Category / Computer Science

What does Augar mean for the Arts and Humanities – Policy Update Supplement 7th June 2019

One thing that everyone can agree on is that the implications of Augar are ominous for the Arts and Humanities – the (historian) Minister for Universities gave a speech on Thursday which we discuss below, with some reflections on what Augar could mean for Arts and Humanities subjects in universities.

The Minister speaks

In an interesting choice of headlines, the headline on gov.uk is “Science Minister hails the importance of humanities to society”.  Of course his full title is Minister of State for Universities, Science and Innovation (and currently also Interim Minister of Stage for Energy and Clean Growth.  Like his predecessor , Chris Skidmore has also taken several titles upon himself – Sam Gyimah was famously “minister for students” and Chris Skidmore has called himself “minster for the 2.4% [investment in R&D]” and “minister for EdTEch”.  But most importantly, he adopted the title “Minister for the Arts and Humanities”.

So what did this former academic and historian say on this vital topic at the meeting of the Arts and Humanities Research Council?  The full speech is here.  It is long – and actually quite interesting.  It’s a shame really that given all the other turmoil we can’t read too much into it because he may not remain as Minister for any of this stuff for very long (as he admits in the speech).  [Did you know? The HE sector has had 5 Universities Ministers in the past 5 years. The last time a Minister lasted more than 6 years in the job was 1902 (source: HEPI – scroll to near end). ] Of course, we may be surprised, if suddenly unity breaks out amongst MPs in the face of the possibility of Nigel Farage as PM, and strong and stable government finally returns…in which case there is a lot of hope for the sector and for the Arts and Humanities in this speech.  He starts:

  • “As many of you know, I’ve attempted to try and achieve a work-life balance that involves juggling policy and public service, with a personal passion for exploring the past and continuing to write history. I continue to do so…because, like many of you here this evening, I am drawn by that overwhelming desire to understand, to comprehend, how different, how similar, previous generations are to our own, and to understand them on their own terms, for their own sake.
  • It is not something that can ever be fully measured, or its value codified by some anonymised data collection processor. Indeed, my own graduate outcome data was only salvaged at the last moment, in the final week before I turned twenty nine, when to my surprise I was elected as the Member of Parliament for Kingswood. That brought to a sudden end any hopes I might have had of my first career path of choice, and dream of entering academia.”

On Augar: “Indeed, even before the report was released, I made clear my concerns over some of the initial leaks, such as the speculation over a three-‘D’ threshold to enter university. And I’m pleased to see that proposal didn’t make the cut. If it had done so, it would have been completely regressive, and would have shut the door on opportunity for so many people whose lives are transformed by our world-leading universities and colleges.” [Yes, but it did make the cut – as a recommendation if the sector does not itself cut recruitment to “low tariff, low value” degrees.]

He makes a very important point which has been bothering your policy team: “But we must be careful not to confuse high-quality with high-value, for they are two different concepts, with two very different outcomes.  High Quality is something that we should all aspire to, whether in our work, our research, our teaching….I hope that our reforms to Higher Education, with the establishment of the Office for Students, which will be fully operational from 1 August this year, will help embed and achieve that focus on quality which must be continued.”  [In other words quality is something for the OfS regulatory regime to worry about, using TEF and other things as tools to support it.]

And then he turns to value:

  • “…data, in its current form, cannot measure everything. And until we have found a way to capture the vital contribution that degrees of social value make to our society – degrees like Nursing or Social Care – then we risk overlooking the true value of these subjects. The same goes for the Arts and Humanities.
  • Although some people around us may argue that the contribution of these disciplines to society may be less tangible, their influence is all around us. …Without people who can think outside the box or challenge ideas.  All this comes from the critical thinking that knowing about different cultures, philosophies and languages provides us….What might be ‘low value’ to one man, might to others represent money well spent on acquiring knowledge for its own sake, expanding one’s cultural horizons, learning to empathise and reflect upon the human condition, applying it to the challenges for the future.
  • There is a place for knowing which subjects have the potential to generate higher salaries in the future– not least for those students who want to make sure they make the right choice of subject and institution for them. For those who wish to know this information, it is also important to highlight the economic benefits of studying creative subjects too.
  • And, actually, the story isn’t all negative for those studying creative subjects. The latest Longitudinal Educational Outcomes (LEO) data show us that women studying creative arts, in particular, can expect to earn around 9% more on average than women who don’t go into higher education at all. And the highest returning creative arts course can significantly increase female earnings by around 79%. So, a creative education can certainly be the right choice for a number of people….After all, our Industrial Strategy recognises the importance of the Creative Sector in the UK economy, as being an absolutely vital one.”

