Well done to Team BU who has been shortlisted for Sport England Sports Technology Hackathon Awards 2016.
Category / Creative, Digital & Cognitive Science
TetraGrip: A functional electrical stimulation (FES) device for restoring hand and arm functions in people with spinal cord injuries
We would like to invite you to the latest research seminar of the Creative Technology Research Centre.
Speaker: Lalitha Venugopalan
Lalitha is a Bournemouth University Creative Technology postgraduate student researching for a PhD in Biomedical Engineering based at the Salisbury NHS Foundation Trust.
Title: TetraGrip: A functional electrical stimulation (FES) device for restoring hand and arm functions in people with spinal cord injuries
Time: 2:00PM-3:00PM
Date: Wednesday 18th November 2015
Room: P302 LT, Poole House, Talbot Campus
Abstract:
TetraGrip is a four channel upper limb FES device for restoring the hand and arm functions on people with C5-C7 tetraplegia. This device uses an inertial measurement sensor (IMU) for detecting the shoulder elevation/depression. The signal from the IMU is used for controlling the functions of the stimulator and for adjusting the grasp strength.
The stimulator is programmed to operate in the following modes: exercise, key grip and palmar grasp. Key grip mode (fig 1) is used to grasp smaller objects like a pen or a fork, whereas the palmar grasp (fig 2) is used to grasp larger objects like a glass. The exercise mode is used to strengthen the forearm muscles.
The system will be clinically tried on ten able bodied volunteers to evaluate the repeatability and reproducibility. If the results from this study are found to be satisfactory, then the device will be clinically tried on tetraplegic volunteers for answering the following questions:
- Is possible for a person with tetraplegia to generate the desired input signal to control the operation of the device?
- Does the system improve the hand and arm functions of the user?
- Is the system easy to use for people with tetraplegia?
We hope to see you there.
November Café Scientific joint venture between FHSS & FMC
This month’s Café Scientific last week (Nov. 3rd) was run as a collaboration between CMMPH and the Media School. Café Scientific is a monthly event hosted at Café Boscanova for Bournemouth University.
This month’s debate was chaired by CMMPH’s Prof. Vanora Hundley (sitting in the centre of the photo taken by Naomi Kay). The debaters on either side were Dr. Ann Luce and Prof. Edwin van Teijlingen. Ann Luce is a well recognised media researcher and a Senior Lecturer in Journalism and Communication who argued against the motion “Fear in childbirth: is the media responsible?” Two opposing presentations generated a lively debate. The audience, however, was not with Ann and overwhelmingly voted in favour of the motion.
The next session of Café Scientific also has a health flavour as James Gavin will be talking on Tuesday December 1st on: Upwardly mobile: Why stair climbing helps us stay active.
Prof. Edwin van Teijlingen
CMMPH
BU featured by Kidney Research Charity
Bournemouth’s biomedical research features in this season’s Kidney Research UK ‘Update’ magazine (page 13). We share this issue with Lauren Laverne (sort of)!
KRUK is one of Britain’s leading kidney research charities and has awarded us an Innovation Award to identify genes that underpin the development of chronic kidney disease (CKD) in diabetes. The innovative part of the research is that it uses the fruit fly Drosophila – a novel tool in the research armoury that has helped us understand the genetic basis of human development and behaviour as well as cardiovascular disease. Research at Bournemouth will use unique genetic tools to establish how insulin signalling maintains the expression of evolutionarily conserved genes that regulate kidney function in both flies and humans. This simple model organism has enormous power to help us identify new pathways of clinical significance to CKD – a condition that affects and kills thousands of people every year in the UK.
If you are keen to learn more about the research – email me at phartley@bournemouth.ac.uk
Linking research and practice – Appointment to international panel
Professor Tom Watson of the Faculty of Media & Communication has been appointed to the Academic Advisory Panel of AMEC (the Association for the Measurement and Evaluation of Communication). He joins six other leading communication measurement and evaluation researchers from Australia, Germany, UK and US. The Panel is chaired by Professor Jim Macnamara of the University of Technology Sydney.
The panel’s role is to “provide expert advice and input to AMEC in relation to research methodology and methods, education and learning, and standards”.
“The measurement of public relations and corporate communication is an important and perennial professional issue,” said Professor Watson. “AMEC is the international body for the communication measurement sector and includes all the major media measurement suppliers in more than 30 countries.”
Professor Watson’s co-authored book (with Paul Noble), Evaluating Public Relations is now in its third edition. “Increasingly, there is a shift from measurement to evaluation, with the understanding of the value created through communication becoming a critical issue for communicators. In the book’s latest edition, we focused more on concepts of value. Creating world-wide standards on value is becoming more important and so the AMEC initiative to create this high-level link between research and practice is very timely.
Fear in childbirth: is the media responsible?

