AtoM. 

Local technological landscapes 

One of the considerations we need to bear in mind when customising our web-based access system is the local technological landscapes used by our primary audience: Nigerians. Digital technology has been harnessed by Nigerian artists and citizens to make political critiques, and has afforded Nigerians with new strategic opportunities to produce and circulate indigenous knowledge within global flows of information. Many Nigerians primarily access the internet using smartphones. Thus we need to consider designing our web-based access system in ways which are suitable for mobile browsers.  Additionally, to align with the UN Sustainability Development Goals, we are keen to ensure that access to this archive for educational purposes is designed for Nigerian users and their specific technological landscape, in order for it to have the greatest impact in Nigeria (and other African countries). Therefore, we also need to ensure that our website is accessible to users whose bandwidth may be limited and for whom mobile data is a significant expense. This might involve customising file normalisation in Archivematica in order to produce lower resolution image and video files for access purposes, which will load much quicker for users with slower internet connections or limited data. 

We are still in a development phase and will be researching the local technological landscape in Nigeria further, as well as soliciting advice from Nigerians as to the form our access system should take. 

In the meantime we wanted to take this opportunity to share our experiences, and hope to forge new relations with academics that may also be considering approaches to digital archiving. We hope to see our research extending to considering a range of formats and elements that may contribute to the generation of digital still or moving images and that sit within a more complex pipelines such as those in CGI for example, and the implications of this to archival practices.

Therefore, any feedback from readers of this blogpost is of course welcome – please contact 

PI Dr. Paula Callus – pcallus@bournemouth.ac.uk

CoI Dr. Charles Gore – cg2@soas.ac.uk

RA Dr. Malcolm Corrigall – mcorrigall@bournemouth.ac.uk

Bibliography

Agbo, George Emeka, (2018).  “The Struggle Complex: Facebook, Visual Critique and the tussle for Political Power in Nigeria” Cariers D’étude Africaines 230, pp.469-89.

CCDP, (2018). Collecting and Curating Digital Posters Handbook, https://ccdgp.co.uk/index.html.  

Dike, Deborah N. (2018), “Countering Political Narratives through Nairaland Meme Pictures” Cahiers D’étude Africaines 230: pp.493–512

Ernst, W. (2013), Digital Memory and the Archive, Minnesota: University of Minnesota Press.

Gere, C. (2006), Art, Time and Technology, Oxford: Berg Publishers.

Fossati, G. (2009), From Grain to Pixel, Amsterdam: Amsterdam University Press.

Hern, A. (2019) “Myspace loses all content uploaded before 2016”, The Guardian, March 18.  https://www.theguardian.com/technology/2019/mar/18/myspace-loses-all-content-uploaded-before-2016 

Haskins, E. (2007), ‘Between Archive and Participation: Public Memory in a Digital Age’, in Rhetoric Society Quarterly, Vol.37, pp. 401-422.

Huyssen A. (1994), Twilight Memories: Marking Time in a Culture of Amnesia, London p.253.

 

Call for BU Global Visiting Fellowship Scheme panel members – Profs/Assoc.Profs

BU recently launched the Global Visiting Fellowship (GVF) Scheme, which will enable academics from our international priority partner institutes to contribute to the internationalisation of BU in the SIA areas.  The scheme allows for a small research grant over a three year period to work on research related activities with BU. Applications are submitted by a member of BU academic staff who will nominate the GVF.

In line with other internal funding panels, we recently sought expressions of interest (EoIs) from staff to be members of the GVF Funding Panel.  We have successfully appointed a Chair and Deputy Chair, as well as most other roles. However, we have been unable to appoint two other Professors / Associate Professors and so are now seeking expressions of interest for these roles.

The terms of reference and criteria for selecting panel members can be found here:

Terms of Reference

Criteria for selecting panel members

In line with our organisational value of inclusivity, we particularly welcome female applicants and those from an ethnic minority, as they are often under-represented within BU management committees.

EoIs from Professors/Associate Professors should consist of a CV and short case (maximum length of half a page) outlining suitability for the role. These should be submitted to the mailbox researchfellowships@bournemouth.ac.uk  by the deadline of 5pm on 20 September 2019. EoIs will be reviewed against the selection criteria by the Panel Chair and Deputy Chair plus a member of the RPMC no later than one month from the closing date.