Tagged / performative social science

Sage Publications’ Social Science Space features article by Kip Jones

 

Sage Publications disseminates important research across the social science disciplines around the world. For the second time, Sage’s on line presence, Social Science Space, features an article by Bournemouth University’s Kip Jones.

“(The Grand Theory of) Neo Emotivism” is Jones’ take on the current state of mind of many researchers globally wishing to connect to their research “subjects” as well as to their own emotions. The article first appeared on Jones’ blog, KIPWORLD, where it has been viewed nearly 900 times in less than a month. The article went live today as the lead article on Social Science Space.

“’Neo-emotivism’ is a concept Kip Jones describes as intentionally using emotional responses for academic ends in large part by drawing from non-traditional sources like art and literature for inspiration and even vocabulary”. Fashioned in a tongue-in-cheek way after 19th and 20th Century art manifestos, the article makes it’s case by highlighting examples from a range of resources, including singer Jeff Buckley, composer Max Richter, artist Kazimir Malevich and architect Zada Hadid.

Thoughts for the article initially emerged from Jones’ interactions with fellow BU academics at a recent ARTS in Research (AiR) two-day workshop at Bournemouth University. Jones was surprised and encouraged by faculty and students, not only from Health & Social Care, but also from Media, Design, Engineering and Computing and Tourism with a similar ache to connect emotionally with their subjects and to acknowledge the “first person” in their dialogues. His concept of the “Pre-REFaelites” materialised from that encounter.

The ARTS in Research (AiR) cross-Schools collaborative will hold an additional two days of workshops at the Lighthouse in Poole led by artist-in-residence, Hazel Evans, on 20th and 21st November. Faculty and students from across schools and from outside of the University are encouraged to join us for the two days of creative engagement. More info

Two-day ARTS in Research Workshop at the Lighthouse Centre for the Arts in Poole

PG research, Training

Bournemouth University Centre for Qualitative Research and

ARTS in Research Collaborative

in co-operation with
The Lighthouse Poole’s Centre for the Arts
Centre of artistic excellence for live events, theatre, music, film & visual arts present:
Two-day Workshop 20 & 21 November, 2014
Developing Arts-based Approaches
to Academic Research  
With Hazel Evans, Artist-in-Residence at The Lighthouse
Established artist in Dorset, Hazel is a multi-disciplinary artist working with the themes of communication, journeys, interior and exterior landscapes of the body. Her storytelling theatre company ‘Valise Noire’, was established in 2011. “Words, musical scores and ink on paper fusing the past and present, inspire my illustrative and written work. I enjoy blending antiquity with contemporary, reality and fantasy, black and white. I respond to music in real time documenting the feelings and sounds by the visual landscaping of my illustrations, poems and live art. ” –Hazel Evans
Spend two days exploring the workspaces of living, breathing performers and artists with us at the Lighthouse!  You will have a tour of the facilities, then see and discuss Hazel’s installation in the gallery. With Hazel’s guidance, you will work on your own projects, beginning in text as a point-of-departure. You will explore working with your body, music and/or multi-media during the two days of activities.
Cost for the two-day workshop: £200.
Early-bird discount (by 31st October): £175.
Teas, coffees on arrival and mid-morning break plus choice of finger buffet lunch will be included in the price. The days will run from 9:30 am until 4 pm.
Academic staff and students are encouraged to apply for funding through their School’s training and/or enrichment schemes.

ARTS in Research (AiR) Collaborative: Two days of creative scholarship

Fusion, PG research, Training

Shared objects/stories of a past (click on photo to enlarge)

“I can’t remember ever attending such an inspiring ‘in house’ event “.

The newly formed ARTS in Research Collaborative recently held two days of exploration of biography and ways and means of expressing the stories of others creatively and ethically. The workshop was entitled, “A Past/A Present” ARTS in Research (AiR) Workshop.

Using shared objects representing a time or event in each participant’s life, a ‘partner’ then created a five minute presentation of and from the storied materials. Participants in the two-days of exploration came from HSC, the Media School and DEC. Both faculty and postgrad students took part.

