Category / Fusion

SDRC newly appointed visiting professor

SDRC has developed significant portfolio of industrially funded research, national and international collaborations and visiting faculty. BU has recently appointed Professor Bob Cripps as visiting professor.

He is currently a Director of Longitude Consulting Engineering part of London Offshore Consultants (LOC) which was established to provide independent, high quality marine and engineering consultancy to the shipping and offshore industries.

Professor Cripps was previously Director Engineering College for BAE Systems Surface Ships responsible for developing and maintaining BAE Systems Surface Ships academic and engineering reputation as being world class and he was responsible for setting up University Technology Partnerships at six key UK universities.

Prior to this, Professor Cripps was Technical Director at VT Halmatic responsible for all technical aspects including boat design/engineering and composite development. He was Engineering Manager at RNLI for 18 years responsible for the design and development of all classes of lifeboat (offshore and inshore), launching equipment and moorings. He was instrumental in the development of the latest generation of lifeboats namely, Severn, Trent, Tamar and Atlantic 85 class lifeboats. He was also responsible for all research and development undertaken by the RNLI and he established the Advanced Technology Partnership between the RNLI and the University of Southampton in 2000.

Professor Cripps is a Royal Academy of Engineering Visiting Professor in the Principles of Engineering Design at the University of Southampton. He is well known for his work in the design and development of small craft and the use of composite materials in marine applications and this was recognised with the award of an Honorary Doctor of Engineering from Bournemouth University in 2005. Particular areas of interest and expertise are the development and integration of methods and processes to enable designers to utilise latest technical developments simply at an early stage of the design process.

Professor Cripps was instrumental in introducing different NDE methods into the construction and in-service inspection of composites hulls and this was recognised by The British Institute of Non-Destructive Testing with the 2002 NEMET Award for outstanding examples of effective use of NDT.

He was a Senior Ship Surveyor with Lloyds Register of Shipping for nearly 13 years in the Research and Development Group and the Plan Approval Department. Graduating in 1976 from University of Southampton with a BSc.(Hons) Ship Science, Professor Cripps is also a Fellow of the Royal Institution of Naval Architects (FRINA), Fellow of the Institute of Marine Engineering, Science and Technology (FIMarEST), Fellow of the Chartered Management Institute (FCMI), a Chartered Engineer (CEng) and European Engineer (EurIng).

If you would like to know more about the SDRC academic activity, please contact

Dr Zulfiqar Khan (Associate Professor)

Director SDRC

Maternity, Midwifery & Baby Conference

A recent free Maternity, Midwifery & Baby Conference held in London offered an ideal opportunity for Bournemouth University to showcase two innovative projects. The first, co-presented by Dr. Sue Way and Sian Ridden, a 2nd year midwifery student, focused on a joint chiropractic and midwifery newborn clinic which was set up with Fusion principles in mind. There are a number of aims of the clinic, of which the main is to optimise women’s opportunities to breastfeed successfully by providing chiropractic care for babies and breastfeeding support and advice to mothers. There are two further important aims, one of which, is to enhance student (undergraduate midwifery students & chiropractic students) learning opportunities and secondly, to provide networking and collaborative opportunities for students and staff in relation to research and dissemination of findings around these particular topics. When it was Sian’s turn to present, she was confident and articulate. She discussed a case study and how her knowledge was enhanced by being part of the clinic. Sian found attending the clinics provided her with a great learning experience and it was empowering that she was able to provide breastfeeding support under the guidance of the experts in the respective fields (Alison Taylor and Dr. Joyce Miller). Preliminary breastfeeding results from the clinic are promising. More details to follow in due course. Finally the seminar concluded by discussing the re-launch of the clinic in September, and to raise awareness of the re-launch, a free local conference (funded by Fusion Funding) for the community will be taking place on the 12th July 2014. For further information on the above clinic or the conference please contact Alison Taylor on ataylor@bournemouth.ac.uk or Dr. Sue Way on sway@bournemouth.ac.uk .

 

The second seminar presentation took place after lunch and it focused on a study which is currently taking place involving five 3rd year midwifery students and the feasibility of incorporating newborn infant physical examination (NIPE) competencies into the pre-registration midwifery programme.  Traditionally these competencies are usually achieved post qualification when midwives have a number of years’ experience under their belt. However BU midwifery students felt differently and Luisa Cescutti-Butler discussed how the study was initiated by Luzie who asked the question: “why couldn’t they learn all the necessary skills in the third year of their programme”? Luzie took to the podium and presented her section like a duck to water. She didn’t shy away from the difficulties from taking this extra study on, but was quite clear that the benefits for women in her care were worth the extra work.  The presentation generated quite a lot of heated discussion with some midwives in the audience quite adamant that students should not be taking on this ‘extended’ skill. However Luzie was able to stand her ground and confidently counter ague as to why students should gain these skills during the undergraduate programme. She received a resounding clap and cheers from the audience.

