Approaches to Compositional Practice: Correspondences Amongst Sounds and Organising Those Sound

PG research

Approaches to Compositional Practice: Correspondences Amongst Sounds and Organising Those SoundWe would like to invite you to the next research seminar of the Creative Technology Research Centre.

 

Speaker: Ambrose Seddon

Title: Approaches to Compositional Practice: Correspondences Amongst Sounds and Organising Those Sound

 

Time: 2:00PM-3:00PM

Date: Wednesday 11 March 2015

Room: P335, Poole House, Talbot Campus

 

Abstract:

Many pieces of music exhibit returning and recurring identities founded on melodic, harmonic and rhythmic patterns and formations, appearing both locally and more globally within a work. In acousmatic music making i.e. music for playback over loudspeakers only, the kinds of sound material and the possibilities of sound transformation are sufficiently different and broad that concepts of recurrence within this compositional context are valuably explored. In this talk I will present some of the ideas developed through my research and compositional practice concerning correspondences amongst the sounds within a work and organising those sounds, with a focus on my more recent acousmatic music outputs.

 

We hope to see you there.

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