Tagged / CIPPM

CIPPM associate director quoted in Financial Times

Prof. Ruth SoetendorpProfessor Ruth Soetendorp, Associate Director of the Centre for Intellectual Property Policy and Management (CIPPM) in the Business School has been quoted in the Financial Times.  http://search.ft.com/search?queryText=ruth+intellectual+property The article titled ‘Students Need Better Education about Intellectual Property” (IP) goes on to reveal the recent research findings published by the National Union of Students (NUS), the Intellectual Property Office (IPO) and the Intellectual Property Awareness Network (IPAN).  According to the research, it has been established that “that while 80 per cent of students believe knowledge of IP is important, many students are not even aware of the potential scope of IP education. And even where it does take place, IP education is often restricted to plagiarism. Furthermore whilst 82 per cent of students feel it is important to know about IP to ensure everyone receives recognition for their work and ideas, significantly less make a connection between IP and commercial success”.

Professor Ruth Soetendorp, Head of IPAN’s Education Group is quoted as follows:

“This research highlights shortcomings in student IP understanding and its teaching in Further and Higher Education which have negative implications for the UK economy.  The UK needs to be world class in the creative arts, innovative in its product and systems designs, and pioneering in manufacturing processes.  In a global market these need to be underwritten by a proper understanding of IP embedded in an educated workforce.”

The Full Report can be found here http://www.nus.org.uk/PageFiles/12238/2012_NUS_IPO_IPAN_Student_Attitudes_to_Intellectectual_Property.pdf and the IPAN media release, quoted in the Financial Times can be found here http://www.ipaware.net/node/77

Bournemouth University is one of only two universities in the UK to have an innovative IP syllabus for final year law students. The Intellectual Property law unit which is offered to final year law students culminates in a collaborative project which brings together Law students and Design, Engineering and Computing (DEC) students.  The project requires the Law students to provide IP advice to DEC students on their final year ‘inventions’.  The project brings ‘IP law to Life’ and provides the type of IP understanding and commercial awareness that both parties need.

http://www.bournemouth.ac.uk/newsandevents/News/2012/july/contentonly_1_7896_7896.html

The IP-DEC Project at Bournemouth University was pioneered by Professor Ruth Soetendorp in 1995.

Co-Director of CIPPM, Dr Dinusha Mendis, elected to the Executive Committee of the British and Irish Law Education and Technology Association (BILETA)

Dr Dinusha Mendis, Senior Lecturer in Law, and Co-Director of the Centre for Intellectual Property Policy and Management http://www.cippm.org.uk/ was elected to the Executive Committee of the long-standing British and Irish Law Education and Technology Association (BILETA) in March 2012 http://www.bileta.ac.uk/Membership/Executive%20Committee

Formed in April 1986 BILETA exists to promote the use of technology in legal education throughout the UK and Ireland.  The Association liaises with academic organisations and professional organisations such as the Higher Education Academy http://www.heacademy.ac.uk/disciplines/law and British and Irish Legal Information Institute (BAILI) http://www.bailii.org/ Dr. Mendis also represents Bournemouth University on the Society of Legal Scholars (SLS) Council http://www1.legalscholars.ac.uk/about/council/index.cfm which was founded in 1908 and celebrates 104 years in 2012.

At the 2012 BILETA Annual Conference in Newcastle (http://www.numyspace.co.uk/~unn_mlif1/school_of_law/bileta/)  Dr. Mendis presented a paper analysing the UK Digital Economy Act 2010. This Act attempts to enforce copyright law in the online environment, for example against downloading and file-sharing. Infringing users will be given three warnings after which they can potentially be disconnected from the Internet, also known as ‘three-strikes-and-you’re-out’. The law is controversial, and still to be implemented. Dr Mendis considers the proportionality of the measure and its effectiveness in the context of fast moving technology.

Neelie Kroes, Vice-President of the European Commission (Digital Agenda), reads BU research, but…

Neelie Kroes, Vice-President of the European Commission responsible for the Digital Agenda, made her annual set piece speech at the Media Forum in Avignon, France on 19 November: Who feeds the artist?

Speaking of economic reward: if that is the aim of our current copyright system, we’re failing here too. [then follows a paragraph summarising the BU studies in the area, but without reference] 1000 euros a month is not much to live off. Often less than the minimum wage. But most artists, and not only the young ones at the early stages of their career, have to do so. Half the fine artists in the UK, half the “professional” authors in Germany, and, I am told, an incredible 97.5% of one of the biggest collecting society’s members in Europe, receive less than that paltry payment of 1000 euros a month for their copyright works. Of course, the best-paid in this sector earn a lot, and well done to them. But at the bottom of the pyramid are a whole mass of people who need independent means or a second job just to survive.

[before indicating a change in policy direction] Let’s not wait for a financial crisis in the creative sector to happen to finally adopt the right tools to tackle it.

—

The data is clearly from:

AUTHORS’ EARNINGS FROM COPYRIGHT AND NON-COPYRIGHT SOURCES: A SURVEY OF 25,000 BRITISH AND GERMAN WRITERS (ALCS Study 2007) http://www.cippm.org.uk/alcs_study.html

COPYRIGHT CONTRACTS AND EARNINGS OF VISUAL CREATORS: A SURVEY OF 5,800 BRITISH DESIGNERS, FINE ARTISTS, ILLUSTRATORS AND PHOTOGRAPHERS (DACS Study 2011) http://www.cippm.org.uk/publications/dacs-report.html

A possible source is my contribution to a Hearing in the European Parliament last June. http://www.cippm.org.uk/news/2011/jun/ne001-future-of-copyright-in-the-digital-era.html

So there is a challenge… I could blog: “European Commission Vice-President reads BU research”.

But no source is cited. Did our studies matter? Is there a causal link to a change in the direction of copyright policy?

In REF terms, was there Impact of research?

Prof Martin Kretschmer on Hargreaves’ parody and private use exception to copyright

BU’s Prof Martin Kretschmer will speak at a Houses of Parliament discussion into the practicalities of Professor Hargreaves’ recommended copyright exceptions.

The event, entitled ‘Hargreaves’ exceptions: format-shifting, parody, research and archiving’, takes place on Tuesday 18 October and will bring together a wide range of stakeholders to discuss the practical implications of Professor Hargreaves’ recommendation.

The Hargreaves Review cites the research in developing a recommendation to introduce a limited private copying exception without compensation.

Professor Kretschmer will talk about the European requirement of “fair compensation” in relation to certain copyright exceptions. His research reports the results of three product level studies – printer / scanners, portable music / video / game devices and tablet computers – and analyses the relationship between VAT, levy tariffs and retail prices in 20 levy and non-levy countries. His report on copyright levies, funded by the Economic & Social Research Council (ESRC), has been cited by the Hargreaves Review and in the Government’s response to Hargreaves.

The panel discussion will be chaired by Jim Dowd MP. Other panel members include Martin Brennan, founder and CEO of 3GA Ltd, Richard Brousson, legal counsel at the British Film Institute (BFI) and James Sadri, digital producer at Greenpeace UK.

For further information, please see the following links: 

More on Private Copying and Fair Compensation

Professor Martin Kretschmer’s academic profile

More publications by Professor Martin Kretschmer