It takes some courage to stand up in a room full of people and present, and Sian and Luzie were brilliant.  Both students did Bournemouth University and in particular the midwifery team proud. For further information on the above study please contact Luisa Cescutti-Butler on lcbutler@bournemouth.ac.uk

 

 

 

Two New Books for Social Workers

Bournemouth University and Centre for Social Work, Sociology and Social Policy Professor Jonathan Parker has recently published two key books.

The fourth edition of the best-selling textbook Social Work Practice, published by Sage, represents a milestone in the book’s history. First published in 2003 to introduce the new qualifying social work degree in the UK, it formed one of the first books in the highly popular Transforming Social Work Practice series from Learning Matters, now an imprint of Sage publications, and edited from the outset by Professor Parker. The book rapidly became a best-seller, consistently in the top-three best-selling social work textbooks in the UK. The work was translated into Japanese, used in Southeast Asia and Europe and has proved popular during Professor Parker’s recent study leave in Malaysia.

The concept for the second book Active Ageing: Perspectives from Europe on a vaunted topic (Whiting & Birch), an edited collection celebrating the European Year of Active Ageing in 2012, was conceived during a weeklong symposium, held at the University of Málaga in April 2012. Academics and students from Spain, Austria, the Czech Republic, Germany, Lithuania, the Netherlands and the UK lauded the contribution that older people make to our societies through the exploration and critical analysis of the concept of active ageing. Written in a context of increased population growth and ageing, and continuing fiscal pressures, the editors, Maria Luisa Gomez Jimenez and Jonathan Parker, brought together thirteen chapters comprising diverse insights into ageing and active ageing that offer a contribution to our understanding of these complex areas of modern human life.

Stripping Back the Layers: Women’s spiritual quest for religious authenticity

Having failed to get it externally funded, I decided to hell with it! I would do the project anyway. It was too important a topic to abort on such flimsy grounds; and anyway in the social sciences funding has never been a precursor to undertaking excellent and original scholarship, and this promised to be that.

 

I have long been fascinated by religion and spirituality as integral to cultural diversity, and this interest has underpinned much of my scholarship in both social work and sociology. Gender studies are equally a passion and so it seemed natural to form a happy union of the two.

 

For the past eighteen months, and thanks to recent Fusion Funding for part of the project, I have been undertaking a cross-cultural study of women’s experiences of religious commitment across several faith groups in the UK and Malaysia. Both countries share a common historical heritage through the ties of colonialism, where additionally wide-scale migration has forged multicultural and therefore multifaith societies. Each modern nation also struggles to resolve the contradictions and paradoxes created through multiculturalism and claims to a specific national religion.

 

The aim of the study is to examine the constructions and meanings that women bring to religious beliefs and daily practices, which may be distinctive to those of men, particularly given the extremely powerful influences of patriarchy in organised religion. Thus, the working assumption behind this study is that women will bring their own gendered priorities and understandings as women (and variously as wives/partners, mothers, daughters and sisters) to their individual religious and spiritual beliefs.

 

For an in-depth ethnographic study the participant sample is extensive, and where by the end of this year, 48-50 individual narratives will complete the data gathering stage. The level of complexity is high for not only does this study cover two contemporary societies, but it also seeks to cover representatives from several different faith groups. Thus, in Southwest England I am seeking to capture the voices of Buddhist, Jewish, Christian and Muslim women, as well as hoping to access female followers of one of the ‘New Religions’.

 

Across Malaysia, I have covered the same groups but substituted Jewish participants for Hindus.  I also hope to access indigeneous Animists to compare with the revival in pre-Christian ‘nature religions’ that may be found in the evocatively pagan, Dorset/Somerset/Wiltshire landscapes.

 

Such a large and highly diverse sample group represents a major study of contemporary, gendered faith practices in modern, multicultural societies; and where despite woman-centric theological re-interpretations, such as, for example, Christian feminists theologies or Malaysia’s ‘Sisters in Islam’, the insights from this study are already proving to be original and profound. My initial hypothesis has been both affirmed and challenged by participants struggling to engage with the politics of ethnicity, culture, gender constructions and gender oppression; together with the business of daily negotiating the politics of church/temple/mosque/synagogue – not forgetting, of course, the politics of the home and family.