The media are often blamed for influencing society’s attitudes and views. In this month’s Café Scientific we will debate the impact of the mass media on women’s views of childbirth. The motion is: “Fear in childbirth: is the media responsible?”
Café Scientific is being hosted at Café Boscanova in Bournemouth on November 3rd at 19.30. The debate is open to the general public. It will be chaired by Prof. Vanora Hundley, Professor of Midwifery and the two proponents on either side of the debate are Dr. Ann Luce and Prof. Edwin van Teijlingen. Ann Luce is a well recognised media researcher and a Senior Lecturer in Journalism and Communication. Edwin van Teijlingen is a medical sociologist and Professor of Reproductive Health Research.
The debate will touch upon social perceptions and beliefs about childbirth can increase women’s requests for interventions, such as caesarean section, with long-term health implications for mothers and babies. This month’s Café Scientific will explore the role of the mass media in shaping these beliefs and identify whether media portrayals are responsible for rising rates of intervention.
Join us for an interactive debate on the impact of the mass media on women’s views of childbirth. The audience will be given the opportunity to vote on the motion before and after the debate.
These academics have written a paper on the topic of debate, a copy of which can be found here!
Open Access publishing does not have to be expensive!
As it is Open Access Week I would like to clarify one of the Open Access publishing myths. One of the common replies I receive from academics colleagues when raising Open Access publishing is that it is (too) expensive. This is, of course, true for many academic journals, but not all are expensive. Some don’t even charge a processing fee at all. Infamously, The Lancet Global Health charges an article processing fee of US $4750 upon acceptance of submitted research articles. More moderately priced scientific journals still charge anything up to about £1,500 per article.
Academic publishing has been big business for decades, and Open Access has rapidly become part of that business. While traditional book and magazine publishers struggle to stay afloat, research publishing houses have typical profit margins of nearly 40%, according CBCNEWS who quote Vincent Larivière from the University of Montreal’s School of Library & Information Science.
At the same time we see a sharp increase in so-called Predatory Publishers who have set up business for the sole reason to make money from Open Access publishing. They have not established or taken over academic journal for the greater good of the discipline or the dissemination of research findings to the widest possible audience. Unscrupulous publishers jump on the Open-Access bandwagon BU librarian Jean Harris recently shared an interesting article about Predatory Publishers (click here to read this!).
However, there are other format of Open Access. One of our more recent papers on research ethics was published in the Nepal Journal of Epidemiology which is an online Open Access journal that does not charge authors for publishing! Also the Journal of Asian Midwives, where FHSS PhD student Preeti Mahato recently had her article accepted, is hosted in Pakistan by Aga Khan University through its institutional repository eCommons. Publishing in this Open Access online journal is also free of charge. In other words, Open Access publishing does not have to be expensive!
Prof. Edwin van Teijlingen
CMMPH
The use of VectorPixels to represent Photographic images
We would like to invite you to the latest research seminar of the Creative Technology Research Centre.
Speaker: Alain Simons
Alain is new lecturer at Bournemouth University, teaching on the Games Technology/Games Programming courses, and this is an opportunity to learn about his PhD research.
Title: The use of VectorPixels to represent Photographic images
Time: 2:00PM-3:00PM
Date: Wednesday 28th October 2015
Room: P302 LT, Poole House, Talbot Campus
Abstract: Photographic images are represented by a grid of pixels. Each pixel has a colour value (3 different ones for RGB colour Images) so that computations are very easy to do. However the number of pixels that are available is increasing at a faster rate every year. Images also need to be transported as in every other digital information. Two problems are arising with the growing amount of pixels. How can 4K images will be transported over the internet? How long will it take to compute 8K images? Those questions are tackled for the moment with better compression techniques and faster CPUs, but they have their limits. VectorPixels want to start from scratch, a new approach, a new algorithm to visualize images on screen. No hardware is available at the moment to capture VectorPixels so for creating VectorPixels ordinary pixel information will be used. Our algorithm is made up of three components namely trace, calculate and save. A VectorPixel is a vector based pixel as the word itself indicates.
We hope to see you there.
Symposium on Interagency in Technologically-Mediated Performance
29-30 January 2016
Thanks to Fusion Investment funding I will be co-running with Dr Paul Stapleton (QUB) a symposium exploring Interagency in Technologically-Mediated Performance. Despite a growing community of people creating digital musical instruments and a growing associated academic field, there has been little recognition within these communities of the associated approaches to a Philosophy of Technology that examines human-technology interactions from a variety of social, political and philosophical perspectives.
This event will bring together researchers and industry representatives from the fields of Philosophy of Technology and Digital Musical Instrument (DMI) design to establish an overview of best practice of new musical instrument creation and set out a road map for future research in this area. The symposium will feature talks by five keynote speakers that are all internationally recognised experts in their fields. Workshop and discussion will form a large part of the symposium in order to have time to fully establish an overview of best practice and to define the future research agenda.
The symposium will run 29th and 30th of January 2016. There will soon be a call for attendance, places will be limited so sign up quick if you are interested. There will also be a short concert on Friday 29th Jan from 17:30- 18:30 attendance for this is open to everybody.
Tom Davis
BU very well represented in this year’s ERCS Festival!
The ESRC website lists its Festival events for 2015 and amongst the interetsing events is a record number of BU events! The full list can be found on the ESRC webpages, click here!
Pathways to impact: part deux!

