Tagged / creative research methods

A Knot Speaks Louder Than a Thousand Words: Tilia Lenz’s Powerful Storywork Exhibition at Glastonbury

On the 4th July 2026, our team member Tilia Lenz held an artist talk at the Heart of the Tribe Gallery in Glastonbury. Tilia took an arts-led approach to her research into performance in Children’s Social Care and developed (auto)ethnographic Storywork in textile and narrative form. Her work is now on display at the gallery with a large scale ‘safety net in practice’ that her participants created, alongside written stories that are based on her data analysis.

The Gallery offers a space for the public to engage with Tilia’s research and visitors could listen to the stories and learn about the Social Workers’ reality of Child Protection practice. The stories offered a window of emotional engagement and dialogue beyond statistics, reports and ‘hard data’ and allowed visitors to connect. Feedback showed that visitors, from all walks of life felt connected with the stories. They shared that they could see themselves within the narrative and that it communicated their own experiences in a way they had never been able to say. The power of Storywork was evident, showing impact of research and creative methods.

Narrative Storywork
Tilia created a constellation of interconnected stories which emerged through deep listening to participants’ words, silences, gestures, and emotions. The stories were written using Indigenous Storywork principles, which honour story as a way of carrying and generating knowledge. Situated within the landscapes of the Somerset Levels, the stories invite the reader into a world that moves between lived experience, metaphor, and magical realism.

Visual Storywork
To create a more holistic experience of the Storywork, Tilia worked with illustrator Hol Thomas-Wrightson to visualise selected stories and capture atmosphere, emotion, and themes beyond words. Together, these modes of Storywork explore what people need to feel safe and trusted within managerial relationships, and able to flourish within complex organisational systems. They invite reflection on the often invisible relational work that sustains individuals, communities, and institutions.

More about Tilia

Tilia Lenz is a PhD candidate at Bournemouth University, social worker, academic, trade union activist, and storyworker. Her creative research practice brings together textile art, narrative inquiry, and Indigenous Storywork. Her doctoral research, Relationship-Based Performance Management in Children’s Social Care, explores the relationship between newly qualified social workers and their managers. Through six interviews conducted within Somerset Council, participants reflected on identity and belonging, privilege and oppression, whilst considering the impact on performance. Tilia’s work challenges conventional academic approaches by treating stories and textile practice not as illustrations of research findings, but as the analysis and findings themselves. Her Storywork draws on more than twenty years of professional practice in social work and is shaped by a commitment to decolonising research, resisting extractive methodologies, and making sense of her own lived experiences of migration, intergenerational trauma, and displacement.  Through Storywork in textile, narrative, and visual form, Tilia explores themes of safety, trust, belonging, identity, and resistance, creating spaces where complex truths can be felt as well as understood.

 

Here is a link to the exhibition: https://www.heartofthetribe.com/events-and-exhibitions/a-knot-speaks-louder-than-a-thousand-words

BU Centre for Seldom Heard Voices Research and BEAF Arts Co – Research, Community and Arts Festival

The Centre for Seldom Heard Voices, in collaboration with BEAF Arts Co, is hosting a exciting, in-person festival that will bring together creativity, research, and community in one space.

When? 22nd June 2026, 1-4pm

Where? PATCH, 1st Floor @ Bobby’s Bournemouth, The Square, 2-12 Commercial Road, Bournemouth, BH2 5LP

How? Register to attend the event via the Eventbrite page, here: https://www.eventbrite.co.uk/e/1987037535759?aff=oddtdtcreator

This event is an opportunity to engage and connect, whether you’re a researcher, artist, or just curious about creative methods.

There will be interactive workshops, activities, presentations from artists and researchers, and lots of opportunities for discussions, which we hope will spark collaboration and new ideas!

There will be refreshments and cake!!

Get Involved: 

We are also inviting expressions of interest from researchers, artists and communities who have engaged in collaborative research to either:

  • submit and display a research poster or creative output
  • deliver a 5 minute presentation plus Q&A
  • facilitate a creative research methods taster session

Submit an expression of interest here: https://canva.link/pwwo4z83enmmuxa

Payments are available to enable artists and community organisations to contribute to the event.

If you’re interested in getting involved, you can express your interest by 8th May 2026, with decisions confirmed by 15th May 2026.

At its heart, this festival is about making research more inclusive, accessible, and creative. By bringing together diverse voices and approaches, the event creates a space where knowledge is shared in meaningful and engaging ways.

Performative Social Science reaching wider audiences

A Chapter on Performative Social Science for the International Encyclopedia of Communication Research Methods by BU’s Dr Kip Jones has achieved 1500+ reads on ResearchGate.

Performative Social Science (PSS) is an arts-led method of research and dissemination developed by Jones at Bournemouth University over ten years and is recognised internationally. Recently lauded by Sage Publications, they described PSS as pioneering work that will ‘propel arts-led research forward’ and be a ‘valued resource for students and researchers for years to come’.  

Performative Social Science (PSS) is positioned within the current era of cross-pollination from discipline to discipline. Practitioners from the Arts and Humanities look to the Social Sciences for fresh frameworks, whist Social Science practitioners explore the Arts for potential new tools for enquiry and dissemination.

‘Kip Jones brings the genre of what he calls performative social sciences forward with wide-ranging theoretical, academic, and artistic products in a various media that takes up how social scientists can use art for investigation and dissemination.’ —“Embodied Methodologies, Participation, and the Art of Research” by Madeline Fox  

Dr Kip Jones, Reader in Qualitative Research and Performative Social Science retires from Bournemouth University at the end of February, but will continue with PhD supervision on a part-time basis. He has four potential publications in discussion with publishers, including a volume on PSS. 

14:Live with Dr Ashley Woodfall returns on Thursday!

Do you want to get creative for an hour? Do you have an interest in creative research methods?

14:Live is back tomorrow on Thursday 17 November with Dr Ashley Woodfall!8115-rkeo-14live-digital-signage-v3-0

Join us as we get creative and discuss Mess and Mayhem: Creative/Reflective Methods at Play. This mess and discussion led session will be a space to discuss the use (and abuse) of creative research methods. How can they help trigger meaningful research interactions, and how the outcomes might be understood?

This session will be exploring research in a creative environment from drawing, to molding, to improv’ and beyond. We ask if creative reflective methods can share something of your own life world and whether these methods can help unlock metaphorical insights that are missed through more traditional approaches.

Come along on at 14:00-15:00 on Floor 5 of the Student Centre for an hour of mess and mayhem. There will be free drinks and snacks!

If you have any questions then please contact Hannah Jones

14:Live with Dr Ashley Woodfall

Do you want to get creative for an hour? Do you have an interest in creative research methods?

14:Live is back on Thursday 17 November with Dr Ashley Woodfall.8115-rkeo-14live-digital-signage-v3-0

Join us as we get creative and discuss Mess and Mayhem: Creative/Reflective Methods at Play. This mess and discussion led session will be a space to discuss the use (and abuse) of creative research methods. How can they help trigger meaningful research interactions, and how the outcomes might be understood?

This session will be exploring research in a creative environment from drawing, to molding, to improv’ and beyond. We ask if creative reflective methods can share something of your own life world and whether these methods can help unlock metaphorical insights that are missed through more traditional approaches.

Come along on at 14:00-15:00 on Floor 5 of the Student Centre for an hour of mess and mayhem. There will be free drinks and snacks!

If you have any questions then please contact Hannah Jones