 

Participant accounts have been deeply moving at times; and where to my surprise, I have been frequently thanked for giving participants the opportunity to be able to express that which is so important to their individual integrity and sense of purpose in life – and yet which remains a submerged discourse. There are many reasons, political, social and personal for religious expression among women to be largely unheard (and sometimes even a forbidden) discourse in both countries. These too are critical issues of context that are analysed alongside the narratives.

 

With REF2020 beginning to appear over the horizon, I will seek to do justice to these remarkable narratives in my analysis and the research monograph and peer-reviewed papers being planned. However, what is strikingly apparent is the intense interest participants hold towards their own spiritual journey, where they are also eager to read the finished publications in order to find further insights and connections with other women: impact in itself.

 

What this reveals to me is that not only is the area of inquiry extremely rich in theme, nuance and contemporary relevance, but that in respect of social impact (however one defines that term) much more is needed of me. Accordingly I am pondering deeply on how I may return and somehow multiply the fruits of this research to the global community of women for whom it carries such intense meaning and many shared commonalities in an otherwise divided world.

 

Volunteering to be a participant

If this Blog has resonated with you as a woman embracing a religious faith, or as someone who may know of such, I would be extremely grateful if you would contact me directly on scrabtree@bournemouth.ac.uk. Muslim, Jewish and ‘New Religion’ women’s voices in England are still under-represented in the study but all participants from other faith groups are equally welcome.

Delphi comes to Leipzig via BU

Delphi method is an unsung qualitative research technique used for investigating complex issues. It was the subject of one of The Media School’s Prof Tom Watson’s teaching actions during his Erasmus visit to Leipzig University in Germany last week.

He was hosted by Prof Gunter Bentele and Prof Ansgar Zerfass of the university’s Communication Management Research Institute (Instituts KMW), who are also co-researchers with him.

“Delphi method has been little used in PR and Communication Management research. So this was an opportunity to present it to a group of Early Career Researchers and PhD students,” said Prof Watson who used it for an international study of PR research priorities in 2007/08.

He is hopeful that Delphi method, which draws its name from the oracle of Delphi as it is used for forecasting and policy creation, will be more widely used at both universities. “It gets very rich results amongst practitioners and from international experts.”

Other actions during Prof Watson’s Erasmus visit, supported by the British Council and a FIF SMN selection, were two seminars to Masters students on PR history and PR measurement as well as mentoring meetings with PhD students.

Leipzig University has been an Erasmus partner of BU for the past four years. It has one of Europe’s leading communication management and PR research teams, with an international reputation. Professors Bentele and Zerfass have both visited BU under the Erasmus banner. Students have also come from Leipzig to BU for six months’ study on the MA Public Relations.

“As well as being where J.S. Bach composed his music in the Thomaskirche (St Thomas’s Church) in the 18th century, the venue of the annual World Goth Festival and a charming city centre , Leipzig is a top university which started in 1409”, said Prof Watson. “There is great potential to further develop our relationship with it and its very welcoming staff.”

Thomaskirche, Leipzig, where J.S. Bach composed most of his music

 

Fusion Investment Fund application? Need any help?

It’s just a week now until the deadline for FIF. We have put two items on the website which might help if you are fine-tuning your application.

If you couldn’t make it to the awareness sessions you might like to look at the presentation slides. Nowhere near as good as actually being there of course! But it might help a little.

Also we’ve put together a checklist of the most common problems to avoid. Many applications fail on one or more of these points – don’t let yours be one of those!

There’s lots more information on the website, including the policy docs and FAQs. Frankly, the chances of being successful if you HAVEN’T read these is pretty slim, so do take a look.

Good luck!

 

 

 

Making a Difference with Music

I have to admit I was not having the best of weeks but being part of the BUDI Orchestra’s penultimate rehearsal yesterday was, as one of the participants said to me at the end the session, ‘better than therapy’. 

Some of the highlights for me of this week’s session were a couple celebrating their 59th wedding anniversary by bringing chocolates and biscuits to share with their orchestra friends and telling me this session was the ideal way to celebrate this pretty remarkable period of marriage; another couple who had told me they have been having difficulties communicating reaching out simultaneously for one another’s hands when Moon River was playing; and having people with dementia and their carers tell me that attending this group is the highlight of their week, indeed that they need no persuasion to get out of bed knowing they have their music group to come along to; and to hear that they consider the members of the group their friends. This all demonstrates the true achievement of the BSO musicians, BU students and my team members in rising to the deceptively simple challenge I set for this project: to create an atmosphere that was welcoming, fun, promoted equality between everyone, and where having dementia was not to be the guiding factor, rather for everyone to be part of a ‘normal’ group where people would learn and work together. And they have achieved this in spades!

