Category / Law

Find out about Max Lowenstein’s research into denunciation

Dr Max Lowenstein, from the Law Department in the Business School, has a piece of research coming out in Criminology & Criminal Justice: An International Journal (rated A in the Excellence Research Australia journal ranking list) that explores the meaning of judicial denunciation. The article attempts to relate sentencing principle, policy and social theory to legal practice by comparing the perceptions of English and Danish lower Court judges when sentencing minor theft offenders. There is no coherent international academic agreement as to what judicial denunciation means. The qualitative data gathered by interviewing Danish and English judges commonly pointed to the ‘public condemnation of someone or something’ Oxford Dictionaries Online (World English). In other words, judges pointing out wrongful behavior in theft offenders during sentence summation and explaining how this impacts victims, themselves and wider society. Through a small comparison of judicial perceptions in two distinct legal cultures there were common hints provided as to what denunciation may mean and what it could achieve when applied to theft offenders. In England, the potentially negative repercussions of denouncing theft offenders in Court were the focus. As one English lay judge eloquently summed up;

‘There is little impact on hardened persistent theft offenders because they know full well what they have done is wrong. It is like water off a duck’s back to them. Public shaming only has an impact if the theft offender cares about what others think of him.’

 However, in Denmark, the potentially positive repercussions of denouncing theft offenders in Court were the focus. As one Danish professional judge confidently stated;

‘When you explain why conduct is unacceptable in society, particularly early on in a theft offender’s anti-social habits, it can act as an important wake up call.’

Sadly comparative qualitative data on judicial denunciation is very rare due to the significant challenges it presents to the researcher. Indeed this research comparing such an important element of the sentencing approach had never been attempted before. By gathering more data across legal cultures it may be possible to align our theoretical understandings of judicial denunciation with the common perceptions in legal practice across Europe and beyond. In this way, comparative academics can contribute to the continuing future globalization of criminal justice. Much more research on judicial denunciation can and should be done. In so doing, how public condemnation of wrongful behavior is commonly perceived by judges in relation to similar criminal offences across different legal cultures will begin to emerge.

Neelie Kroes, Vice-President of the European Commission (Digital Agenda), reads BU research, but…

Neelie Kroes, Vice-President of the European Commission responsible for the Digital Agenda, made her annual set piece speech at the Media Forum in Avignon, France on 19 November: Who feeds the artist?

Speaking of economic reward: if that is the aim of our current copyright system, we’re failing here too. [then follows a paragraph summarising the BU studies in the area, but without reference] 1000 euros a month is not much to live off. Often less than the minimum wage. But most artists, and not only the young ones at the early stages of their career, have to do so. Half the fine artists in the UK, half the “professional” authors in Germany, and, I am told, an incredible 97.5% of one of the biggest collecting society’s members in Europe, receive less than that paltry payment of 1000 euros a month for their copyright works. Of course, the best-paid in this sector earn a lot, and well done to them. But at the bottom of the pyramid are a whole mass of people who need independent means or a second job just to survive.

[before indicating a change in policy direction] Let’s not wait for a financial crisis in the creative sector to happen to finally adopt the right tools to tackle it.

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The data is clearly from:

AUTHORS’ EARNINGS FROM COPYRIGHT AND NON-COPYRIGHT SOURCES: A SURVEY OF 25,000 BRITISH AND GERMAN WRITERS (ALCS Study 2007) http://www.cippm.org.uk/alcs_study.html

COPYRIGHT CONTRACTS AND EARNINGS OF VISUAL CREATORS: A SURVEY OF 5,800 BRITISH DESIGNERS, FINE ARTISTS, ILLUSTRATORS AND PHOTOGRAPHERS (DACS Study 2011) http://www.cippm.org.uk/publications/dacs-report.html

A possible source is my contribution to a Hearing in the European Parliament last June. http://www.cippm.org.uk/news/2011/jun/ne001-future-of-copyright-in-the-digital-era.html

So there is a challenge… I could blog: “European Commission Vice-President reads BU research”.

But no source is cited. Did our studies matter? Is there a causal link to a change in the direction of copyright policy?

In REF terms, was there Impact of research?

Howard Davis publishes in the highly rated journal – Public Law

Dr Howard Davis, from the Law Department in the Business School, has a piece coming out in Public Law (A* in the Excellence Research Australia journal ranking list) on the right to an open hearing in the context of mental health law. Courts and tribunals dealing with the affairs of those with serious mental health problems normally conduct their affairs in private with no access of the public or the media. This is to protect confidentiality and privacy. But private hearings go against the fundamental principle of open justice. The article explores recent developments in which mental health tribunals (which deal with questions whether someone detained in a mental hospital ought to be released) and the Court of Protection (whose concerns include sorting out the property etc of those unable to look after themselves) have both allowed some degree of publicity to their proceedings. In the tribunal case it was a patient who had been detained in Broadmore for 23 years who successfully sort a public hearing in order, he hoped, to publicise his position and his criticisms of the regime. In the COP case the application came from the media. The patient is a renowned pianist who is also autistic and there is signicant public interest in his position. The media had a limited right to publicise information gleaned from the proceedings.