Yearly Archives / 2020

Wessex Brain Ageing and Dementia Research Meeting

Members from the Ageing and Dementia Research Centre were invited to present at the Wessex Brain Ageing and Dementia Research meeting on 4th February, St Mary’s Stadium, Southampton. Hosted by IDeAC, NIHR CRN and ARC Wessex, the event showcased dementia research in Wessex, linking dementia researchers across Wessex and grow the network for clinical trials.

PGR Raysa ElZein presented a poster on research on dietary fat interventions in cognitive impairment and older people, Dr Michele Board on research using the ‘A Walk Through Dementia’ app, Dr Samuel Nyman presented his research on Tai Chi  (The TACIT Trial)  for people with dementia and Prof Jane Murphy gave an overview of the ADRC’s research and a workshop on PPI and dementia research with Dr Michelle Heward. It was a great opportunity to share research and grow opportunities to collaborate on projects across Wessex and cross disciplines with academics and stakeholders attending.

Writing Day for Systematic and Scoping Reviews

Thursday 13th February 09:30 – 16:00 Poole House

Systematic and scoping reviews are a great way of publishing quality publications. They are also highly valued as REF submissions, especially in the health field.

One of the most important aspects for a systematic review is to create an effective and professional search strategy.

This session will provide information on effective search strategies – with advice from the library to specific researchers, as well as advice on writing scoping and systematic reviews from academics with experience in this field.

Both staff and postgraduate students should consider writing up their literature reviews as journal articles. For more information about how scoping and systematic reviews can help improve your academic career please see the blog.

Click to book. Any queries, please contact RKEDF@bournemouth.ac.uk.

New publication by NCCA academics and students in the top journal

The SIAM Journal on Imaging Sciences (“SIIMSa broad authoritative source for fundamental results in imaging sciences, with a unique combination of mathematics and applications”), an influential Q1-journal with a significant Impact Factor and SJR indicator, has just published the paper “Automatically Controlled Morphing of 2D Shapes with Textures” authored by NCCA academics and students. This multidisciplinary paper proposes a novel theoretical and practical framework resulting in a suite of mathematically substantiated techniques important in the context of 2D imagery, artistic design, computer animation, and emerging streaming and interactive applications.

The paper has a rather long and non-trivial history related to the fusion of academic and student research. Initially, NCCA UG student Felix Marrington-Reeve (“Computer Visualisation and Animation” course, Level 6) undertook his R&D project within the “Innovations” unit and got some interesting results. The 8-page paper written on the basis of his project and co-authored with his supervisors Dr Valery Adzhiev and Prof Alexander Pasko, was, however, rejected in 2017 by two international conferences (they were prepared to accept a short version but the authors thought the work deserved a better fate).

After Felix’s graduation (he started working in a leading production company Framestore) Dr Oleg Fryazinov and PhD student Alexander Tereshin joined the project team. A lot of additional theoretical and practical work had been done, and in February 2019 the radically modified and extended 30-page version was submitted to SIIMS. After two-stage rigorous peer-reviewing process, in October 2019 the paper was accepted by this prestigious journal.

References:

  • Tereshin, A., Adzhiev, V., Fryazinov, O., Marrington-Reeve, F., Pasko, A. (2020). “Automatically Controlled Morphing of 2D Shapes with Textures”, The SIAM Journal on Imaging Sciences, Vol. 13, No. 1, pp. 78-107. DOI: 10.1137/19M1241581
  • Full text of the paper: http://eprints.bournemouth.ac.uk/33366/

Research Development & Support Pre-award Timeline

The Research Development & Support RKE Application timeline is your ultimate guide to applying for external R&KE funding. The timeline guides you through all the necessary steps, procedures and processes involved, including navigating through all the requirements of the internal quality approvals, costing preparations, legal and finances approvals, faculty approvals, etc.

The R&KE timeline also provides helpful guidance in the time needed in preparing and finalising external funding applications, taking you through initial planning, the submission preparation processes, legal and finance approval processes and to the submission to funder process.

You can also find useful links and information, as well as your Funding Development Team contacts on this timeline document.

Performative Social Science reaching wider audiences

A Chapter on Performative Social Science for the International Encyclopedia of Communication Research Methods by BU’s Dr Kip Jones has achieved 1500+ reads on ResearchGate.