And the role of arts and humanities in innovation:

  • “Today, we live in a world where around 50% of the UK population have a degree by the time they are 30. Still not enough in my opinion, and certainly not enough if we are to compete as a knowledge economy for the future internationally. As Universities Minister, I’m keen that nobody is deterred from pursuing a particular discipline just because it appears that studying it isn’t for people like them. This is a principle, which applies equally to the Arts and Humanities as it does to Science and Engineering. Thankfully, one mitigating factor to this is the fact that our disciplinary landscape is continually evolving. … multi-disciplinary approaches have become more desired – not just within academia itself, but by businesses, industry and government.
  • Part of this is down to our recognition of the fact that we have to tackle the world’s grand challenges now, before it’s too late. And these challenges, themselves, are not constrained within individual disciplinary boundaries. Indeed, the grand challenges we face today are formed at the intersection of the traditional disciplines – where the Arts, Humanities, Natural Sciences and Social Sciences meet…
  • The Arts and Humanities are also what makes science ‘useable’. It’s no good developing a cure for a pandemic like Ebola, for example, if you don’t have the anthropologists, the linguists or the lawyers to make the science work on the ground. To bring the product to market. To win the trust of the people. And at a time when trust in knowledge and expertise is constantly threatened by the lapping tides of populism, we need the humanities more than ever to be able to reach out and communicate the value of science and research more than ever….
  • …it is the inclusion of the humanities, running like a golden thread through all scientific collaborations and projects that will protect the future of Western science, maintaining its focus on excellence, but excellence for a human purpose.”

What does Augar mean for the Arts and Humanities?

One narrative around the Augar Review is that it has embraced, and even validated the popular narrative about “mickey mouse degrees” and universities filling low cost, high volume courses, putting “bums on seats” to subsidise other activities, doing a disservice to “overqualified graduates” who are “saddled with debt” that they can never repay.  This shocking state of affairs means that the government subsidy to higher education, in the form of direct funding and underwriting for the student loan system, in which 83% of students will not repay their loans in full, is misdirected and therefore the taxpayer is receiving poor value for money.  And, the argument goes, it is not only the taxpayer who is being ripped off, but students are too.  They are being tricked into taking courses that will not lead to better paid jobs but will instead leave them with student loans that will hold them back even further.  These are the students who should be doing technical training, apprenticeships.  They should be plumbers and bricklayers.  They have been told that they will achieve social mobility through education, and it isn’t true.

These narratives were not born with the Review of Post-18 Education and Funding in February 2018.  They became sharper once the tuition fee cap was increased to £9000 and were heightened when Labour adopted a policy of abolishing fees.  Jo Johnson raised them when launching the Green Paper in November 2015 that led to the Teaching Excellence Framework and the Higher Education and Research Act 2017.  In just one example, many of the arguments were rehearsed by Jo Johnson as Universities Minister in a speech in February 2017.  It all boils down to value for money.

But there is a terrific confusion here, as highlighted by the Minister earlier on.  The talk in Augar is all about value for money subject level.  But when people (including previous Universities Ministers (both Sam Gyimah and Jo Johnson) and the current Education Minister) talk about this, they talk not about the value of whole subjects, but of individual courses at individual universities.  And so they talk about quality.  But they don’t really mean quality either, because they talk about entry tariffs and outcomes and start talking about bums on seats.  Which is the big give away.  What they really mean is that they believe that there are too many students going to universities to do courses which are not aligned with the government’s priorities.  This is about the government wanting to choose not to invest in subjects that they believe do not add value to the economy.  Which is why Augar, which is all about money, has kept in the threat of a 3D threshold and/or a cap on student numbers (for some courses at some universities).

See this bit in Augar (page 88): “A small minority of institutions produce graduates who on average earn significantly less at age 29 than their comparators who did not attend higher education. The IFS estimate that 33 per cent of male students, and 1 per cent of female students – together making 15 per cent of all students – attended universities that had either significantly negative or statistically negligible earnings returns when these are averaged across all students at age 29.”

