Tagged / Centre for Qualitative Research

Centre for Qualitative Research Summer Surgery Sessions

CQR logo

CQR is pleased to announce a series of appointments available to postgrad (Masters or PhD) and academic researchers considering using qualitative methods for their projects.

 The half-hour sessions with Centre for Qualitative Research Director, Dr. Kip Jones, will take place over the summer at Royal London House, Lansdowne. Anyone who is thinking of using qualitative methods and would like more information, support from CQR members, or links to  resources, are welcome to book a half-hour session to discuss their project and get feedback.
Too often research projects jump into using qualitative methods of research such as interviewing, observing, etc. without really having any background in the method or training for it. When it comes time for Vivas or publications, often these projects do not then meet expectations.  What CQR hopes to do is ensure that qualitative projects of any kind carried out at BU are vigorous.  This is the reason behind the surgeries (as well as plans for future Centre for Qualitative Research seminars and masterclasses).
It is easy to book a slot for a session. Simply email Kip (kipworld@gmail.com) stating the date of either a Tuesday (10-12 noon) or a Wednesday (1-3 pm) over the summer when you can be available. You will get an email back with your timeslot for the particular date.

CQR members have expertise in a wide range of methods. We hope through this surgery process to connect you up with a particular resourceful person.
Research as Film/Film as Research
Photo-elicitation
Grounded Theory
Performance Poetry
Ethics
Interviewing
Focus Groups
Ethnography
Participatory Action Research
Autobiography
Auto-ethnography
Biographic Narrative Interpretive Method
Appreciative Inquiry
Arts-based methods
Telephone interviews
Questionnaire design
NVIVO
Performance Poetry
Reflexivity
Performative Social Science

CQR Members Delight Norwegian Visitors—“a very memorable experience”

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Norwegian visitors and CQR Members share results of arts-based research efforts at HSS. (Photos: Anne Quinney)

Five Members of BU’s Centre for Qualitative Research (Lee-Ann Fenge; Caroline Ellis-Hill; Maggie Hutchings; Michele Board; Anne Quinney) wowed recent visitors to FHSS from Sogn og Jordane University College in Norway. The College is based in the Sogn og Fjordane University College (Førde, Norway) which is currently situated on two campuses in Forde and Songdal on the west of Norway and on the longest and deepest Fjord in the world.

Each CQR member took a turn in presenting a short and sharp ten-minute demonstration by means of sharing the outputs of an arts-based qualitative project. These included:

  1. Ephemera workshop—sharing life stories via personal objects
  2. Seen but Seldom Heard –short video screening of a poetry project with disabled youth
  3. HeART of Stroke Project—sharing of a painting project for Stroke patients
  4. Meaning of Home photo project – sharing of photo book of baby boomers’ recollections of home
  5. Methods to Diversity—sharing and distribution of Method Deck of cards to encourage LGBT and ageing awareness
Collages5

Various arts-based projects shared with Norwegian visitors. (Photos: Anne Quinney)

A screening of the award-winning, research-based short film, RUFUS STONE, then followed the five short presentations. The visiting scholars remarked that they were very moved by the film. Overall, they appreciated the nuances in the use of arts-based approaches to create as well as disseminate research projects.

CQR is known internationally as a hub of excellence in Performative Social Science, a theoretically based approach to using tools from the arts and humanities in researching and/or disseminating a wide variety of health and social science topics.

One team member remarked, “On reflection, many of the messages from the six presentations overlapped, and so we created a very coherent and deep forum by means of hands-on sharing of objects”.

Another said, “There was a real buzz in the room and the event proved a great showcase for focusing on the strengths, power, magic, beauty, depth, richness of the many and varied CQR activities”.

Elizabeth Rosser, HSS’ Deputy Dean for Education and Professional Practice, who organised the three day visit to BU, summed up the Norwegians’ response: “They were MOST impressed and felt they gained considerably from the meeting with the Centre for Qualitative Research members”.

Visitors from Norway:

  1. Dr Anne-Grethe Halding: Associate Professor, Head of Department of Health Studies
  2. Professor Maj-Britt Raholm: Professor of Nursing
  3. Dr Anne Marie Sandvoll: Head of Postgraduate Education, Faculty of Health Studies
  4. Dr Aud Marie Øien: Research lead, Faculty of Health Studies
  5. Dr Eli Natvik: Early Career researcher and academic recently commenced at the University College from clinical practice as a physiotherapist.