This event aims to engage participants who attended a previous one-day ESRC Festival of Science event which took place in 2012 entitled, “Pathways to Impact: ageing, diversity, connectivity and community”.
Creatively mapping the coast

Children will have the chance to take part in a creative mapping exercise using coastal artefacts and pictures to create their own sensory and emotional maps of the topic, starting with the question of ‘how does it make me feel to be here?’
Safeguarding vulnerable adults from financial scamming

Older people are increasingly at risk of falling victim to financial scams that target vulnerable people, including mass marketing fraud via post, telephone or email and doorstep fraud.
This event will give practitioners, agencies and members of the public, the opportunity to come together to learn more about the threats posed.
Church as place: ethnography

This event asked the question:
- what meanings of place and space are constructed by secular or non-specifically religious and religious visiting of church buildings?
Creativity and dementia: making a connection

Bournemouth University Dementia Institute (BUDI) will bring dementia awareness to life through running creative activities including a performance from the BUDI Orchestra – made up of people affected by dementia and musicians – poetry and technology such as IPads and Nintendo Wii.
Child deaths and poverty: disadvantaged British children!

Are British children disadvantaged compared to children in other Western countries? An analysis of data from global sources compares the standards of mortality, poverty and health funding for children and adults in Britain vs. those in 20 other Western countries.
Copyright reform: the implications one year on

One year ago, in October 2014, the UK Government introduced major changes to the Copyright Law with the aim of promoting innovation and creativity. These included a range of exceptions and limitations benefiting users as well as educational and cultural institutions.
Enhancing social life through global social research – event 1

These exhibitions run over the course of three days presenting a showcase of Bournemouth University research projects demonstrating our research impacts on social and community wellbeing and our concern for diverse groups and work with a wide variety of stakeholders.
Fused all ways: transdisciplinary insider research

A group of researchers from Bournemouth University are researching the lived experience of students entering higher education from and in ‘non traditional’ contexts. By bringing together research, educational practice and students as research co-creators, a unique lens is created through which to observe the question.
Increasing fruit and vegetable intakes: Why? How? – Event 3

The 5-a-day campaign went global after a recommendation from the World Health Organisation that we should all be eating a least 400g of fruit and vegetables per day. Variations on this message are repeated in countries all across the world. But does the message cause more confusion than good?
Enhancing social life through global social research – event 2

These exhibitions run over the course of three days presenting a showcase of Bournemouth University research projects demonstrating our research impacts on social and community wellbeing and our concern for diverse groups and work with a wide variety of stakeholders.
Enhancing social life through global social research – event 3

These exhibitions run over the course of three days presenting a showcase of Bournemouth University research projects demonstrating our research impacts on social and community wellbeing and our concern for diverse groups and work with a wide variety of stakeholders.
Prof. Edwin van Teijlingen
CMMPH
BU and Precision Acoustics work together on high-impact NDT software programme

