Category / humanities

2023-24 Missing Persons Indicator Cohort begins work

Awarded & submitted bids, BU research, humanities, research integrity, research methods, Student Engagement, student research

A team of 10 LLB Law students from across all levels is collating data on a pro bono basis on international, knowledge exchange project.

 

The Missing Persons Indicator Project is a collaboration between the International Commission on Missing Persons (ICMP) and Bournemouth University, with students at the heart of the project. Through students’ voluntary extra-curricular engagement, they are gathering data for sustained, high quality indicators and analysis. At the same time, participation equips students with a plethora of transferable skills and valuable research experience while contributing to a real-life societal problem with the overarching aim of alleviating missing persons cases.

So here’s a massive thank you to our student researcher cohort of 2023-24:

  • Angel Beaumont
  • Arman Ali
  • Maisie Lee
  • Lola Jones
  • Suzie Moore
  • Jazz White
  • Poppy Holland
  • Jasmin Sidhu-Bansal
  • Lydia Gee
  • Siobhan McClatchey

The data collated will help better understand the way states engage with, and seek to solve, missing persons cases, thereby assisting those involved in missing persons efforts. The collation and analysis of data will have a dual purpose: (1) to highlight missing persons protection and investigation mechanisms for improved implementation but also to (2) assist in prevention efforts. The development of indicators offers a way to capture the necessary data whilst facilitating analysis and comparison.

Findings to date will form part of the forthcoming ICMP Global Report and we will present the project rationale, methodology, data analysis and visualisation at the online Social Data School in December as part of the University of Cambridge Digital Humanities initiatives. Over the past two academic years and through the help of dedicated students on staff (Dr David Biggins from BUBS; Melissa Bowden from the Library and Dr Jonathan Whittle in H&L), on structural indicator 1 alone, some 12,288 data entry points have been populated.

The missing persons indicator project team has developed a robust platform and methodology for continued data collation. We are really pleased and grateful to continue on this path to complete the data set for structural and context indicators.

British Academy Postdoctoral Fellowship- Scheme to open 5th July

ECR Network, Funding opportunities, humanities

The British Academy is inviting proposals from early career researchers in the humanities and social sciences wishing to pursue an independent research project, towards the completion of a significant piece of publishable research. Applicants must be of Early Career Status, meaning they must apply within three years from the date of their successful viva voce examination.
The applicant must already be of postdoctoral status at the time when the Research Awards Committee meets. Scheme to open 5th July 2023 with an expected deadline of 4 October 2023.

The British Academy runs a two stage application process each year, with the deadline for outline applications falling in early October and for the second stage in February or early March the following year, for Fellowships to be taken up at the beginning of the following academic year.

If interested to apply for this call, please get in touch with Eva Papadopoulou.

Ukrainian refugees and their invisible luggage of displacement – publication by Dr Alina Dolea

BU research, humanities, Impact, Research Centres

Dr. Alina Dolea, Associate Professor in Strategic Communication and Public Diplomacy in FMC, has published an article on emotions, trauma and public diplomacy in the academic forum on the #RussiaUkraineWar that she co-edits together with Nadia Kaneva (University of Denver) and Ilan Manor (PhD) (Ben Gurion University of the Negev) in Place Branding & Public Diplomacy

In the article, Alina argues all displaced people (refugees, migrants, or expatriates) experience a sense of loss and trauma and the Ukrainians crossing the border to take refuge across Europe carry with them this emotional luggage that shapes their identity and influences their integration in their new host places. Yet, the consequences of this invisible luggage have been rarely scrutinized in depth in public diplomacy and even in diaspora diplomacy scholarship. She draws on the psychoanalytical work of Vamik Volkan to shed some light on the psychology of Ukrainian refugees and the reactions of Romanians as host population.

Expanding from her research on Romanian diaspora (over 5 million) and the current Ukrainian refugees in Europe (over 8 million), Alina posits it is essential to understand the complex psychology, loss, emotions and trauma of displacement in diaspora diplomacy. It is necessary for theory building in order to develop analytical frameworks and research questions that link psychological processes with engagement and disengagement. In terms of practice, it can inform medium- and long-term policies of support and integration of refugees in host countries. Developing programs and encouraging grassroots initiatives aimed to increase multi-cultural awareness, communication and collaboration between newcomers and host populations is critical. Increased communication towards host publics is also needed in European countries especially because previous waves of migration and refugees have been instrumentalized in exclusionary, divisive political discourses that contribute to social anxieties, fears and phobias towards newcomers. Psychoanalytical approaches can shed light on the psychological processes that make illiberal, populist and extremist discourses effective as they instrumentalize chosen traumas and chosen glories.

