Tagged / EMERGE

BU research presented at the House of Lords

The AHRC funded BRAID project, Shared-Posthuman Imagination: Human-AI Collaboration in Media Creation was honoured to share their research findings and proposed legal & policy interventions on Generative AI in the Media Industry at the UK House of Lords in an event organised by Policy Connect and Bournemouth University.

The round table event included participants from the House of Lords, Digital Catapult, BBC, The Law Society, Alan Turing Institute, PRS, UK-Music,  The Writers Guild, Equity, Industry and Academia amongst others.

The session featured an insightful discussion on the research project and its findings, particularly regarding the need for education on responsible use of Generative AI, and its impact on issues of intellectual property, labour, and accessibility. Members of Bournemouth University also  gave a  presentation in which they outlined some outcomes from the research project including a range of potential policy interventions, a summary of which is outlined below.

This scoping research was supported by the Arts and Humanities Research Council (AHRC) and BRAID UK Bridging Responsible AI Divides.

The interdisciplinary research team was Szilvia Ruszev, Maxine Gee,  Melanie Stockton-Brown, Tom Davis, Xiaosong Yang, Selin Gurgun, Liam Rogers, Boyuan Cheng, James Slaymaker and Stephanie Prajitna

As well as international research partners Catherine Griffiths and Kejun Zhang.

Members of the research group are also members of Emerge Research Group.

12 policy outmodes

Special Edition of IJPADM ‘From Telepresence to Teletrust’ edited by Emerge

We are pleased to announce that a special issue Volume 20 Issue 2, of the International Journal of Performance Art and Digital Media  -entitled  From Telepresence to Teletrust has just been published by Taylor and Francis. This affiliated edition stems from a symposium with the same name, that was organised by the Emerge research group as we came out of lockdown in July 2021. The articles address a range of histories of telepresence and considerations of ways of being present at a distance with a focus on the lived-experience of qualities such as touch, trust and empathy rather than solution-based technological approaches. It features work of Emerge members past and present as well as many eminent authors in the field. All the articles are open access and we encourage you to have a read.

International Composer Residencies for BU academic

I was recently selected for two composer residencies in Sweden, first at Elektronmusik Studion (EMS), Stockholm (June 2023), and then at Studio Alpha, Visby International Centre for Composers (VICC), Visby, Sweden (September 2023). Both studios feature immersive multichannel surround sound systems of extremely high quality, enabling me to explore in-depth the compositional possibilities of spatial audio. 

Studio 2 at EMS Stockholm

Studio Alpha at Visby International Centre for Composers

During these residencies I was able to focus on the use of ambisonic sound. Ambisonic sound is used in many areas of the creative industries, such as music and sound recording, music creation, cinema and TV sound design, and game audio. The format allows for spatial audio ‘environments’ to be created within a virtual listening space using computer software, positioning and moving individual sounds around the listening area. Most significantly, this spatial audio can then be decoded for any playback system – from binaural for earbuds, conventional stereo, and on to immersive audio systems of 64 loudspeakers or more, yet always retaining the composed spatial image.

This scalability of ambisonic sound makes it extremely flexible when presenting immersive audio work in different venues of different sizes, and with different loudspeaker layouts. At EMS, I was able to work using their 15.1 Genelec sound system, which features an array of ceiling loudspeakers, as shown in the photo.

These residencies gave me fantastic opportunities to commence composing new electroacoustic work whilst exploring the ambisonic technique in-depth, using a variety of software tools in different music studio environments.

Ambrose Seddon, Department of Creative Technology and EMERGE

 

EMERGE Symposium 2023

Affect in Theory and Practice – Beyond the Threshold of Language

 Affect theory| Affective technologies | Missing half-second | Intensive Time |

 June 7th 2023, Poole Gateway Building

The 2023 EMERGE Symposium will explore the significance of the concept of affect for practice-based media research. The philosopher Brian Massumi identified affect through what he called the “the missing half-second” an elusive pre-interpretive moment where we register raw experience before it is converted into language, verbal or visual. The force of affect is felt deeply but resists codification. Its societal presence and urgency is frequently articulated through an increasing emphasis on ‘lived experience’ as an embodied form of knowing capable of challenging the traditional hierarchies of power and knowledge.

The symposium will be a timely opportunity for EMERGE researchers to address the affective turn in ways that connect our individual practice to the wider culture, sharing our work, ideas, and assumptions in the context of a deep dive into the dynamics of affect facilitated by the work of our key-note speaker, the Dutch media theorist Eric Kluitenberg.

The keynote address will be followed by EMERGE members and affiliates presenting examples of practice that resonate with the theme in ways that will open up discussion for the afternoon session.

During the afternoon EMERGE members, affiliates and invited guests to workshop the implications of the ideas presented in order to envision the next phase of EMERGE’s development.

Sessions in the agenda include:

  • 11:00-13.00: Works (Various venues in PGB) EMERGE & affiliate artist/composer/researchers with works by: Panos Amelidis, Liam Birtles, Maxine Gee , Brad Gyori, Trevor Hearing , Szilvia Ruszev, & Ambrose Seddon.
  • 13:00-13.30: Break
  • 13:30 – 15.00: Round Table: Workshopping ideas relating to affect
  • 15.30-16.30: Summarising:  Round up of scenarios and manifestos

BU Sonic Arts concert Thursday 18 Nov 5.30pm

Fusion

 

 

 

 

 

Our first concert of 2021 takes place on Thursday 18th November. You are invited to come and experience the magic of immersive spatial music and sound!

This concert features both multichannel and diffused (spatialised) electroacoustic music by composers from BU – Dr Panos Amelides and Dr Ambrose Seddon.
Venue: Screening Room PG217, Poole Gateway Building, Talbot Campus, Bournemouth University, BH12 5BB

Date/Time: Thursday 18th November 2021 at 5.30pm
Duration: 1 hour (approx)

Admission is free but please register here: https://www.eventbrite.com/e/207104664627

All events is organised by members of EMERGE, Creative Technology and University Music.

Please share with anyone you feel may be interested. Looking forward to seeing you there!

@BU_Sonic_Arts