Performative Social Science (PSS) is an arts-led method of research and dissemination developed by Jones at Bournemouth University over ten years and is recognised internationally. Recently lauded by Sage Publications, they described PSS as pioneering work that will ‘propel arts-led research forward’ and be a ‘valued resource for students and researchers for years to come’.  

Performative Social Science (PSS) is positioned within the current era of cross-pollination from discipline to discipline. Practitioners from the Arts and Humanities look to the Social Sciences for fresh frameworks, whist Social Science practitioners explore the Arts for potential new tools for enquiry and dissemination.

‘Kip Jones brings the genre of what he calls performative social sciences forward with wide-ranging theoretical, academic, and artistic products in a various media that takes up how social scientists can use art for investigation and dissemination.’ —“Embodied Methodologies, Participation, and the Art of Research” by Madeline Fox  

Dr Kip Jones, Reader in Qualitative Research and Performative Social Science retires from Bournemouth University at the end of February, but will continue with PhD supervision on a part-time basis. He has four potential publications in discussion with publishers, including a volume on PSS. 

New paper accepted for publication on triangulation in case study research

Faculty of Management Associate Professor Julie Robson has had a paper accepted for publication in Industrial Marketing Management (CABS 3*) entitled Triangulation in Industrial Qualitative Case Study Research: Widening the Scope. The authors are Jillian Farquhar (University of Pretoria and Solent University), Nicolette Michels (Oxford Brookes) and Julie Robson (Bournemouth University).

This paper provides an inventory of triangulation categories for case study research and a theoretical reframing of triangulation consisting of three modes – convergence, complementarity and divergence.

Although set in an industrial marketing management context, the paper is a useful read for anyone undertaking case study research.

Health Research Authority email addresses are changing

All email addresses at the HRA are changing in the coming weeks and this change will be complete by March 2020.

HRA staff email addresses will be standardised as firstname.lastname@hra.nhs.uk. A full list of contact email addresses for the Research Ethics Committees is now available here.

If you use the HRA staff member’s @nhs.net email address to contact them after they have moved to their new email address, you will receive a response containing their new details but your email won’t be automatically forwarded.

If you are unsure which contact information to use for the individual or service you require, please contact the HRA mainline on 020 797 22545 or use their contact form.

Make sure to check your junk mail if you are expecting emails from the HRA or an NHS REC as they often are sent there instead. Please add them to your safe senders list if this is the case to make sure you don’t miss any important study emails!

Univeristies UK International Events

We have received notification of these forthcoming UUKi events:

BEIS-UUKi ODA research regional workshops- inviting expressions of interest to attend

The BEIS ODA research management team has now signed off a draft plan for the events which will take place across the UK in April and May in collaboration with BEIS and Fund delivery partners. The events will take place as follows:

  • London and South East of England (University of Greenwich) – Tuesday 21 April
  • Northern Ireland (The MAC Belfast) – Thursday 30 April
  • North of England (University of Sheffield) – Monday 11 May
  • Wales and South West of England (Swansea University) – Monday 18 May
  • Scotland (University of Strathclyde) – Thursday 21 May

The day will comprise of two separate workshops, with the morning session aimed at early career researchers and academics with little prior exposure to ODA funding opportunities and the afternoon session aimed at academics in receipt of or interested in Newton/GCRF grants and research services staff with responsibility for supporting ODA research applications within their institution. To ensure as wide a range as possible of institutions are able to attend, we will first be inviting expressions of interest, before confirming individual attendance. To register your interest in attending, please complete the expression of interest form available here.

UUKi are keen to attract academics, and particularly ECRs, who might be interested in attending. Please direct any questions about the events to Sophie Da Silva, Partnerships Officer- Sophie.DaSilva@international.ac.uk

Upcoming UUKi sub-Saharan Africa Network with a research focus

The next edition of the UUKi sub-Saharan Africa Network will be hosted by the University of Glasgow on 27th February and is timed to coincide with a visit of senior representatives from the African Research Universities Alliance (ARUA). The meeting will provide an opportunity to hear from ARUA Secretary General, Professor Ernest Aryeetey, and for members to learn more about ARUA and where there may be opportunities for collaborative research with African partners. The meeting will also feature a presentation from the UK Collaborative on Development Research (UKCDR) on some of the key findings from two recent projects mapping fellowships for African students, and country mapping reports of UK research investments in Kenya, South Africa and Nigeria.

