Tagged / media engagement

Conversation article: How 2-Tone brought new ideas about race and culture to young people beyond the inner cities

Dr Ian Gwinn writes for The Conversation about his oral history project exploring the impact of 2-Tone music on people from Dorset…

How 2-Tone brought new ideas about race and culture to young people beyond the inner cities

Ian Gwinn, Bournemouth University

This Town, Peaky Blinders creator Steven Knight’s latest drama for the BBC, brings to life a defining – if short-lived – era in the history of British youth culture and popular music. Set in the West Midlands against the backdrop of industrial decline and social unrest in the early 1980s, the drama unfolds to the syncopated sounds of 2-Tone.

A furious mix of punk and Jamaican ska, 2-Tone became a genuinely national phenomenon, bursting out of a bedsit in Coventry and into the charts and the popular consciousness.

We know a lot about the urban multiracial landscapes of its Midlands origins, out of which its twin ideals of racial unity and musical hybridity sprang. But we know much less about how it resonated with the experience of young people beyond the big towns and cities.

Such considerations are timely. It is now 45 years since the founding of 2-Tone Records by Jerry Dammers, organist and songwriter for ska’s most famous band The Specials, and mastermind of the whole movement.

Of course, 1979 was also a decisive year for politics in the UK. But bands like The Specials did more than just soundtrack the civil strife of the early Thatcher years; they actually inspired political and cultural change.

To understand how they did so is important not only for historical reasons. A deeper sense of how anti-racist and multicultural ideas have shaped less culturally diverse regions may enrich contemporary debates over racism, particularly rural racism, which have become increasingly polarised.

My own ongoing oral history project with people from the Dorset region registers the powerful effect 2-Tone had in less racially mixed areas. Interviewees speak vividly of the energy, excitement and unruliness of attending gigs, as well as the sense of shared community, belonging and togetherness.

Nobody is special

As The Specials’ first single, Gangster, hit the airwaves in the summer of 1979 and the first 2-Tone tour opened in the autumn (with support from fellow labelmates The Selecter and Madness), a growing legion of youth clad in slim-fit mohair “tonic suits”, pork-pie hats, and black-and-white checkerboard greeted the bands as they made their way across the country. By the time all three bands appeared together on Top of the Pops that November, 2-Tone had swept the nation.

The Specials, in particular, built an ethos on the idea that “nobody is special”, refusing the division between band and audience (symbolically represented in the audience joining the band on the stage for the final numbers).

The inaugural tour covered the length and breadth of the country, reaching musical outposts like Aberdeen, Ayr, Blackburn, Bournemouth, Plymouth and Swindon. A seaside tour followed in 1980, winding its way through several English coastal towns, from Blackpool to Worthing.

One interviewee described how 2-Tone bands made a big deal of moving out into the remote areas and bringing the music to the people. That made them more accessible, setting them apart from other bands of the period.

For one fan from Weymouth, travelling up to that first Bournemouth gig was a powerful unifying experience:

You just didn’t realise that you were part of a bigger thing…When you get in there and everyone’s got the same attitude, the same outlook, the same sense of purpose and sense of place – it was really quite an amazing feeling.

Playing venues in far-flung places was part of the 2-Tone mission. For Dammers and others, the anti-racist message was aimed directly and primarily at white youth. These 2-Tone bands sought to reach audiences with a visual and aural display of unity. The symbolism had a profound impact. As another interviewee recalled:

Groups were either all white or all black…2-Tone was the first thing where you actually saw white and black musicians on stage together…That was a massive difference.

But not everyone suddenly became a staunch anti-racist. Some simply went for the music, the dancing and the good times. But for others the unity of politics, style and music cut across divisions among fractious youth cults and against far-right influences. Embracing the spirit of 2-Tone gave rural and small-town youth a way of expressing anti-racist politics in a more local idiom.

Race and racism today

Despite the contribution of 2-Tone – and before it, Rock against Racism – to anti-racist struggles, issues of racism have never gone away. The fight against far-right nationalism and police brutality continues, but increasingly the spotlight has shifted towards the more subtle and unseen ways in which racism is perpetuated. This ranges from everyday microaggressions to the lingering shadow of Britain’s imperial legacy, attracting a strong backlash in some quarters.

Recent evidence of rural racism, for example, has been met with swift dismissals. The former home secretary Suella Braverman was quick to deny others’ experience of racism, stating that the claim the countryside is racist is one of the most ridiculous examples of left-wing identity politics – just because there are more white people than non-white people somewhere does not make it racist.

Recalling the example of 2-Tone and The Specials may encourage a longing for a simpler time, when racists were easy to spot; things are more complicated today. Still, it can help us to understand how racial solidarities are forged, particularly in and through social and geographical differences. For my interviewees, 2-Tone’s ska revival was not a passing fad; it allowed them to reinterpret their own experience of class, race and locality.

If only for a moment, 2-Tone mania ruled Britain, in the words of the music critic Simon Reynolds. But as This Town shows, its rich and complex legacies can still be brought powerfully to life in the present.The Conversation

Ian Gwinn, Senior Lecturer in Politics, Bournemouth University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

New Research Impact, Engagement and Communications Sharepoint Site!

We are proud to launch our new Research Impact, Engagement and Communications Sharepoint site!  

This is your one stop shop for all things impact, public engagement and research communications within RDS. 

On the site, you will find resources for communicating your research, increasing its impact and engaging the public with your research. 

You’ll find links to RKEDF training sessions, guides to impact, public engagement and research communications along with information about useful contacts within RDS and news about the REF. 

The site is easily navigable and is divided into three sections: 

 Research Impact: 

This section outlines how we can help you to plan, accelerate and evidence the impact of your research and includes resources, contact details of our Impact Advisers and links to useful information on impact pathways, the REF and impact training. 

Public Engagement with Research: 

In this section, we explain how we can help when you want to engage with the public to share your research. The ways to do this are many and varied but ultimately, high quality public engagement has huge benefits for BU, for society and for you – the academic. Here you can find links to advice, training and funding along with the contact details of our Public Engagement team and details of how to join the thriving BU Public Engagement Network.  

Research Communications: 

Here, we offer you support and guidance on the different ways of sharing your research with different audiences. This includes working with the media (including our partnership with The Conversation), writing for the web and using social media. 

The site will be updated regularly and has been designed to be as user friendly as possible. Please make sure you bookmark and keep checking back regularly for updates and news. 

 

 

Online training opportunity: Writing for The Conversation

Would you like to build a media profile and take your research to a global audience?

Find out more about writing for The Conversation and have the chance to pitch your article ideas to one of their editors in an online training session on Thursday 15 September.

The Conversation is a news analysis and opinion website with content written by academics working with professional journalists.

The training session will run by one of The Conversation’s Editors and will take place from 2pm – 3pm over Zoom.

It is open to all BU academics and PhD candidates who are interested in finding out more about working with The Conversation.

Learn how to consider the news potential of your expertise, make your writing accessible and engaging to a diverse range of audiences, and pitch your ideas.

The session will be followed by a limited number of one-to-one slots from 3pm – 4pm where you can chat with the editor about working with The Conversation and share your research and article ideas.

Slots are 15 minutes and will be allocated on a first-come-first-served basis. To request a slot, please email newsdesk@bournemouth.ac.uk

Why write for The Conversation?

The Conversation is a great way to share research and informed comment on topical issues. Academics work with editors to write pieces, which can then be republished via a creative commons license.

Since we first partnered with The Conversation, articles by BU authors have had over 8.5 million reads and been republished by the likes of The i, Metro, and the Washington Post.

Book your place via Eventbrite.