Stay in touch with CQR on:

Facebook https://www.facebook.com/groups/54608373386/

Twitter: https://twitter.com/BUQualitative

CQR website: https://research.bournemouth.ac.uk/centre/centre-for-qualitative-research/

 

Centre for Qualitative Research Partners with Publisher

CQR TQR logosBournemouth University’s Centre for Qualitative Research (CQR) is proud to announce its developing association with the online, qualitative journal, The Qualitative Report (TQR). Electronically published from Nova-Southeastern University in Florida, the journal was the first of its kind in both qualitative research and open-access publication solely on the Internet. The journal also publishes The Weekly Qualitative Report to subscribers.

CQR is envisioned as a resource for qualitative research across departments and faculties at Bournemouth University. TQR is particularly well placed to support CQR in these efforts, with its cross-discipline approach in leading-edge, qualitative publication.

CQR is particularly interested in participation in a specific TQR editorship rubric. The scheme will offer BU academics and postgrad students the opportunity to develop their editorial skills through a three-tier process of Assistant, Associate and then finally, full Editor of the journal. Further details will follow shortly.

Additional developments are also in the pipeline: possible publication in TQR Books; participation in TQR’s Annual Qualitative Conference in Fort Lauderdale, Florida, either in person or virtually; participation in Nova’s qualitative webinar series; joint research grant applications with Nova; and participation in the Graduate Certificate in Qualitative Research.

The Qualitative Report Editor-in-Chief Dr. Ron Chenail stated, “I see a future for Bournemouth and TQR supporting each other, particularly in innovation and forward-looking education, research and publication.”

Dr. Kip Jones, Director of CQR, remarked: “TQR was one of the first journals to publish my work postdoc. Rather than simply reject my early attempt at a submission, the editors worked with me to construct the best possible version of my paper on systematic review of qualitative data. It was published by TQR in 2004 and is the most frequently cited paper of all of my publications to date.”

TQR Editorial Statement

The Qualitative Report (ISSN 1052-0147) is a peer-reviewed, on-line monthly journal devoted to writing and discussion of and about qualitative, critical, action, and collaborative inquiry and research. The Qualitative Report, the oldest multidisciplinary qualitative research journal in the world, serves as a forum and sounding board for researchers, scholars, practitioners, and other reflective-minded individuals who are passionate about ideas, methods, and analyses permeating qualitative, action, collaborative, and critical study. These pages are open to a variety of forms: original, scholarly activity such as qualitative research studies, critical commentaries, editorials, or debates concerning pertinent issues and topics; news of networking and research possibilities; and other sorts of journalistic and literary shapes which may interest and pique readers.

The Qualitative Report is published by Nova Southeastern University. Its Uniform Resource Locator (URL) is http://nsuworks.nova.edu/tqr/

TQR Index and Listing Information

The Qualitative Report is indexed in Scopus, Google Scholar, ERIC, Cambridge Scientific Abstract‘s (CSA) Web Resources Database (WRD) for the Social Sciences, Gale’s Academic OneFile, EBSCO Open Access Journals, Open Science Directory, SocioSite, and All Academic. (Abbreviated list)

Update:

Nova Southeastern University, the home of The Qualitative Report, has been listed by Times Higher Education of one of the 20 ‘Rising Stars’ amongst global universities. The Times said that those listed are “globally aware and outward-looking … and focus on innovation including harnessing new partnerships”. CQR at Bournemouth University is proud to be one of Nova’s partners!

Keep in touch with further developments in this exciting association on the CQR webpages, HSS blog or follow CQR on Twitter: @BUQualitative

Congratulations to Dr. Caroline Ellis-Hill

NIHRDr. Caroline Ellis-Hill  has just been accepted as a qualitative methodologist on the NIHR (National Institute for Health Research) panel for Programme Grants for Applied Research (PGfAR).  Caroline from the Centre for Qualitative Research (CQR) in FHSS is the second BU academic to join a NIHR panel this year.  Earlier this year Prof. Edwin van Teijlingen was invited to be a member of the NIHR’s HTA Clinical Evaluation & Trials Board ( http://www.nets.nihr.ac.uk/programmes/hta/our-people ).

Congratulations!

Professors Vanora Hundley & Edwin van Teijlingen

CMMPH

Creative Writing for Academics with Kip Jones

Creative writing

Summary: The Creative Writing workshop will be a unique event in that it will not be a typical ‘writing retreat’ (with trees to hug and lots of time to ruminate), but rather a very active experience with lots of exercises, suggestions and supportive feedback on participants’ work from Kip Jones and other participants.  The point is to encourage both students and academics who would like to include more creative writing in their outputs, particularly those whose writing includes reporting on narrative and other qualitative methods of research.  It also helps immensely in the move to publishing in the wider world of blogs and online outlets, moving work to media and film, auto-ethnography and even fiction.