To find out more and register to attend, please visit the event page here. Please direct any questions about this meeting, or the UUKi sub-Saharan Africa Policy Network, to Richard Grubb, Senior Policy Officer sub-Saharan Africa, via richard.grubb@international.ac.uk

This post is information only. Please follow the links above to find out more. BU Research Development & Support (RDS) have no further information and funding is not available from RDS to attend.

BU visiting fellow in the 2nd National Symposium on Migration Health Research

Addressing the health of migrant workers, the Department of Health (DOH), International Organization for Migration (IOM), Commission on Filipino Overseas and Philippine Migration Health Network (PMHN) recently organised the 2nd National Symposium on Migration Health Research in Manila, Philippines. The theme “Achieving Universal Health Care for Overseas Filipinos Through Evidence-Informed Policy and Practice,” aims to identify gaps and propose future directions of migration research in the Philippines.

Dr Erwin Martinez Faller, a visiting fellow of Bournemouth University and a MHADRI (Migration Health and Development Research Initiative) member was invited to share research outputs on Aches and Pains’ of Filipino Migrant Workers in Malaysia: A Profile of Work-Related Musculoskeletal Disorders, as one of the research work mainstreaming health in migration. A high prevalence of musculo-skeletal disorder (MSD) in the shoulder and lower back has been reported which is mainly due to physical and postural demands of their occupation on Filipino migrant workers in Malaysia [1]. Household workers are suffering more on hip/thigh pain due to repetitive manual tasks. Implementation of ergonomics policy, education on posture and lifting techniques and physical function need to be addressed [1]. Moreover, Dr Erwin also discussed the challenges of migrant workers in accessing healthcare in Malaysia [2] and compared with health conditions of migrant workers from Nepal [2-3], Bangladesh, Indonesia, and other countries [4].

The symposium also discussed the Philippine Migrant Health Research Agenda Plan for 2016-2022 towards achieving Universal Health Care for Overseas Filipino through evidence-informed policy and practice. The main themes focused on 1) establishing baseline Migration Health Information, 2) ensuring access of Overseas Filipinos to Migration Health Services, and 3) evaluating migration health policies, programs and services.

BU researchers Prof Edwin van Teijlingen, Dr Pramod Regmi, and Dr Nirmal Aryal are working closely with Dr Faller and other collaborators in Malaysia and Nepal on migration health related research.

References

  1. Labao HC, Faller EM and Bacayo MFD.’Aches and Pains’ of Filipino Migrant Workers in Malaysia: A Profile of Work-Related Muscuskeletal Disorders. Annals of Global Health. 2018; 84(3), pp.474-480. doi:10.29024/ aogh.2331 .
  2. Pocock,NS.,Suphanchaimat,R.,Chan,CK.,Faller,EM.,Harrigan,N.,Pillai,V.,Wickramage,K.Reflections on migrant and refugee health in Malaysia and the ASEAN Region. BMC Proceedings 2018,12(Suppl 4);4. doi: 10.1186/s12919-018-0100-6
  3. Aryal N, Regmi PR, Faller EM, van Teijlingen E, Khoon CC, Pereira A, Simkhada P. Sudden cardiac death and kidney health related problems among Nepali migrant workers in Malaysia. Nepal J Epidemiol. 2019; 9(3); 788-791.
    doi: 10.3126/nje.v9i3.25805.
  4. Chan,FM.,Lau,L.X.,Faller,EM.,Pereira,AA.(2016). Household Income, Food insecurity and Nutritional status of Migrant workers in Klang Valley,Malaysia. 6th Medical and Health Sciences Symposium.

Conversation article: Oscars 2020: Why people are talking about visual effects

As the presentation of the 2020 Academy Awards approaches, there has been a lot of buzz around the visual effects category. Two films – Sam Mendes’s 1917 and Martin Scorsese’s The Irishman have, in particular, attracted a lot of attention for the tricks they use to immerse the viewer in the characters and storyline.

The first film to win an award for visual effects, in the first ever Oscars ceremony in 1929, also won best picture. American special effects artist and film director Roy Pomeroy won for Wings, a first world war movie featuring breathtaking realistic dogfight sequences. His work still looks amazing, given the tools he had to work with. In the 90 years since he won his award, though, visual effects have become ever more sophisticated.

