Our BU briefing papers are designed to make our research outputs accessible and easily digestible so that our research findings can quickly be applied – whether to society, culture, public policy, services, the environment or to improve quality of life. They have been created to highlight research findings and their potential impact within their field.
This research reflects on practice-led research involving a community video project in southern India – Andhra Pradesh. Four of the women involved in this project were asked if they would use their cameras to film their everyday lives.
The aim of this paper was to build on current practice by combining participatory filmmaking with traditional observational documentary techniques and video diary interviews to locate a ‘third voice’ in order to create an engaging narrative and new perspectives on life in rural India.
Click here to read the briefing paper.
For more information about the research, contact Dr Sue Sudbury at firstname.lastname@example.org.
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The 60th BFI London Film Festival will run 5-16 October 2016 and is launching a major new initiative to support British filmmakers with an annual £50k bursary award.
As the deadline for this is very tight, this coming Friday 17th June, please get in touch with Eva Papadopoulou email: firstname.lastname@example.org so you can complete an expression of interest in relation to the Bursary.
full call available at BFI
Crew shooting early scene for the short, research-based film, RUFUS STONE
Kip Jones’ draft Chapter for The Routledge International Handbook on Narrative and Life History was deposited today on BRIAN and Academia.edu. The book’s section on Ethics is edited by Ivor Goodson, with assistance from Ari Antikainen, Molly Andrews and Pat Sikes. Jones’ Chapter entitled, “Styles of Good Sense—Ethics, Filmmaking and Scholarship” is based upon his experience as researcher, author and producer of the award winning short film, RUFUS STONE.
Jones proposes that aesthetics and ethics need to be considered in concert and that they are at the very heart of arts-based research. Ethics and Aesthetics become intertwined and support one another. Jones states:
‘Ethics, much like aesthetics, is often misunderstood as something effusive, illusive and somehow, decision-making by the few on a rarefied echelon, involving pronouncements of grand moral impact and/or sophisticated discrimination. For these kinds of reasons and to avoid potential headaches, it is often assumed that checklists and committees will be far better at making such decisions than mere individuals.’
Jones believes that ethics and aesthetics need to remain the prerogative of the researcher/filmmaker and her/his participants and audiences. By developing a trust in instinct and intuition and the naturally expressive and moral potential of our personal resources, research involving people’s stories can become richer and more human, if we only are willing to jettison some of the baggage of the old academic rigor and dry procedural ethics.
Jones’ involvement in the section of the book on Ethics will include co-contributors Arthur Frank, Norm Denzin, Laurel Richardson and Carolyn Ellis, and will be published in the New Year.