It goes on: “Altogether 34 per cent of courses – accounting for 29 per cent of male students – were shown to have negative returns for men at age 29 (without taking foregone earnings and interest loan repayments into account), suggesting that one in three male students who took these courses could have earned more if they had chosen a different course of study or not gone to university at all.”

Augar looked at the overall cost for the government of the sector – taking into account direct investment and the subsidy given through student loans.  For this section, Augar relied on the Institute for Fiscal Studies (IFS) analysis published in March 2019 Where is the money going? Estimating the government cost of different university degrees.  They break it down by borrower (i.e. by student, for those that take student loans) and by subject (which takes into account the number of students).  On a student by student basis, the most expensive programmes for the government – in terms of loan write-off plus direct grant are Agriculture and Veterinary Science, and Medicine, driven by teaching grants followed by Creative Arts, which is driven by loan write-offs.  The best “value” course on an individual basis is Economics, with no teaching grant and loans paid off at a higher rate.  Comms and media and other arts and humanities courses sit more in the middle.  But when they overlay the student numbers (figure 5), the picture changes, because of the comparatively large number of students studying some of the subjects with fairly large write-offs or subsidy.  This chart highlights the overall cost of the Creative Arts, but also brings biosciences, subjects allied to medicine, business and social studies to the top. For this table, Social Studies includes Politics, Anthropology, Human and social Geography, Sociology, Social Policy, Social work, Development studies (see footnote 100, page 110 of the Augar Report).  Again the best value is economics, but Veterinary Science and Foreign languages come off relatively well too, because so few students study them.

The Augar report refers to the Graduate outcomes (LEO) data for 2016-17 released in March 2019. It says (pages 87-88):

  • “Among men, the earnings premium for an Economics graduate at age 29 is 33 per cent on average, whereas a graduate in the Creative Arts will, on average, earn 14 per cent less than his peers who did not attend university. Among women, the earnings premium for a medical graduate is 75 per cent, but only 9 per cent for those graduated in the Creative Arts. 
  • The graduate premium for men is low or negative at age 29 for a sizeable minority of subjects. In addition to the Creative Arts, these include English and Philosophy, for which the premium is negative, and Agriculture, Communications, Psychology, Languages, History, Biosciences and Physical Sciences for which it is zero or very small. Women, by contrast, enjoy a graduate premium at age 29 irrespective of the subject they studied, but the premium is small for the Creative Arts, Agriculture, Social Care and Psychology.”

This is interesting but it is not comparing apples with apples.  Looking at the original DfE LEO data report you can see the problem – in that report they compare graduates in a particular subject with median earnings for all subjects.

This ignores the choices made by those students.  Students who choose creative arts degrees, on average, probably do not go on to high earning careers, based on this data.  But there is nothing to say that if they had chosen a different subject, or not gone to university at all, they would have been any higher earning.  To establish whether a creative arts degree is better than no degree at all, it could be argued that you would need to compare the employment outcomes of a creative arts graduate against a cohort of people who did not go to university but have the same background profile and prior academic attainment and are doing the same mix of jobs.  Then you would know what difference a creative arts degree made to the outcomes for that student.

But those who do not go to university undertake a wide range of careers, and on average they may earn more than those undertaking some degrees at some universities.  But that does not mean that those individual students would have earned more if they had not gone to university at all.  That’s possible, but it isn’t proved by this data, even though the data is controlled for background characteristics and prior attainment.  They might not have become plumbers, or bricklayers, they might still have pursued badly paid careers in the creative arts and individually in fact earned less than the creative arts graduates.

If all students were robotic clones, with the same potential and no personal talent, interest or individual motivation, then they would all do economics at university and become bankers or CEOs.  But that would lead to a different problem, because the world does not need that many bankers.

And see this from Tuesday’s Lords Augar discussion: Lord Storey (LD): My Lords, everybody seems to be very much in support of the Augar review. I have real reservations about the funding proposals for higher education. When the noble Lord, Lord Bassam, and my noble friend Lady Garden raised the issue of how the funding model, interest charges, the extension and all the rest will favour the rich and not the poor, the Minister kept saying that we will see it in the round. What does “in the round” actually mean? I agree with the noble Lord, Lord O’Shaughnessy, but we have to be very careful, because there are degree courses that are undersubscribed. We are seeing those courses cut, but they are courses that we need to develop, such as modern foreign languages. Fewer students are doing modern foreign languages because there are fewer studying them in secondary schools. It is the same with music. Music is hugely important to the creative industries, which is one of the major growth industries in this country, and yet we are seeing music in secondary schools, because of the EBacc, being scaled back and back. That has a knock-on implication for our universities, where music degree courses are declining as well. If we took the idea of the noble Lord, Lord O’Shaughnessy, all these courses would be cut, much to the detriment of our country.