Big bangs theory

If we take a look at the films that are nominated for Best Visual Effects in this year’s Academy Awards, we see five very different types of film.
Star Wars: The Rise of Skywalker is the continuing sci-fi saga of the battle between the Jedi and the Sith. A set of tried-and-tested visual effects techniques were used in the film.

This included the return of a fully digital replacement for Princess Leia using pieces of old footage of the late Carrie Fisher and computer-generated elements to create a complete character that blended seamlessly into the new narrative. Most of the environments were created in the computer and then composited with actors’ performances against a green screen that allows backgrounds to be replaced with digital sets.

Avengers: Endgame, is the final episode of a comic book-based world of superheroes and their enemies in one final, epic battle. Green screens played a huge part in this film as well, allowing intricate digital environments to play their part in the storytelling.

As you’d expect there are plenty of pyrotechnics, explosions and battle scenes that were made with animated digital characters.

Rumble in the jungle

The Lion King, a computer-generated remake of the Disney classic, originally animated, on the whole, by hand in 2D. Many of the techniques used in this movie were originally developed for the making of the 2016 remake of Jungle Book which, like The Lion King, was reworked as a fully digital film – apart from Mowgli who was played by a real boy.

In The Lion King, director John Favreau developed a technique that he felt would inform the animation of the animals in a far more realistic way than how animation is traditionally created. Rather than simply recording voice actors in a sound booth, he put them in a studio and filmed them acting together so that animators had nuanced reference to work with to ensure the tiniest of reactions were captured in the creatures’ performances.

Virtual reality also played a big part in the making of the film. Camera operators were able to use digital sets to see the environments and move digital cameras in a realistic way.

Forever young

The Irishman jumps between present-day action and as far back as the 1950s, made more complicated by the fact that the characters are played by the same actors. The point of difference is that prosthetics and makeup weren’t used, but stars including Robert De Niro and Al Pacino were “de-aged” using computers, using images of the actors from photographs and previous films to build “digital masks” in the computer that replaced the actor’s real faces.

This meant that De Niro who plays the lead role was, at 74 when filming began, playing the role of a man in his 30s and by the end of the film the same man in his 80s. How successfully is something that has been hotly debated – but nobody can doubt the expertise with which the artists carried out their task.

Spot the joins

The final film nominated is the first world war epic 1917, co-written, produced and directed by Sam Mendes. Loosely based on a story Mendes was told by his grandfather, the film relies on a single shot depiction of the entire narrative, following the main character on his journey to get a message to the front line. This technique, also used in 2015’s best picture winner, Birdman, required meticulous planning to ensure that the cuts that occurred were invisible to the viewer.

Camera moves were choreographed to allow two scenes that were filmed in the same location at different times to be taken into the computer and “stitched” together as if they were one complete shot. Doing this over and over enabled the illusion of one continuous sequence.

Like many films though, 1917 used a host of other visual effects techniques that were unseen. This is often regarded as the pinnacle of success in visual effects – an effect that can’t be seen versus one that is smacking you in the face with a large, wet fish.

Appliance of science

Some of the nominated movies need visual effects to create worlds and creatures that don’t exist, while some employ tricks to enhance the cinematic experience and the ability of the filmmaker to tell their story. All of them use the technical expertise of visual effects artists to bring the director’s vision to the screen.

And there’s a great deal of scientific knowhow that goes into creating cinematic illusion. The movie that won the visual effects award in 2014, Interstellar, involved recreating the appearance of a black hole. To do this, visual effects artists worked with scientists to accurately model the phenomenon. The results were so advanced that scientists have since cited its importance to their ongoing work.

This scientific knowledge underpins flawless visual effects production. Not only does a visual effects artist need to know how their tools work, they need to be able to understand the science that informs the visuals we see on the screen. Human and animal anatomy, lighting, pyrotechnics, fluid simulation, mechanical engineering and robotics are just a few of the scientific disciplines that add strings to a visual effects artist’s bow.

So, when we talk about visual effects and the people who create them, remember the science that supports almost everything they do. Every frame is looked at in minute detail, so much so that the casual viewer might never understand the hours that go into making one of these films look the way they do and allow us to sit back and enjoy the story.The Conversation

Chris Williams, Senior Principal Academic, National Centre for Computer Animation, Bournemouth University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Introduction to Good Clinical Practice – Tuesday 17th March at Dorset County Hospital

Are you interested in running your own research project within the NHS or healthcare? Good Clinical Practice, or ‘GCP’, is a requirement for those wishing to work on clinical research projects in a healthcare setting.

