Tagged / adaptation

Conversation article: The Legend of Zelda film – past adaptations have gotten Link’s character wrong

Dr José Blázquez writes for The Conversation about the upcoming live-action film of The Legend of Zelda and some of the potential challenges adapting this beloved videogame…

The Legend of Zelda film: past adaptations have gotten Link’s character wrong

José Blázquez, Bournemouth University

The Legend of Zelda (first produced in 1986) is one of the most beloved videogames around the world, so when Nintendo announced the development of a live-action movie a couple of weeks ago, it inspired a lot of speculation (and fear) about how they might pull off a film.

Despite being haunted by the infamous adaptation made 30 years ago, the recent The Super Mario Bros. Movie was a global family hit. However, for some fans – myself included – it failed to deliver a compelling story about its central characters, which are some of the most iconic in videogame history. If Nintendo’s aim is to put smiles on every fan’s face, then adapting The Legend of Zelda will be a real challenge.

Set in a fantasy medieval world, the game series follows Link, an Hylian elf-like hero, and Zelda, princess of the kingdom of Hyrule. The stories differ from game to game, but often involve Link’s quest to rescue Zelda, defeat Ganon (the main antagonist of the series) and save Hyrule. They also tend to feature stories around the Triforce, a divine artefact formed by three equilateral triangles, each of which represent a virtue (power, wisdom and courage). The triangles can grant a wish to players who possess them all.

There is not a magic formula for a good adaptation and the process is made more complicated by such a vast, narrative-rich source material. Like many other fans, I would like to see a film that echoes what I felt when playing the games and preserves its DNA.

Losing Link

The original game was first released in 1986 and since then, another 19 games have followed (excluding spin-offs, remakes and re-releases). The latest instalment, The Legend of Zelda: Tears of the Kingdom, has become one of the most lucrative.

From the vibrant landscapes and welcoming inhabitants of Hyrule to the daunting puzzles in dungeons and caves, feelings and emotions are the essence of Zelda’s storytelling. Recent titles have provided an expanded view of the settings, underpinned by open worlds offering a vast array of side quests, locations, monsters and non-playable characters.

A major part of getting the adaptation “right” will be in how the film chooses to portray Link.

Link is an archetype of a hero. He is brave, pure and communicates non-verbally in the games. His muteness is one of his most recognisable traits and one which helps anyone to identify with the character during the gameplay.

Although we barely know anything about his past, Link is somehow given depth by the players’ actions, who decide if they want to spend hours talking and helping villagers in side quests or embody an introvert hero who simply sticks to the main plan. This approach used in the games is not easily transferable to other media and, unsurprisingly, previous adaptations diverted from this path.

Earlier official adaptations of the game series were deemed non-canonical and distanced themselves from the source material in different aspects and degrees.

Many Zelda games have their own manga adaptations, which follow the original game storylines and add depth and provide backstories to the main characters. In the manga, Link talks, expresses emotions with facial expressions and is given a more rounded personality. We also learn about his past, providing more context about how the hero came to be.

The animated series was released in 1989, alongside Super Mario Bros. Super Show!, and lasted only 13 episodes due to the negative reception. In this adaptation, Link has brown hair and eyes (in contrast to his blonde hair and blue eyes in the games) and is chatty and immature.

While protecting the kingdom and the Triforce of Wisdom from Ganon, he is truly invested in flirting with Zelda, who – far from being a damsel in distress – rejects all his attempts to get a kiss. This diverts from the games, which have never depicted Zelda as Link’s love interest.

In Hollywood’s hands

In 2015, The Wall Street Journal reported that Netflix was preparing a live-action series based on The Legend of Zelda, which was described as “Game of Thrones for a family audience”. This was eventually denied by Nintendo.

Game of Thrones is notoriously dark, bloody and highly sexual, it’s hard to imagine what it looks like re-imagined as family entertainment. The Zelda series does feature more complex stories, which sometimes get quite dark (such as Twilight Princess and Majora’s Mask).

However, it’s difficult to imagine Nintendo moving away from light, family fun – it’s what they do best. Players will also expect them to produce a film with a PG rating. They tried a flirty Link before and it didn’t quite work – here’s hoping they leave that iteration alone.

Nothing has yet been said about the plot of the film adaptation, but Nintendo has confirmed that it will be directed by Wes Ball (The Maze Runner trilogy). It will be produced by Shigeru Miyamoto – co-creator of the game series and one of the most influential and acclaimed game designers of all time – and Avi Arad, chairman of Arad Productions Inc. The company has been involved in a long list of videogame, anime and comic adaptations. Miyamoto has also said that he has been working on the theatrical adaptation for many years.