I have argued before that using LEO to assess subjects is misleading for lots of reasons including because it only really works if all courses are vocational and all students follow their vocation.  If all law students became lawyers, all PPE students became politicians, all history students pursued an academic career (in schools or universities) and all language students became translators, interpreters or teachers then it  would be valid to compare.   Of course for some subjects there is more of a linear connection.  But for many subjects, students will go on and pursue a wide range of careers, using the generic skills that they have learned at university.   Generic skills which they may have learned more effectively because they were following a subject they were passionate about.

[In June 2018 I wrote: “[1] Whether your degree pays for itself is a function of a lot of things – such as what your degree is, and where you do it, but also what you did before you went there, where you live, where you work, the state of the national and local economy, what career path you choose now and in the future, your gender, your age, your ethnic group, your family background, your disabilities, how hard you work at university and at work, the culture, policies and success of the organisation you work for, your other life choices…and many more”]

Just as an experiment, I looked at the 13 candidates for the Tory leadership (as at 3rd June 2019).

University Politics/Economics/PPE Law Other
Oxford – 8 5 (Gyimah, Hunt, Hancock, Harper, Stewart) 1 (Raab) 2

Classics (Johnson)

English (Gove)

Post 92 – 1 1 – Hospitality management University of West London (Cleverly)
Other 3

Exeter (Javid)

Warwick (Leadsom)

Newcastle (Malthouse)

1

Queen Mary (McVey)

So is a politics degree vocational training for a career in politics?  Surely it really just shows an interest in the subject.  Certainly not all politics graduates go into politics.  And these people did not go into politics for the money.  Some of them didn’t need to, but they went into it for other reasons.  Using Wikipedia I looked at their early careers, and only 6 of them “used” their degrees (and that is stretching the point a bit): Michael Gove taking his English degree and becoming a journalist, and 5 of those with an economics aspect to their degree going on to be bankers, accountants or, in the case of Matt Hancock, an economist.

I also looked at the careers of FTSE 100 CEOs in 2017 and being fairly generous in terms of definitions (apart from other things, the choice of degree subject was more limited, looking at their ages), out of the 53 I could easily find information for, only 31 had a link between their degrees and their early career choices.  And these are clearly talented and successful people, 2/5 of whom chose to immediately pursue a career for which they had not been “trained”.

It might be easier to deal with the “problem” if it was defined more honestly.  The problem really is that the government thinks that the cost of HE is becoming unaffordable.  The effort to encourage students to make “better” choices, by giving them more and better data about outcomes and other things hasn’t really been given a chance to work but also very few people were convinced by it – because students make choices based on a whole range of factors.  Even Sam Gyimah (a  huge proponent of transparency) said when asked that students should follow their passion when choosing what to study.  So instead what we are going to get is rationing.  Rationing by subject feels like a blunt instrument, because it leaves it up to the sector to make the “sensible” decision about cutting student numbers when faced with lower fees but it may have odd effects – like making it harder for disadvantaged students to access courses in those subjects which they might have excelled in (and which might have increased their chances of exceeding median earnings in, too).  Or just reducing the quality of those programmes as they are delivered at a lower cost.

So if Augar is implemented, could we get a much more sophisticated methodology.?  Augar already talks about an institutional Student Premium for disadvantaged students.  You could see a world where there is institutional student uplift for those courses that achieve good student outcomes and loan repayment outcomes.  Maybe they could be relative outcomes, subject adjusted not just based on the median and adjusted for geographical factors.  And maybe they will find a way, as Augar suggests that they do, to measure the social value and adjust for that in the teaching grant as well.

Royal Academy of Engineering visit Bournemouth University on 15th May 2019

The Faculty of Science and Technology and Research Development and Support were pleased to welcome Programme Managers, Dr Chung-Chin Kao and Keir Bonnar from the Royal Academy of Engineering on Wednesday, 15th May 2019.

The Royal Academy of Engineering provides a wealth of information regarding their support for engineering as the UK’s national academy for engineering and technology, where engineering is taken in its broadest sense, underpinning our daily lives, driving economic growth, playing a critical role in addressing major societal challenges and helping ensure our readiness for the future, from providing a sustainable supply of food, water and clean energy, to advancing healthcare, and keeping us safe and secure, with alignment to the BU2025 vision. Read more about what they do.