This essay calls for integrating the study of emotions in public diplomacy and diaspora diplomacy research in order to (1) explore the breadth and depth of psychological processes that turn individual emotions into group emotions and (2) understand the potential of emotions to enable or disrupt engagement. Interdisciplinary research which engages with political psychology approaches that look at emotions, affect and trauma can provide new analytical insights into the inner worlds and lived experiences of the displaced, as well as into the emotions that shape representations, attitudes and behaviours of both newcomers and hosts. Such insights are much needed in designing policies aimed to support displaced groups and ease their integration and adaption in host countries. They can also contribute to more inclusive and positive public discourses about migrants and refugees.

The Academic Forum on the #RussiaUkraineWar captures a variety of epistemic reflections, creating a common space for scholars from diverse fields such as public diplomacy, strategic communications, global media studies, nation branding, international relations, post-Soviet studies, linguistics, and cultural studies. Together, we re-examined some of the concepts and practices that have shaped major debates in public diplomacy and identified new angles and approaches that can no longer be ignored in light of a world of many crises.

New paper FHSS Visiting Faculty

BU research, humanities, NHS, Publishing, Research news, Uncategorized, Women's Academic Network, writing

The latest issue of the journal Performing Ethos: An International Journal of Ethics in Theatre & Performance includes the paper ‘The birth of a lullaby and these COVID years’ by Jillian Ireland, who is BU Visiting Faculty.  Jillian is Visiting Faculty in the Centre for Midwifery, Maternal & Perinatal Health (CMMPH) and Professional Midwifery Advocate in Poole Maternity Hospital, University Hospitals Dorset NHS Foundation Trust (UHD). 

Her new paper describes the birth (an appropriate verb to be used by a midwife) of a lullaby. This particular lullaby grew from a community-based maternity care intervention.  This project was funded by the Burdett Fund for Nurses, supported by the Foundation of Nursing Studies, and co-created by local women and staff  from maternity, health visiting and the Children’s Centre in the community.  The beautiful illustrations in this paper are by two local artists: Alan Mercel-Sanca and Allison Churchill.

Reference:

Ireland, J. (2022) The birth of a lullaby and these COVID years, Performing Ethos: An International Journal of Ethics in Theatre & Performance, 12: 39–52,  https://doi.org/10.1386/peet_00045_1

IMSET publishes position paper on long-term sustainability

BU2025, humanities, international, open access, Research communication, Research news

Fabio Silva of the Institute for the Modelling of Socio-Environmental Transitions, together with a group of co-authors from 32 other institutions, has led the publication of a landmark position paper in the journal Sustainability entitled Developing Transdisciplinary Approaches to Sustainability Challenges: The Need to Model Socio-Environmental Systems in the Longue Durée.

Stemming from a transdisciplinary workshop held online during 2020, the paper argues that current crises – in land use, biodiversity, novel pathogens, water management – can only be fully understood by doing research over timescales that greatly exceed the lifespan of any individual human. This so-called longue durée is the key to fully understanding the full extent of socio-environmental processes and their implications.

 

The spatial and temporal scales of key social and environmental processes of interest

 

As well as identifying key processes and challenges, IMSET and colleagues set out how key issues may be addressed by fully integrating humans into environmental modelling and planning. By including ancient human activity and future outcomes in our mission statement, we aim to provide a manifesto for developing an integrated approach towards socio-ecological systems in the long term.

—

Silva, Fabio, Fiona Coward, Kimberley Davies, Sarah Elliott, Emma Jenkins, Adrian C. Newton, Philip Riris, Marc Vander Linden, Jennifer Bates, Elena Cantarello, Daniel A. Contreras, Stefani A. Crabtree, Enrico R. Crema, Mary Edwards, Tatiana Filatova, Ben Fitzhugh, Hannah Fluck, Jacob Freeman, Kees Klein Goldewijk, Marta Krzyzanska, Daniel Lawrence, Helen Mackay, Marco Madella, Shira Yoshi Maezumi, Rob Marchant, Sophie Monsarrat, Kathleen D. Morrison, Ryan Rabett, Patrick Roberts, Mehdi Saqalli, Rick Stafford, Jens-Christian Svenning, Nicki J. Whithouse, and Alice Williams. 2022. “Developing Transdisciplinary Approaches to Sustainability Challenges: The Need to Model Socio-Environmental Systems in the Longue Durée“ Sustainability 14: 10234. DOI: 10.3390/su14161023

 

 

Professor Feigenbaum and her team launch guide on social media storytelling for health literacy

BU research, COVID-19, humanities, Knowledge Exchange

Creating social media posts that aim to build health or information literacy is challenging. It is one thing to get likes on a video of a cute dog dancing or your latest holiday pics, it is another to develop reflective, empathetic understanding of complex phenomena in a bite-sized image or video.