The brief was kept simple and instruction to a minimum. Organiser Kip Jones shared examples from his own work of finding ways and means of responding creatively to detailed data as well as time and material constraints. Other than that, participants engaged in a learning process through participation itself and the sharing of their experiences. The group has agreed to write up the encounter for a journal article.

 

  • “Thank you all for the incredible willingness to be inventive, creative and think/be  outside ‘the box'”.

  • “An illuminating two days of deep sharing. I was honoured to be there and look forward to more creative adventures together”.

  • “Inspiring. An artful and generative suspension of ‘normal’ activity”.

The ARTS in Research Collaborative’s next workshop is planned for November at The Lighthouse in Poole. Details to follow. It will be open to a wider audience and there will be a charge to attend, but BU faculty and students are encouraged to apply for training and/or development funding within their Schools.

ARTS in Research (AiR) still accepting new members!

AiR Workshop: telling stories (click on photo to enlarge)

 

 

“Handsome young men and shoes I’ll never wear”

Delicious links

Lots of ‘creativity’ in academia to report, at least according to two articles in recent international blogs.

The Creativity Post reports a playful interchange between Kip Jones (RUFUS STONE) and Patricia Leavy (Method Meets Art). Each scholar asked the other 20 Questions. The only requirement was NOT to talk about their work. In an article written by Jones and Leavy elsewhere (The Qualitative Report), Jones advises ‘not to live and work in silos, but let all parts of your lives flow in and out of each other’. In this spirit, Leavy and Jones discuss the personal in the Creative Post article and how it contributes to their innovative endeavors.

In another article in the Creative Quarter, Jones is interviewed by Bournemouth University  Media School’s Trevor Hearing about the making of the research-based, award-winning short biopic, RUFUS STONE. Jones admits that here too the personal became central to solidifying the characters for the film and how auto-ethnography played a role in creating the story.

Those with an interest in ARTS in Research (AiR) are welcome to join the collaboration now forming across Schools at BU. Both faculty and postgrad students welcome!  More information or contact Kip Jones.

Centre for Qualitative Research (CQR) Refreshes Its Web Presence

Research themes

The Centre for Qualitative Research (CQR), a long-standing resource for research practice and postgraduate learning at BU, has recently undergone a ‘refit’ of its web pages.  Content from the old site has been moved over to the new platform for Bournemouth University groups and centres. The new format now makes it possible to link with work taking place in other Schools and research sites. In addition, Impact, Public Engagement and Postgraduate Research links feature on every page.

CQR is held in high esteem globally for its innovative work and commitment to qualitative research. The refreshed web pages provide an international ‘shop window’ for CQR, School of Health & Social Care and BU more generally in regards to cutting-edge qualitative work. CQR has always engaged across Schools at BU and welcomes new opportunities for collaborate efforts.

The new CQR pages include information, resources and links organised around the following areas of research:

In addition, areas such as Biographic Narrative Interpretive Research, Cut-up Technique and Appreciative Inquiry are covered. A new page outlining the ‘Gay and Pleasant Land? Project and Rufus Stone’ has been added. The recently organised, cross-Schools ARTS in RESEARCH (AiR) collaboration is also featured.

The new web pages include new information and resources, links to further information and even videos for viewing pleasure! Last but not least, a photo has been added as a ‘Featured Image’ highlighting the essence of each page.

Have a look around this interesting site!

Kip Jones interviewed by LSE’s Impact blog

London School of Economics’ “Impact of Social Sciences” weblog has just published a five-minute interview with HSC and the Media School’s Kip Jones.  Mark Carrigan, Managing Editor of the British Politics and Policy blog talked with Jones for a piece entitled, “5 Minutes with Kip Jones: “we engage in the creative process and open new doors for communication” on the site.

Carrigan was particularly interested in questioning Jones about the impact that the research-based, award-winning short film, Rufus Stone, has produced. Jones answered questions about how the script was crafted from years of in-depth research. He also discussed the possibility of social scientists collaborating with artists, but also generating their own small projects, which Jones likes to call ‘kitchen sink’ work.

The growing Performative Social Science movement is commented upon. Advice on funding such ventures and the possibilities of arts-based research and dissemination in  engaging ‘in the creative process and open(ing) new doors for communication and future development possibilities’ is highlighted.