The visit commenced with a tour of the Faculty of Science and Technology’s Innovation Centre, lead by BU’s Dr Philip Sewell, Head of Department – Design & Engineering, where staff and students were seen in action, including those preparing for the forthcoming BU Festival of Design & Engineering. Following discussions with senior faculty academics, Chung-Chin and Keir provided an overview of the funding schemes available to BU staff, stressing the importance of working with industrial partners. Schemes are available to support research at all career levels.

For those in academia, the Royal Academy of Engineering supports schemes for undergraduates, and postgraduates, exchanges between academia and industryresearchers, international collaborative research, public engagement and entrepreneurial activity.  The events calendar is also worth watching with more events to be added to increase engagement with the Academy.

In addition, materials for HE are promoted on their dedicated HE Focus website. This includes:

If you were unable to attend today’s event, the slides are available to BU staff. To make sure that you stay up to date, sign up to receive updates or follow on social media

 

Blind Quality Estimation by Disentangling Perceptual and Noisy Features in High Dynamic Range Images

We would like to invite you to the next research seminar for the Centre for Games and Music Technology Research.

Title: Blind Quality Estimation by Disentangling Perceptual and Noisy Features in High Dynamic Range Images

Speaker: Dr Giuseppe Valenzise
French Centre National de la Recherche Scientifique (CNRS)

Time: 1:00PM-2:00PM

Date: Monday 13 May 2019
(Please note the different of time and day of the week from the other seminars in this series)

Room: F111 (Fusion Building)

Abstract: High Dynamic Range (HDR) image visual quality assessment in the absence of a reference image is challenging. This research topic has not been adequately studied largely due to the high cost of HDR display devices. Nevertheless, HDR imaging technology has attracted increasing attention because it provides more realistic content, consistent to what the Human Visual System perceives. We propose a new No-Reference Image Quality Assessment (NR-IQA) model for HDR data based on convolutional neural networks. The proposed model is able to detect visual artifacts, taking into consideration perceptual masking effects, in a distorted HDR image without any reference. The error and perceptual masking values are measured separately, yet sequentially, and then processed by a Mixing function to predict the perceived quality of the distorted image. Instead of using simple stimuli and psychovisual experiments, perceptual masking effects are computed from a set of annotated HDR images during our training process. Experimental results demonstrate that our proposed NR-IQA model can predict HDR image quality as accurately as state-of-the-art full-reference IQA methods.

Bio: Giuseppe Valenzise completed a master degree and a Ph.D. in Information Technology at the Politecnico di Milano, Italy, in 2007 and 2011, respectively. In 2012, he joined the French Centre National de la Recherche Scientifique (CNRS) as a permanent researcher, first at the Laboratoire Traitement et Communication de l’Information (LTCI) Telecom Paristech, and from 2016 at the Laboratoire des Signaux et Systmes (L2S), CentraleSupelec Université Paris-Sud. His research interests span different fields of image and video processing, including high dynamic range imaging, video quality assessment, single and multi-view video coding, applications of machine learning to image and video analysis. He is co-author of more than 70 research publications and of several award-winning papers. He is the recipient of the EURASIP Early Career Award 2018. Dr. Valenzise serves as Associate Editor for IEEE Transactions on Circuits and Systems for Video Technology, as well as for Elsevier Signal Processing: Image communication. He is a member of the MMSP and IVMSP technical committees of the IEEE Signal Processing Society for the term 2018-2020, as well as a member of the Special Area Team on Visual Information Processing of EURASIP.

 

We hope to see you there!

REF Internal Review Panels – Recruiting Now!

To help us prepare for our upcoming submission to the Research Excellence Framework (REF) 2021 we are establishing a number of internal review panels to review and assess BU’s research outputs and impact case studies.

Expressions of Interest (EoI) are invited from academic staff who are interested in being a Panel Member. There will be one panel per Unit of Assessment (UOA) listed below. Those interested should identify which UOA Panel they would like to be considered for and put forward a short case (suggested length of one paragraph) as to why they are interested in the role and what they think they could bring to it. EoIs should be emailed to ref@bournemouth.ac.uk by 14th December 2018.