Justification: The important point of Creative Writing for Academics is to help academics and students achieve the goal of achieving more of their work read by wider audiences; in other words, impact. By providing an intense two-day experience for participants to engage in developing writing skills, the playing field is levelled and opportunities for facilitated learning developed. By engaging in creative writing, it becomes possible for all to write more clearly, more simply, even more creatively, when writing not only for academic publications, but also for outlets previously unimagined.

Methods: The workshop will present opportunities to work with academic material and expand its means of production and dissemination to new and creative levels through interfaces with techniques from the arts and humanities, including blog and magazine writing, film treatments and scripts, and poetry and fictional exercises. These intellectual exchanges encourage joint exploration of how researchers can engage with principles and tools from the arts in order to expand and extend the possibilities of dissemination of research data. Concepts of creativity itself will evolve and be transformed by participants’ outlooks and willingness to engage with unfamiliar territory. These processes comprise a ‘facilitated learning’—in that knowledge will be gained as a secondary goal through a process of developing new relationships through small group problem-solving and self examination, grounded in personal past experience and knowledge.

12115534_10153710964944855_4944742169117744163_nKip Jones BA MSc PhD is Reader in Performative Social Science and Qualitative Research in the Faculties of Media & Communication and Health & Social Sciences at Bournemouth University. Jones has produced films, videos and audio productions and has written many articles for academic journals and authored Chapters in books on topics such as masculinity, ageing and rurality, and older LGBT citizens. His groundbreaking use of qualitative methods, including biography and auto-ethnography, and the use of tools from the arts in social science research and dissemination, are distinguished internationally.

Workshop Price: £120. for two days. £90. for students/BU staff

Academics and students at all levels welcome!

Register online at: 

http://creative-writing-workshop.eventbrite.co.uk

“Styles of Good Sense” Ethics, Filmmaking and Scholarship

Crew shooting early scene for the short, research-based film, RUFUS STONE

Crew shooting early scene for the short, research-based film, RUFUS STONE

Kip Jones’ draft Chapter for The Routledge International Handbook on Narrative and Life History was deposited today on BRIAN and Academia.edu. The book’s section on Ethics is edited by Ivor Goodson, with assistance from Ari Antikainen, Molly Andrews and Pat Sikes. Jones’ Chapter entitled, “Styles of Good Sense—Ethics, Filmmaking and Scholarship” is based upon his experience as researcher, author and producer of the award winning short film, RUFUS STONE.

Jones proposes that aesthetics and ethics need to be considered in concert and that they are at the very heart of arts-based research. Ethics and Aesthetics become intertwined and support one another. Jones states:

‘Ethics, much like aesthetics, is often misunderstood as something effusive, illusive and somehow, decision-making by the few on a rarefied echelon, involving pronouncements of grand moral impact and/or sophisticated discrimination. For these kinds of reasons and to avoid potential headaches, it is often assumed that checklists and committees will be far better at making such decisions than mere individuals.’

Jones believes that ethics and aesthetics need to remain the prerogative of the researcher/filmmaker and her/his participants and audiences. By developing a trust in instinct and intuition and the naturally expressive and moral potential of our personal resources, research involving people’s stories can become richer and more human, if we only are willing to jettison some of the baggage of the old academic rigor and dry procedural ethics.

Jones’ involvement in the section of the book on Ethics will include co-contributors Arthur Frank, Norm Denzin, Laurel Richardson and Carolyn Ellis, and will be published in the New Year.

 

 

RUFUS STONE shortlisted for AHRC Research in Film Award

Kip Rufus location

The research-based biopic RUFUS STONE has just been shortlisted for the AHRC Research in Film Anniversary Prize for best AHRC funded film since 1998.

A central strand of the activities taking place throughout 2015 to mark the AHRC’s tenth anniversary, the awards attracted nearly 200 entries across the five categories.

The awards are designed to recognise the creative and innovative work being undertaken at the interface between research and film by world-leading researchers, practitioners and filmmakers in the UK arts and humanities research community.

RUFUS STONE was based on three years of research on older LGBT citizens living in south west England and Wales. The research team was led by Kip Jones and included Lee-Ann Fenge and Rosie Read on the team.

Bournemouth’s Kip Jones acted as Author and Executive Producer, with Josh Appignanesi directing the film. RUFUS STONE was produced by Parkville Pictures, London.

More information on the research and film-making

Watch the film here.