GCP is the international ethical, scientific and practical standard to which all clinical research is conducted. By undertaking GCP, you’re able to demonstrate the rights, safety and wellbeing of your research participants are protected, and that the data collected are reliable.

The next GCP full day session is scheduled for Tuesday 17th March, at Dorset County Hospital, Dorchester – 8:45am – 4:30pm.

The day will comprise of the following sessions:

  • Introduction to research and the GCP standards;
  • Preparing to deliver your study;
  • Identifying and recruiting participants – eligibility and informed consent;
  • Data collection and ongoing study delivery;
  • Safety reporting;
  • Study closure.

If you’re interested in booking a place, please contact Research Ethics.

Remember that support is on offer at BU if you are thinking of introducing your research ideas into the NHS – email the Research Ethics mailbox, and take a look at the Clinical Governance blog.

Good Clinical Practice Refresher – Dorset County Hospital, Tuesday 18th February

Are you currently undertaking research within the NHS, and your Good Clinical Practice (GCP) training is due to expire? Or has it expired recently?

GCP certification lasts for two years, so if your training is due to expire, has expired, or you want to validate your learning, then take advantage of the upcoming refresher half day session, taking place at Dorset County Hospital, Dorchester on Tuesday 18th February, 9:00am – 12:30pm.

Spaces are still remaining, so if you’d like to enrol, get in touch with Research Ethics.

Leverhulme Doctoral Scholarships – internal expression of interest

The Leverhulme have launched their Doctoral Scholarships scheme offering UK universities funding of 15 Leverhulme Doctoral Scholarships in a priority research area for that institution. As a university we may submit one application only and therefore the university will be coordinating expressions of interest from Academic Staff.

By 11th February 2020, those who are interested in making an application to the Leverhulme Doctoral Scholarships are invited to submit the following expression of interest – Leverhulme Doctoral Scholarships EOI  to Alexandra Pekalski .

Further information about the scheme is available from the Leverhulme Trust. Applicants are advised to check the eligibility criteria very carefully.

Purpose of funding

The Leverhulme will fund 15 doctoral scholarships in a priority research area for that institution. Each award funds 15 Leverhulme Doctoral Scholarships at that institution, with 5 scholarships to be offered in each year of the first three years of the grant.

Each scholarship is for a fixed sum of £90,000 for each student for up to 48 months of full-time doctoral study. This covers:

  • maintenance (at research council levels)
  • tuition fees

Any remaining funds are to be used for the Leverhulme Scholar’s research and training expenses.

While the scholarships may be held by students of all nationalities, the Trust has a particular interest in supporting UK or EU students.

Process for selecting applications to be submitted

Should you be interested in applying, please note that your expression of interest application will be assessed by Doctoral Funding Panel. Further details of the assessment criteria can be found within the  Leverhulme Doctoral Scholarships EOI . Candidates can expect feedback by 25th February 2019.

Timetable

21-01-2020 RDS advertise Expression of Interest (EoI)competition for call
11-02-2020 EoI deadline (EoIs to be sent to RDS)
13-02-2020 Papers (applications) sent to Doctoral Funding panel (RDS to administer)
20-02-2020 Doctoral Funding panel meeting (virtual)
25-02-2020 Doctoral Funding panel decision and feedback disseminated to applicants
25-02-2020 RDS to contact Leverhulme to provide the Trust with the principal applicant’s name, departmental affiliation and email address. Access will then be granted to the Leverhulme Trust Grants Management System
March/April/May-2020 Applicants develop proposals with the support of RDS and Doctoral College
22-05-2020 Application finalised for APF financial sign-off by UET
05-06-2020 Leverhulme Doctoral Scholarships Deadline

If you have further questions or queries please contact Alexandra Pekalski (apekalski@bournemouth.ac.uk) and/or Lisa Andrews (andrewsl@bournemouth.ac.uk  ). For queries relating to Doctoral colleague support please contact Fiona Knight (fknight@bournemouth.ac.uk) and/or Julia Taylor (jtaylor@bournemouthac.uk).