UOA Teams would particularly welcome EoIs from those who have:

  • Experience reviewing for previous REF stocktake exercises
  • Experience in editorship
  • Experience peer review

Full details of the role, the process of recruitment and terms of reference for the panels themselves can be found here.

Any queries regarding a specific panel should be directed to the UOA Leader. General enquiries should be directed to Shelly Anne Stringer, RKEO.

Unit of Assessment UOA Leader(s)
2 Public Health, Health Services and Primary Care Prof. Edwin Van Teijlingen
3 Allied Health Professions, Dentistry, Nursing and Pharmacy
4 Psychology, Psychiatry and Neuroscience Dr. Peter Hills
11 Computer Science and Informatics Prof. Hamid Bouchachia
12 Engineering Prof. Zulfiqar Khan
14 Geography and Environmental Studies Prof. Rob Britton
15  Archaeology Prof. Kate Welham and Prof. Holger Schutkowski
17 Business and Management Studies Prof. Dean Patton
18 Law Dr Sascha-Dominik Bachman
20 Social Work and Social Policy Prof. Jonathan Parker
23 Education Prof. Julian McDougall and Prof. Debbie Holley
24 Sport and Exercise Sciences, Leisure and Tourism Prof. Tim Rees (Sport) Prof. Adam Blake (Tourism)
27 English Language and Literature Prof. Bronwen Thomas
32 Art and Design: History, Practice and Theory Prof. Jian Chang
33 Music, Drama, Dance, Performing Arts, Film and Screen Studies Prof. Kerstin Stutterheim
34 Communication, Cultural and Media Studies, Library and Information Management Prof. Iain MacRury

 

PROGRAMME RELEASED for FMC Postgraduate Researcher Conference 5 Dec 2018

We are two weeks away from our Second Annual Faculty of Media and Communication PGR conference. Below you will find the programme for the conference showcasing the diverse areas of research within our PGR community that will be presented throughout the day.

Official registration for the conference on December 5th is available via Eventbrite. Registration is open for all FMCers, free, and closes November 27th. There are a limited number of tickets for the beer tasting option for Dr Sam Goodman’s Keynote, so if you are interested in securing one of those spots please register as soon as possible. Over half of those tickets have already been claimed:  https://www.eventbrite.co.uk/e/second-annual-fmc-postgraduate-researcher-conference-2018-tickets-51544624359

However, if you are not apart of the FMC and interested in these presentations don’t fret! We would love to have your presence, insights and participation on the day. If you are interested in any of our programming and have any questions please contact Alexandra Alberda (she would love to hear from you) at aalberda@bournemouth.ac.uk .

Conference Programme

9:00 – 9:30am: Registration Check-in and Wristband Collection

9:30 – 10:00: Introduction

Prof Iain MacRury, Deputy Dean for Research and Professional Practice

Prof Candida Yates, Professor for Culture and Communication

Jo Tyler, PGR Broadcast Podcast

Welcome from Conference Committee – Alex, Steve and Mel

 

10:00 – 11:20pm: Panel 1 – Beyond the Image: Animation and Video Games

Chair: TBD

10:00am: Bibi Ayesha Noormah Soobhany – The Machine Brain

10:20am: Nurist S. Ulfa – Revisiting Consumption Play: Digital Virtual Consumption among Child Consumer

10:40am: Alex Tereshin – Automatically Controlled Morphing of 2D Shapes with Textures

11:00am: Valentin Miu – Real-time 3D Smoke Simulation with Convolutional Neural Network-based Projection Method

 

11:20 – 11:40 am: Tea and Coffee and Comfort Break

 

11:40 – 1:00pm: Panel 2 – Augmented Reality and the Body

Chair: Jill Nash

11:40am: Miguel Ramos Carretero – Efficient Facial Animation Integrating Euclidean and Geodesic Distance Algorithms into Radial Basis Function Interpolation

12:00pm: Ifigeneia Mavridou – Designing a System Architecture for Emotion Detection in Virtual Reality

12:20pm: Mara Catalina Aguilera Canon – Interactive real-time material removal simulation for acetabular reaming training in Total hip replacement procedures

12:40pm: Farbod Shakouri – Connected Tangible Objects for Augmented Reality Narratives

 

1:00 – 1:15pm: 3MT Presentations

Chair: TBD

1:00pm: Aaron Demolder – Shared Perceptions: Recording 3D Video to Improve Visual Effects

1:03pm: Sydney Day – 3D Facial Reconstruction from Obscured Faces using Trained Neural Networks

1:06pm: Robert Kosk – Synthesizing Space-Time Features for Ocean Heightfields Enhancement

1:09pm: Jack Brett – Gamification of Musical Learning Experiences

1:12pm: Jo Tyler – The Aurality of the Antihero  Adaptation as curation for graphic narratives

 

1:15 – 2:00 pm: Lunch FG06 (for registered attendees)

  • You are encouraged to check on the Doctoral College Live Exhibition over in Kimmeridge House during this time.