Rufus Stone will be screened at Cambridge Arts Picturehouse cinema on the 22nd of February at 4 p.m.as part of their Arts and Science Researcher Forum. The film also can be seen at BU at Talbot campus hosted by BU Media School’s Narrative Group on 18 March, Kimmeridge (KG03) at 1 p.m.

 

 

Buzz around Rufus Stone continues to create academic, cinematic and community impact

Awarded & submitted bids, Fusion

“Anyone of any age and background can sit and watch this film, understand it, learn from it and emotionally connect to it”.— Dr Patricia Leavy in The Qualitative Report

The short film, Rufus Stone, (Kip Jones, Author and Executive Producer), seems to move from strength to strength. The movie was based on research as part of Research Councils UK funded research at Bournemouth University and a project of the national New Dynamics of Ageing programme.

                       Harry Kershaw, Martha Myers-Lowe &Tom Kane

Rufus Stone was screened as part of an ESRC Festival of Social Science event at BU in November for representatives of health and social care organisations. Participants went away from the day of activities with new knowledge about growing older as gay or lesbian in rural settings. Attendees each received a set of Method Deck cards produced by the research team to encourage their own groups in discussion and activities around these issues.

A Masterclass is in the planning stages for late April where representatives from both statutory and voluntary groups can come to Bournemouth for two days, learn about our research, view the film and take part in exercises drawn from the Method Deck. They then will be equipped to return to their groups with training in organising their own meaningful exercises around interfacing with older gay and lesbian citizens in their organisations. By partaking in the two days of activities, participants will receive copies of the Method Deck and the film. Stay tuned for details.

Freshers on HSC’s “Exploring Evidence to Guide Practice’ unit as well as Social Work students have had recent screenings as part of their learning experiences. There will be future opportunities for BU students to take advantage of this ‘home grown’ successful learning resource.

The film was screened in January at Birkbeck/University of London’s very modern Gordon Square cinema in Bloomsbury for their Doing Critical Social Research seminar series.  A lively discussion followed with what seemed a very appreciative audience.

Cambridge University welcomes Rufus to the Cambridge Arts Picturehouse cinema on the 22nd of February at 4 p.m. as part of their Arts and Science Researcher Forum. A Q&A with Jones and Rufus Stone’s director, Josh Appignanesi, will follow the screening, BU’s Trevor Hearing will moderate.

There will be a screening of Rufus Stone in March at Talbot campus hosted by BU Media School’s Narrative Group. Following the film, Jones will discuss the use of narrative research, biography and autobiography in creating the film’s story and script.  Great chance to catch the film if you haven’t seen it already. 18 March, Kimmeridge (KG03) at 1 p.m.

Community screenings at local cinemas in Poole and Wareham are set for the BU Festival of Learning on June 5th at the Lighthouse and June 12th at the Rex. Both start at 1 p.m. with refreshments and conversation to follow. We are particularly hoping to draw crowds of a range of ages and backgrounds from local communities.

                       William Gaunt, Lin Blakley & Niall Buggy

For information, registration and/or ticket details for all future screenings, check the sidebar on Rufus Stone the movie BU microsite.

Buzz around the film has also hit the net. The Sociological Imagination features the trailer for the film on its pages and discusses ‘Turning Research into Film’. The Qualitative Report frequently features updates about Rufus Stone in its Weekly Report and recently ran a review of the film by author and educator, Patricia Leavy.

London School of Economics and Political Science (LSE) “Impact of Social Science” web pages recently interviewed Kip Jones about Rufus Stone. Topics covered include: “How did Rufus Stone come about?” “What is the relationship between the research and the film?” and “What advice to you have for social scientists interested in using tools from the arts?” 5 Minutes with Kip Jones: “we engage in the creative process and open new doors for communication”.

As well as winning two awards at the prestigious Rhode Island International Film Festival last summer, the film has also recently featured in the Torin (Italy) Film Festival and the UK Jewish Film Festival in London.

An academic article by HSC’s Kip Jones, Lee-Ann Fenge, Rosie Read and Marilyn Cash goes live in Forum: Qualitative Social Research, an on-line journal, shortly. The paper outlines the research behind the film, then presents in-depth life stories of four of the research participants.