It seems to be in safe hands and hopefully Nintendo has learnt from past failures. The least we can hope for is that with Miyamoto on board the legendary world of Zelda will be able to inspire similar feelings in viewers as the games have for nearly 40 years.

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José Blázquez, Senior lecturer, Bournemouth University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Ukrainian refugees and their invisible luggage of displacement – publication by Dr Alina Dolea

Dr. Alina Dolea, Associate Professor in Strategic Communication and Public Diplomacy in FMC, has published an article on emotions, trauma and public diplomacy in the academic forum on the #RussiaUkraineWar that she co-edits together with Nadia Kaneva (University of Denver) and Ilan Manor (PhD) (Ben Gurion University of the Negev) in Place Branding & Public Diplomacy

In the article, Alina argues all displaced people (refugees, migrants, or expatriates) experience a sense of loss and trauma and the Ukrainians crossing the border to take refuge across Europe carry with them this emotional luggage that shapes their identity and influences their integration in their new host places. Yet, the consequences of this invisible luggage have been rarely scrutinized in depth in public diplomacy and even in diaspora diplomacy scholarship. She draws on the psychoanalytical work of Vamik Volkan to shed some light on the psychology of Ukrainian refugees and the reactions of Romanians as host population.

Expanding from her research on Romanian diaspora (over 5 million) and the current Ukrainian refugees in Europe (over 8 million), Alina posits it is essential to understand the complex psychology, loss, emotions and trauma of displacement in diaspora diplomacy. It is necessary for theory building in order to develop analytical frameworks and research questions that link psychological processes with engagement and disengagement. In terms of practice, it can inform medium- and long-term policies of support and integration of refugees in host countries. Developing programs and encouraging grassroots initiatives aimed to increase multi-cultural awareness, communication and collaboration between newcomers and host populations is critical. Increased communication towards host publics is also needed in European countries especially because previous waves of migration and refugees have been instrumentalized in exclusionary, divisive political discourses that contribute to social anxieties, fears and phobias towards newcomers. Psychoanalytical approaches can shed light on the psychological processes that make illiberal, populist and extremist discourses effective as they instrumentalize chosen traumas and chosen glories.

This essay calls for integrating the study of emotions in public diplomacy and diaspora diplomacy research in order to (1) explore the breadth and depth of psychological processes that turn individual emotions into group emotions and (2) understand the potential of emotions to enable or disrupt engagement. Interdisciplinary research which engages with political psychology approaches that look at emotions, affect and trauma can provide new analytical insights into the inner worlds and lived experiences of the displaced, as well as into the emotions that shape representations, attitudes and behaviours of both newcomers and hosts. Such insights are much needed in designing policies aimed to support displaced groups and ease their integration and adaption in host countries. They can also contribute to more inclusive and positive public discourses about migrants and refugees.

The Academic Forum on the #RussiaUkraineWar captures a variety of epistemic reflections, creating a common space for scholars from diverse fields such as public diplomacy, strategic communications, global media studies, nation branding, international relations, post-Soviet studies, linguistics, and cultural studies. Together, we re-examined some of the concepts and practices that have shaped major debates in public diplomacy and identified new angles and approaches that can no longer be ignored in light of a world of many crises.

Policy Influence Opportunity – Forestry, land management & environmental

Call for potential oral witnesses for EFRA Committee tree planting inquiry

  • The Environment, Food and Rural Affairs Committee secretariat is looking for potential oral witnesses for the Committee’s inquiry into Tree Planting and Woodlands. please see the background to the inquiry and Call for Evidence for further information.
  • The Committee would be particularly interested to hear from researchers with expertise in forestry relating to some of the following issues: woodland management, land management, agroforestry, climate change mitigation and adaptation, biosecurity, biodiversity, economics and/or policy analysis of UK Government and Devolved Administrations’ policies and funding on forestry and tree planting.
  • Researchers who are interested must nominate themselves by 15 December. Please inform your BU Impact Officer and the BU policy team (policy@bournemouth.ac.uk) if you nominate yourself.
  • The Committee is committed to improving the diversity of the witnesses it hears evidence from because this provides a broader evidence base for its inquiries, so would also particularly want to hear from women researchers and researchers from minority ethnic communities.
  • The secretariat currently expects the evidence session to take place in early February.
  • Please complete your nominations on this form.