 

2:00 – 3:40pm: Panel 3 – History Repeating Itself: Broadcasting Political Tensions

Chair: TBD

2:00pm: Hua Li – Democracy in the News!

2:20pm: Sara Aly – The Dynamics of Meso-public spheres: Media Usage in Egypt during the Uprisings

2:40pm: Searchmore (Itai) Muridzo – Managing Public Service Broadcasting in Turbulent Times: A Case of Zimbabwe’s 2017 Coup

3:00pm: Ícaro Joathan – The evolution of the permanent campaign: a general review of the criteria to measure this type of strategy

3:20pm: Ian Robertson – With God on Our Side: A Comparative Study of Religious Broadcasting in the US and the UK 1921-1995: The Impact of Personality

 

3:40 – 3:50pm: Tea and Coffee and Comfort Break

 

3:50 – 5:10pm: Panel 4 – Environments of Now: Media Perspectives

Chair: Salvatore Scifo

3:50pm: Rehan Zia – Light, Time and Magic

4:10pm: Kenneth Kang – Switching around the Constants and Variables in International Environmental Law

4:30pm: Daniel Hills – Agents’ understandings, procedures and engagements with consumer emotional state as a targeting tool within the advertising industry: A Practice Theory approach

4:50pm: Siobhan Lennon-Patience – Jaywick Fights Back – Poverty Porn or Community Resilience?

 

5:10 – 5:30pm: Comfort Break and Keynote Set-up

 

5:30 – 6:30pm: Keynote – Dr. Sam Goodman

Critical Drinking: Approaches to Interdisciplinary research practice through British Beer Culture

Chair: Alexandra Alberda

UK drinking culture is currently at the height of its renaissance. The market in craft beer and spirits is buoyant, with a raft of new independent bottle shops, breweries and distilleries opening each year, whilst supermarket alcohol aisles are heaving with a range of new options as ‘Big Beer’ conglomerates try to ride the wave of this unexpected trend. The high-street pub is likewise transformed; though many rural pubs are closing as stricter legislation on drink-driving comes into force, those in urban centres have been regenerated (for good and ill) into spaces that are increasingly egalitarian when it comes to gender, though conversely exclusive in terms of class, and wealth. However, these developments and the popularity of the drinks they advocate are not as modern as they initially appear, and in fact draw on the iconography, tastes and sensibilities of the British past, especially those of the British Empire. Through focus on the interrelation between history and the present-day, this session asks pertinent questions of a significant contemporary cultural movement. It considers Britain’s various regional, national and international drinking communities past and present, and the questions around gentrification, masculine/gendered and national identities, health, well-being and excess that exist within them, as well as analysing the links between cultural history and representation within a contemporary media context.

This talk will also illustrate how the field of ‘Drink Studies’ offers a means of bridging the fluid boundaries of humanities research across a range of disciplines, and for both scholarly and public audiences. Drawing on research conducted at the British Library India Office Archive and supported by the Wellcome Trust, the talk will draw focus on the advantages of interdisciplinarity through the lens of drinking, arguing that the development of flexible theoretical approaches to traditional subjects offer researchers new ways of working within historical studies, medical humanities, and contemporary media, culture and society. In addition, the talk will be accompanied by three tasters of modern British beers that have been chosen to pair thematically with the subjects under discussion, and to illustrate that how researchers approach a subject can be as impactful as the research itself.

Dr Sam Goodman

Senior Lecturer in English & Communication, JEC (FMC)

sgoodman@bournemouth.ac.uk

@drsamgoodman

 

6:30 – 7:30pm: Reception in FG06

 

 

Creative Technology Narrative Research Show Case

We would like to invite you to the next research seminar of the Centre for Games and Music Technology Research.