Jones has also recently published , “Connecting Research with Communities through Performative Social Science”, which makes a case for the potential of arts-based social science to reach audiences and engage communities.

Case is made for fusion of the Arts and Social Sciences

Kip Jones, Reader in Peformative Social Science, HSC and The Media School makes a case for the potential of arts-based social science to reach audiences and engage communities in an article in The Qualitative Report (Vol 17: 18, 1-8) published electronically today. http://www.nova.edu/ssss/QR/QR17/jones.pdf

 Entitled, “Connecting Research with Communities through Performative Social Science” (PSS), the paper contextualises both the use of the Arts in Social Science, as well as the utility of Social Science in the Arts and Humanities. PSS is conceived of as a fusion of the Arts and Social Sciences, creating a new paradigm where tools from the Arts and Humanities are explored for their utility in enriching the ways in which we investigate Social Science subjects and involve communities in our research efforts and diffusion of our collaborative endeavours. Performative Social Science is redefined in terms of a synthesis that can break down old boundaries, open up channels of communication and empower communities through engagement.

The article harks back the beginnings of PSS by recalling the influential AHRC funded series of workshops, “Social Science in Search of its Muse” held at BU throughout 2006-07, reported in a short video (https://vimeo.com/4327950). This was followed by a Special Issue on Performative Social Science for the online, qualitative journal, Forum: Qualitative Social Research (Jones et al., May, 2008), providing a wide range of examples and manifestations of PSS, with contributions from various disciplines/subject areas, and realized through a wide variety of approaches to research practice.

 Since these early efforts in PSS, the impact of these explorations has been measurable, including several completed PhDs utilizing principles of PSS, many journal articles, films and conference presentations nationally and internationally and further funding by Research Councils UK of research based in Performative Social Science methods.

Jones then turns to examples from his own work to illustrate what happens when Art talks to Social Science and Social Science responds to Art. The benefits of such interaction and interdisciplinarity are outlined in relation to a recently completed project using multi-methods, which resulted in the production and current dissemination of the professional short film, Rufus Stone.

Jones said, “Performative Social Science provides the overarching intellectual prowess, strategies and methodological and theoretical bases to engage and unite scholars across disciplines and, in turn, connect researchers’ endeavours with communities and stakeholders. Performative Social Science or a fusion of the arts and sciences are central to both community engagement and as catalysts for change”.

‘Popularizing Research’ published with opening Chapter by BU’s Kip Jones on Performative Social Science

Peter Lang Publishing announces the publication of Popularizing Research: Engaging New Genres, Media, and Audiences, edited by Phillip Vannini of Canada’s Royal Roads University.

The book’s opening Chapter, “Short Film as Performative Social Science: The Story Behind “’Princess Margaret’” was written by Dr Kip Jones, Reader in Qualitative Research and Performative Social Science, who shares a joint appointment in HSC and the Media School. The Chapter outlines his fascinating and innovative approach to research and its dissemination via a fusion of the arts and social sciences.

Jones utilizes his chapter to recount an unconventional journey to academic publishing that certainly did not follow the usual route of journal or book publication. The Chapter revisits “The one about Princess Margaret”, one of Jones’ earliest attempts at audio/visual script writing, by recalling his initial motivation and enthusiasm for finding innovative ways to express scholarship and how his thinking about the use of tools from the arts in social science has evolved since those early days. These personal experiences are then offered up as advice in a summation for both social scientists and arts practitioners who may be interested in this new paradigm of Performative Social Science through a discussion about collaboration and pathways to impact.

Popularizing Research offers academics, professional researchers, and students a new methodological book/website hybrid by way of a broad survey of ways to popularize research. As an edited interdisciplinary book accompanied by a website featuring samples of popularized research, it will have the potential of not only telling its readers about new genres, new media, new strategies, and new imperatives for popularizing research, but most importantly it will also be useful in showing how these new processes work in the end, what they sound like, and what they look like.

For more information and to view the video representing Jones’ contribution to the book, see his page on the book’s website under ‘Film’.