To help guide people through the process of creating social media stories for information and health literacy,  Professor Feigenbaum designed the Pick N Mix strategy. This Pick N Mix method is based on research findings from her team’s UKRI/AHRC COVID-19 Rapid Response project that analysed over 15,000 webcomics to look at the role this medium played in public health messaging on Instagram during the first year of the pandemic. The guide also draws from current research in psychology, graphic medicine and media studies. It was designed by creative studio partners Minute Works.

On 10th June 2022 Professor Feigenbaum and her team of BU student RAs — Katie Penfound, Kristy Hart, Linh Trinh and Abbie Smith — launched the new guide during a training workshop for stakeholders delivered to project partners from University Hospitals Dorset, CILIP The Library and Information Association and CEMP’s EdD programme.
The guide and stakeholder training session are set to make a meaningful impact, already getting great feedback from stakeholders.
Reaching out to a wider audience, on 14 June 2022, Professor Feigenbaum and BU alumni Ozlem Demirkol Tonnesen, an AHRC project RA and PhD Candidate at the University of Southampton, published a piece for The Conversation’s Quarter Life series, translating their storytelling strategies for social media content creators in their 20s and 30s.
Professor Feigenbaum and her team’s research on social media storytelling for health literacy will feature later this year at the British Science Festival. For more resources on social media storytelling for information and health literacy, you can check out their healthy socials training pack and AHRC project website.

FMC Researcher Lyle Skains Co-Edits Field-Defining Collection

Fusion, humanities, international

THE ELECTRONIC LITERATURE ORGANIZATION PRESENTS VOLUME 4 OF FIELD-DEFINING COLLECTION

Announcing the publication of the ELECTRONIC LITERATURE COLLECTION VOLUME 4, a freely accessible, Creative Commons-licensed collection of 132 digital-born literary works from 42 author nationalities in 31 languages. ELC4 debuted at the Electronic Literature Organization Conference in Como, Italy, May 30-June 1, 2022.

The Electronic Literature Collection, hosted by the Electronic Literature Organization, defines the field of electronic literature. Each volume recognises contemporary works, trends, and emerging creators in born-digital narrative and poetry. This collection is used as a foundational teaching text in university programs incorporating studies of electronic literature, interactive narratives, and e-poetry around the world.

Selected from more than 450 works, ELC4 presents the largest group yet of author/makers writing in Afrikaans, Ancient Chinese, Arabic, Catalan, Chinese, Danish, Dutch, English, French, German, Greek, Hungarian, Indonesian, isiXhosa, Italian, Japanese, Korean, Mezangelle, Norwegian, Polish, Portuguese, Romanian, Russian, Setswana, Simplified Chinese, Slovak, South African Sign Language, Spanish, Swedish, Turkish, Yoruba.

The Collection includes commercial works such as groundbreaking VR experiences and narrative video games. These join the many other works that are open access: database fictions, autoethnographies by GenZ makers, works that play with AI, geospatial storytelling via mobile phones–among many other styles and platforms.

The Electronic Literature Collection Volume 4 was edited by Kathi Inman Berens, John T. Murray, R. Lyle Skains, Rui Torres, and Mia Zamora with the assistance of an international advisory board and three student fellows.

“We made a strong effort to discover artists who were previously unknown to us,” said the Editors. “Curators in Mexico, India, West Africa, and international consultants from six continents helped us discover and evaluate works in languages we don’t speak.”

“Our driving purpose was to expand the collection in terms of diversity,” added Skains, “and to make the origins of these works searchable and transparent to all collection users.”

Teachers looking to engage students in cutting-edge literary works will find they can freely access ELC4 on their phones. Classroom computers aren’t necessary. It’s like a free textbook!

Scholars will appreciate being able to download and study the code and media assets of featured works. The Electronic Literature Organization hosts versions of the works to ensure perpetual access, even after operating systems and software are updated or become obsolete.

FREELY ACCESS THE ELECTRONIC LITERATURE COLLECTION VOLUME 4 here:
https://collection.eliterature.org/4/

ELC4 is the fourth collection published by the Electronic Literature Organization in 22 years. All four are available freely via Creative Commons license: https://collection.eliterature.org/

The Electronic Literature Organization was founded in 1999 to foster and promote the reading, writing, teaching, and understanding of literature as it develops and persists in a changing digital environment. A 501c(3) non-profit organization, ELO includes writers, artists, teachers, scholars, and developers from around the world.