Congratulations! Dr Feng Tian, from Creative Technology Department (SciTech), has got a paper accepted by the Thirty-Third AAAI Conference on Artificial Intelligence (AAAI-19). It saw a record number of over 7,700 submissions this year. Of those, 7,095 were reviewed, and only were 1,150 papers accepted, yielding an acceptance rate of 16.2%.
The paper, “Orderly Subspace Clustering”, is a joint publication with Feng’s PhD student, Jing Wang, who graduated from Creative Technology in 2017. Congratulations to Jing as well!
Rehearsal in the Black Diamond
Gemmeleg is a composition by Laura Reid cellist/composer for the performance system The Feral Cello developed by Dr Tom Davis.
This piece was performed at the prestigious Black Diamond concert venue in Copenhagen as part of the international conference on New Interfaces for Musical Expression, NIME.
The Feral Cello is a performance system developed by Tom Davis that incorporates machine listening and actuated feedback to alter the response of an acoustic cello in real time during a performance. A description of the performance system was also presented as a poster at the conference.
Previous performances have been at NoiseFloor 2017, Staffordshire University.
The Black Diamond Venue
Access to Music is a HEIF funded project situated in the department of Creative Technology and the Emerge Research Group.
The aim of this project is to work collaboratively with local schools for children with Special Educational Needs (SEN) to increase access to music technology.
UK SEN schools face multiple barriers when using music and music technology to engage and improve the wellbeing of children with Severe Learning Difficulties (SLD), Profound, Multiple Learning Difficulties (PMLD) or issues such as Attention Deficit Hyperactivity Disorder (ADHD). This project will explore and identify these barriers in order to develop a suitable solution to promote and unlock new avenues for music technology for both children and music specialists in the surrounding SEN schools.
So far we has initiated links with Montacute & Linwood schools to establish collaborative projects working with a range stakeholders within these settings. Each school has its own unique barriers to content with, so the main challenge is to come up with bespoke solutions for each setting.
Key people involved in the running of this project are Dr Tom Davis, PI, Phil Hallet Co-I (CODA music coda.org.uk) & Dr Ane Bevan Co-I.
The project is supported by Dan Pierson who has been employed as a research assistant.
Recent activity has been a 2 day hackathon (see photo) to prototype possible technical solutions to issues identified by stakeholders.
Outcomes from this project will be presented in a number of settings including a Festival of Learning event on 8th July 2017.
29-30 January 2016
Thanks to Fusion Investment funding I will be co-running with Dr Paul Stapleton (QUB) a symposium exploring Interagency in Technologically-Mediated Performance. Despite a growing community of people creating digital musical instruments and a growing associated academic field, there has been little recognition within these communities of the associated approaches to a Philosophy of Technology that examines human-technology interactions from a variety of social, political and philosophical perspectives.
This event will bring together researchers and industry representatives from the fields of Philosophy of Technology and Digital Musical Instrument (DMI) design to establish an overview of best practice of new musical instrument creation and set out a road map for future research in this area. The symposium will feature talks by five keynote speakers that are all internationally recognised experts in their fields. Workshop and discussion will form a large part of the symposium in order to have time to fully establish an overview of best practice and to define the future research agenda.
The symposium will run 29th and 30th of January 2016. There will soon be a call for attendance, places will be limited so sign up quick if you are interested. There will also be a short concert on Friday 29th Jan from 17:30- 18:30 attendance for this is open to everybody.
There is still a chance to experience a number of works as part of the
Contingencies Sound Art Exhibition
The current work (16 – 20 March) is by Antonio Della Marina
Della Marina’s music puts sound in pole position, even going as far as to claim that it is more important than the artist himself. With an extremely reduced set of initial parameters, he realises intense sets, quietly spectacular landscapes of sweet hummings, changing in frequency, sequence, pitch and colour, forming little melodies as well as emotive harmonic clusters.
Further details here
Contingencies is an exhibition, talk and concert series featuring sound art, music and technology. It is a collaboration between the Emerge Research Group, Creative Technology Research Group and the Co-Lab.
Curated by Tom Davis, Ambrose Seddon and Bill Thompson