“A Breath of Fresh AiR”

The Bournemouth University ARTS in Research Collaborative (AiR) held a two-day workshop in late summer to experiment with interviewing, narrative and ephemera, and arts-based representations of such approaches (reported here previously). An article available online from today in The Qualitative Report by Kip Jones entitled, “A Report on an Arts-led, Emotive Experiment in Interviewing and Storytelling” details the thinking behind this effort and the mechanisms put in place that contributed to the workshop’s success.

The paper reports on the two-day experimental workshop in arts‐led interviewing technique using ephemera to elicit life stories and then reporting narrative accounts back using creative means of presentation.

 Academics and students from across Departments at Bournemouth University told each other stories from their pasts based in objects that they presented to each other as gifts. Each partner then reported the shared story to the group using arts‐led presentation methods.

Narrative research and the qualitative interview are discussed. The conclusion is drawn that academics yearn to express the more emotive connections generated by listening to the stories of strangers.

The procedures followed for the two‐day workshop are outlined in order that other academics may also organize their own experiments in eliciting story using personal objects and retelling stories creatively.

Because the group wanted to take the impact of this experience further, AiR applied and was accepted to present the concept at the Social Research Association’s workshop ‘Creative Research Methods’ on 8 May at the British Library in London. The Collaborative is about to meet up to brainstorm ways in which to translate their experiences of the workshop into a more presentational one.

Anyone from across Departments, whether lecturer, researcher, student or faculty, is welcome to join the ARTS in Research Collaborative. Please contact Kip Jones if you are interested in joining or just want to know more about the Collaborative.

 This just in from Creative Quarter!

Ten ‘rules’ for being creative in producing research

ARTS in Research (AiR) Collaborative: Two days of creative scholarship

Shared objects/stories of a past (click on photo to enlarge)

“I can’t remember ever attending such an inspiring ‘in house’ event “.

The newly formed ARTS in Research Collaborative recently held two days of exploration of biography and ways and means of expressing the stories of others creatively and ethically. The workshop was entitled, A Past/A Present” ARTS in Research (AiR) Workshop.

Using shared objects representing a time or event in each participant’s life, a ‘partner’ then created a five minute presentation of and from the storied materials. Participants in the two-days of exploration came from HSC, the Media School and DEC. Both faculty and postgrad students took part.

The brief was kept simple and instruction to a minimum. Organiser Kip Jones shared examples from his own work of finding ways and means of responding creatively to detailed data as well as time and material constraints. Other than that, participants engaged in a learning process through participation itself and the sharing of their experiences. The group has agreed to write up the encounter for a journal article.

 

  • “Thank you all for the incredible willingness to be inventive, creative and think/be  outside ‘the box'”.

  • “An illuminating two days of deep sharing. I was honoured to be there and look forward to more creative adventures together”.

  • “Inspiring. An artful and generative suspension of ‘normal’ activity”.

The ARTS in Research Collaborative’s next workshop is planned for November at The Lighthouse in Poole. Details to follow. It will be open to a wider audience and there will be a charge to attend, but BU faculty and students are encouraged to apply for training and/or development funding within their Schools.

ARTS in Research (AiR) still accepting new members!

AiR Workshop: telling stories (click on photo to enlarge)

 

 

Grounded Theory Masterclass 18-19 June 2012

The Centre for Qualitative Research at Bournemouth University is pleased to announce its next Masterclass in Grounded Theory.Date: 18-19 June 2012 

Venue:Bournemouth University, Executive Business Centre, 2nd FloorBook your place online now.This masterclass will focus on grounded theory – theory developed from data. We shall examine the origins of the approach and the way it has developed over time. Key writers such as Strauss, Glaser and Charmaz will be discussed and their specific approaches described with examples from grounded theory work.

Who should attend
The masterclass has been designed to suit postgraduate students, academics and professionals who are using or may wish to use grounded theory methodology and methods in their research. You can also achieve masters level credits through taking this masterclass – visit our masterclass event page for more details.

Masterclass facilitators
Prof. Immy Holloway is internationally recognised for her work in qualitative approaches to research and has authored many articles and books on the subject. She not only has a deep theoretical knowledge of grounded theory but also takes a very practical approach.
Dr. Liz Norton is a Senior Lecturer at BU and has a particular interest in Glaserian grounded theory. She has used grounded theory in practice in the completion of environment and health-related grounded theory studies.

Cost
The fee of £200.00 (£125 for postgraduate students, with further reductions for BU staff/students) for this Masterclass includes two full days with the course facilitators, all refreshments and all class materials. Accommodation and travel costs are not included.

To book your place please use our online booking form.

For more details please visit our masterclass event page.

Best wishes,

Caroline Ellis-Hill
Masterclass Co-ordinator and Senior Lecturer at BU