Seeing for myself the progress and development in those with dementia who have participated over a 9 week period makes this project worthwhile. For example a man, who on week one who was having trouble remembering how to play his double bass (even though he didn’t need much encouragement to teach me some basic notes), now jamming with the professional musicians; how another man, who brought his mouth organ to the first session and began to recall how to play, now plays all the pieces by ear and is smiling from ear to ear after the session ends. Seeing the relaxation and concentration on participants’ faces who had been anxious about first week, but who are completely in the moment and whose verbal communication skills have, to me, taken an absolute upturn, and who now chat easily and at length during the break and at the session end. For example, one participant invited me to their previous home if I was ever passing, it doesn’t matter that they live in Dorset now and were talking about their old address, the important thing is they have increased their sense of social confidence and are reaching out and connecting with others, something that is, all too often, sadly lost by others failing to accommodate the communication needs of those with dementia.

 Have a look yourself at one of the items that will be performed by the BSO and BUDI Orchestra at the Winton life centre on Saturday 14 June, 11am, as part of the BU Festival of Learning programme. I’ve already shown this  to whomever I met yesterday afternoon, and the surprise on colleagues’ faces when they understood that this was a group of people with dementia who had only been rehearsing for 9 weeks and the majority of whom had never played an instrument before was fun to see! Moving from playing, to singing to body percussion in one piece is challenging and demonstrates the development in learning the musicians have enabled over the sessions.

https://www.youtube.com/watch?v=oscti3517ww

 To me, this project is a way to challenge the misconceptions and myths people hold about people with dementia not being able to learn and participate to a high level. I wish I could bottle the benefits that I observed in our participants, and, actually, the benefits that I have gained from being a small part of a truly special group that has created an amazing sense of community with acceptance, fun and friendship at its core.

 The group are already feeling the loss of these sessions as they know they only have one more rehearsal and then the performance and then our FIF funding stops. Yet this is what I would say is true impact: yes, we have the papers and other academic impact values, and we will seek to publish after the sessions end and the follow up period data is collected, but to see the development in how the professional musicians work with those with dementia, most who in the main had not worked with people with dementia before and their absolute engagement and commitment to creating a positive experience for the group; to see how our students have grown in confidence, and the relationships they have built with individuals with dementia is fantastic and demonstrates the impact of learning together. But most of all, to hear about, and see first-hand, the pleasure and benefits for those living with dementia and their carers makes this the best project I’ve ever had the pleasure of being part of, and if anyone has ideas about finding ways to fund this project beyond its research parameters as an on-going community engagement project, please do let me know!

Bournemouth-Utrecht: Fusion Project Workshop

We would like to invite you to the workshop of our BUUU project “Bournemouth University and Utrecht University Network on Empowering Software Production by Gamification and Crowdsourcing”. BUUU is funded by the Fusion Investment Fund of Bournemouth University.

   

Date: Thursday, 12 – Jun – 2014

Location: P302 LT, Poole House, Talbot Campus, Fern Barrow, Poole, BH12 4BB

Program:

14:00 – 14:15 — Social Software Engineering at Bournemouth University. Raian Ali, Bournemouth University

14:15 – 14:30 — Gamified Software Engineering at Utrecht University. Fabiano Dalpiaz, Utrecht University

14:30 – 14:45 — Crowdsourcing for Requirements Elicitation in Large-scale Dynamic Software Systems. Mahmood Hosseini, Bournemouth University

14:45 – 15:00 — On the Use of Gamification for Obtaining Software Feedback. Mats Hofman, Utrecht University

15:00 – 15:15 — Crowd-driven Evolution for Socio-technical Systems. Alimohammad Shahri, Bournemouth University

15:15 – 15:30 — Development Techniques for Feedback-aware Software. Nick Linakis, Utrecht University

15:30 – 15:45 — Developing Adaptive and Socially-aware Feedback Acquisition. Malik Almaliki, Bournemouth University

15:45 – 16:00 — Crowd-centric Requirements Engineering. Remco Snijders, Utrecht University

 

The room is booked till 17:00. The participants and audience are invited to engage in further discussions and networking.

All are welcome.

 

 

 

MoMA lead the way – what does this mean for the UK?