Title: Creative Technology Narrative Research Show Case


Time: 2:00PM-3:00PM

Date: Wednesday 21 November 2018

Room: F112 (Fusion Building)

Abstract: The department of creative technology has an increasing number of student led research projects in the domain of interactive narrative. For this seminar we presents 3 short presentations from doctoral students in this area who are soon to present their work at international conferences:

Farbod Shakouri – Connected Tangible Objects for Augmented Reality Narratives
Introduction to exploring effective augmented space for interactive narratives, using connected tangible devices for real-time feedback.

Weilai Xu – Generating Stylistic Dialogues for Narratives
A discussion on presenting an approach for stylistic narrative dialogue generation and our dialogue modelling progress.

Daniel Green – Discoverable Narrative & Authoring Tools
A discussion on representing discoverable/observable narrative in games, authoring tools accessibility, our authoring system’s progress, and an upcoming experiment.
 
We hope to see you there

Congratulations to Denyse King

Congratulations to Denyse King, who is currently attending the Future Technologies Conference, FTC 2018; Vancouver, BC; Canada (15-16 November).  Her conference paper ‘NoObesity apps – From approach to finished app’ has been published in Advances in Intelligent Systems and Computing [1].  Denyse is part of the Centre for Midwifery, Maternal & Perinatal Health (CMMHP) where she is a Lecturer (Academic) in Midwifery based at BU’s campus in Portsmouth ,

Obesity is still a growing public health problem in the UK and many healthcare workers find it challenging to have a discussion with service users about this sensitive topic. They also feel they are not competent to provide the relevant heath advice and are seeking easily accessible, evidence-based, mobile health learning (mHealth). mHealth applications (apps) such as the Professional NoObesity and Family NoObesity (due for release late 2018), have been designed to: support families with making sustainable positive behaviour changes to their health and well-being, ease pressure on practitioners’ overweight and obesity care related workloads, as well as to support the education of professionals, students and service users. This paper describes the process of designing the apps from the inception of the idea, through the stages of research, app builds and testing. The processes of collaborative working to design and develop the apps to meet the needs of both service users and health professionals will also be reflected upon. Childhood obesity is an complex problem and whilst it is recognised that the NoObesity apps cannot singlehandedly resolve this health crisis, it is proposed that they can support families to identify and reduce the barriers that prevent them from living healthier, happier lives. 

Reference:

King D., Rahman E., Potter A., van Teijlingen E. (2019) NoObesity Apps – From Approach to Finished App. In: Arai K., Bhatia R., Kapoor S. (eds) Proceedings of the Future Technologies Conference (FTC) 2018. FTC 2018. Advances in Intelligent Systems and Computing, vol 881. Springer, Cham, pp. 1145-1157.

10 years of graphics and serious games research

We would like to invite you to the first research seminar of the new academic year for the Centre for Games and Music Technology Research.

Title: 10 years of graphics and serious games research

Speaker: Dr Vedad Hulusic
Bournemouth University

Time: 2:00PM-3:00PM

Date: Wednesday 17 October 2018

Room: F112 (Fusion Building)

Abstract:
As a new member of the Games team, CT, SciTech, in this talk I will give an overview of my work over the past 10 years. I will start with my early research career, as a PhD student at the University of Warwick, where I worked on auditory-visual cross-modal interaction for computer graphics. I will then present some work on virtual reconstruction of cultural heritage I have done in Bosnia and Herzegovina, where I worked as an Assistant Professor. In 2015 I moved to France (Télécom ParisTech) where I worked on high dynamic range imaging (HDRi), and image and video quality assessment. Finally, I will talk about serious games for children diagnosed with Autism Spectrum Disorder (ASD), the area I work in for the past 6 years and the current main area of interest. Here, I will cover some basic aspects of the theoretical framework we used for creation of our games, as well as main findings and plans for future.

We hope to see you there!

EU FIRST Project

A Bournemouth University team from the Faculty of Science and Technology visited University of Groningen for FIRST mid-term review. It was a very productive meeting with a lot of effective outcomes for research and knowledge exchange. Dr. Lai Xu and Dr. Paul de Vrieze are FIRST coordinators representing Bournemouth University and the team is pleased to announce that FIRST will continue to move towards a factory of the future for European Union.

If you want to know more about the project and get involved, please contact Dr. Lai Xu or Dr. Paul de Vrieze. You can also follow our social medial links on Facebook, Twitter, Instagram and YouTube Channel.

During the mid-term review meeting, the FIRST EU project advisor Irina Elena Tiron giving a talk on RISE projects. A useful instrument for researchers in EU (and beyond).