BUDI were delighted to welcome colleagues from the Museum of Modern Art (MoMA) in New York to Bournemouth University from 20-23rd May 2014, thanks to Fusion Investment Fund Mobility Strand Funding. Our local partnership working was put into practice to host international workshop leaders attended by participants near and far. MoMA’s specially trained Museum Educators ran two workshops in which they shared their successful model and established approach for making their services dementia-friendly (validated via evaluation from New York University). These workshops showcased their innovative style of education delivery, and provided attendees with an opportunity to hear the success of their approach and view a practical demonstration in a gallery or museum space.

 On 21st May 2014, 15 members of BU Staff and PhD Students took part in a free workshop at Talbot Campus and in the Atrium Art Gallery. This was followed on the 22nd May 2014 with a second workshop at Poole Museum which was attended by 40 participants currently working in museums, art galleries and the wider heritage sector, from as near as Poole and as far as Paris. During this workshop participants learnt how they could implement these approaches within their individual organisations. Participant’s fed back how useful they found the workshop:

  • It was a really good insight into what it’s like to provide for people with dementia. It was great to spend time looking at the paintings in the museum in a new way.
  • I will adopt my art gallery sessions to follow many of MoMA’s techniques.
  • I found the workshop both enjoyable and constructive and hope BUDI will run others on related topics.
  • Very well facilitated, clear well structured presentations. Very useful for my professional work.

We look forward to seeing how the participant’s learning translates into their future practice, and the wider impact of this approach within museums, art galleries and the heritage sector in the UK. We would also like to thank Poole Museum for kindly providing the venue and refreshments for the second workshop.

Michelle Heward

Good news- Additional CEL funding for HEA conference available

Thank you to colleagues who recently applied for the CEL funded pedagogic projects aligned to the CEL themes; the response was excellent and results will be shared very soon. However we are in the happy place of having enough funding left to support 6 additional colleagues to attend the upcoming HEA conference, the focus of Dawn Morley’s ‘Innovation, entrepreneurship and creativity’ brief. Should any colleague wish to make a late application, please contact Dawn directly at ‘dmorley@bournemouth.ac.uk’ to find out how to go about applying. We would be pleased to support a strong BU contingent in attending and bringing back innovative ideas that will enhance the student experience.

Professor B Gail Thomas

Dean of HSC & Director of CEL

Progress with making music

This week I went along to the half way point in the rehearsals for the BUDI orchestra and as promised from my first post about this work here is a link to short video clip

(this was rather difficult as I managed to record my clips upside down on my iphone (how is that possible??), as well as create huge file sizes from 30 second clips, but thanks to David Stone in M&C we now have something postable that hopefully gives a bit of a flavour of the sessions- despite my very amateur recording skills! but do come to their performance on 14 June at the Winton Life Centre as part of the BU FOL!)

My observations of the process this time centre around three things – first, the strong sense of a social group that has been created/formed by all involved, from the friendly welcomes, the catch ups over coffee and the general encouragement the group offered each other during the session. Second, I was also pleasantly surprised that carers sought me out to thank us for putting this group together and to share the positive impact they had observed themselves during the sessions on their relatives with dementia, but also how friends and family at home had also remarked on a positive visible difference in their relatives. 5 sessions and observed differences – is this the power of music? I was also struck by the questions asked of me about ‘would the group continue’ and as with any short ‘intervention’ type study feel the weight of not being able to promise to deliver again on something that is being hugely enjoyed by participants (and which we all hope will evaluate positively in a research sense – but only time will tell…). I guess this lack of being able to promise to continue with a service is kind of like service providers with limited budgets and short term initiatives… Hopefully we will secure funding to enable this work to continue, as even the community musician from the BSO with huge experience of outreach work feels this is a ‘very special’ project with amazing and fast results that everyone involved is observing.  From week 1 where participants were nervous about trying out the instruments to now being very comfortable with playing around with (lots of experimentation in terms of how to hold a violin in a comfy position) and actually playing the notes. I was also struck by carers telling me of their attempts to ‘practice’ at home – downloading or recording the pieces they have been introduced to during the sessions and singing, humming and dancing along at home – as unfortunately the violins cannot go home with the participants – and how enjoyable they are finding the sessions beyond coming along to the rehearsals themselves. My final observation is also the growth in confidence of the musicians, our students as well as those with dementia and their carers in how they relate to one another, how they try out new pieces and are no longer as hesitant to experiment as they were in the first session. The combination of body percussion, instrument playing and singing that the musicians have created by paying close attention to how everyone responds has led to a session format that is uplifting, fun, creative while also creating intense concentration amongst all participants as they learn and work together. I wish I could find time in my diary to attend all the sessions as they leave me feeling upbeat and positive; something that was clearly evident not only from what I observed but from what I was told by everyone in the session yesterday.