It is estimated that some 30% of airline engines worldwide are analysed using PA’s current-generation technologies to detect fan blade defects
A team from the Faculty of Science and Technology, led Professor Siamak Noroozi and Dr Richard Gunstone, have successfully obtained a Grant Offer Letter (GOL) for a high-impact KTP working with Precision Acoustics Limited (Dorset).
In this blog post we discuss some of the background to this KTP, and objectives.
Precision Acoustics (PA) manufactures acoustic measurement products for the medical and Non Destructive Testing (NDT) industries and is well established as a major supplier of equipment for the (MHz) ultrasound markets world-wide. PA has a close working relationship with the National Physical Laboratory, London, and academic establishments across the UK to further R&D.
The company’s core products are acoustics measuring devices. The company already has a significant share of the world market in this area, and is now embarking on innovative industrial NDT systems working on a number of precursor projects including with Rolls Royce. The longer term objective can only be achieved if PA introduces a software capability able to devise, maintain and develop a development process that has the expected attributes of resilience, performance and integrity, supporting product deployment. This is the principal focus for the KTP, capitalising on the capability in systems design, software, and assurance within BU.
The diagnostic systems work at PA are being developed and used in numerous applications, including malaria detection. It is estimated that some 30% of commercial airliners globally use the technologies developed by PAL for analysing defects in engine fan blades, for example. Due to the inherent nature of NDT systems and the potential application areas, these application areas are likely to have societal relevance and high-impact.
A great deal of effort has been spent in designing the project to be flexible and comprehensive. This has been made possible by the capable contribution of Norman Stock, the Faculty Business Relations Officer. He has worked closely with the academic staff and also the company to present a suitable proposal to Innovate UK, who are part-funding the collaboration.
In terms of project design, the KTP incorporates the new “KTP laydown” of an integrated MRes opportunity for the Associate, combined with expectations of research activity leading to co-authored papers. This provides a route for knowledge transfer of expertise from the university to the company, in a way that delivers advantages for all stakeholders.
We look forward to providing further reports on our collaboration with PA as time progresses.
In terms of advice for others considering KTP funding, Richard highlights a few relevant points:
“Engage early with the Business Relations Officer for your Faculty. Make sure deadlines are adhered to, including submission windows with Innovate UK. Finally, clarify the project plan as early as possible, including what is achievable in the project timescale – scoping is key”
Creative, Digital, Design – October briefing now live !
This is a monthly publication that provides a digest of useful information about funding, financing, support and events to assist creative, digital and design businesses with their innovation and growth strategies.
You can sign up to receive the newsletter in your inbox or alternatively follow the Knowledge Transfer Network group on social media.
This is a great way to get a quick heads up on what is happening in these sectors with links to further information.
Click here for more information.
CIPPM Researchers Present at the European Policy for Intellectual Property (EPIP) Conference
Opening the conference in the beautiful setting of the Chapel, Professor Ian Hargreaves, Professor of Digital Economy and the author of ‘Digital Opportunity: A Review of IP and Growth’ delivered the keynote speech on ‘Copyright Wars: Frozen Conflict’ to which a thought-provoking response was delivered by MEP, Julia Reda (Greens/EFA Group/Pirate Party). The video of the keynote including the transcript and MEP Julia Reda’s response is available here.
During the 2-days, a number of Researchers from the Centre for Intellectual Property Policy and Management (CIPPM) including Maurizio Borghi, Dinusha Mendis, Ruth Towse, Marcella Favale and Sally Weston attended and presented at the conference.
Marcella Favale presented her paper co-authored with Martin Kretschmer and Paul Torremans Is There a EU Copyright Jurisprudence? An empirical analysis of the workings of the European Court of Justice.
Ruth Towse presented her paper on Copyright and business models in music publishing: the law and the market (as part of the AHRC-funded project Evolution in Music Publishing).
Maurizio Borghi presented on Crowdsourcing the orphan works problem (as part of the recently funded EnDOW project). The EnDOW Project is led by CIPPM and carried out in partnership with CREATe, University of Glasgow, ASK, University of Bocconi and IViR, University of Amsterdam.
Sally Weston presented on Encouraging interoperability by the sharing of interface information obtained by reverse engineering – as part of the research carried out for her PhD project.
Dinusha Mendis presented and led a panel on A Legal and Empirical Study into the Intellectual Property Implications of 3D Printing – Conclusions and Recommendations (as part of a project commissioned and funded by the UK Intellectual Property Office). The other panel members who also contributed to the commissioned project and presented on the Panel included Dr. Davide Secchi (University of Southern Denmark), Ms. Sophie Jones (Stratasys Strategic Consulting) and Ms. Pippa Hall of the UK Intellectual Property Office who spoke about next steps in relation to policy and reform in the area of 3D printing and IP Law.
In the same manner that the Conference commenced, the 2-day Conference was brought to a close by an equally excellent closing keynote speech by Professor Pamuela Samuelson, Richard M. Sherman Distinguished Professor of Law from Berkeley Law School. The closing keynote can be found here. Professor Samuelson spoke about the challenges and opportunities brought about evidence-based IP policy and concluded her keynote and the Conference by stating: “I think that evidence based IP policy is a theme worth pursuing. It’s not always going to win but it gives this community something useful to debate and to offer to policy makers. Like Julia Reda, I think reform is possible but it’s not going to be easy, and generational change will probably make more of a difference than anything we write today”.
Bournemouth University listed in top 800 global universities

Bournemouth University ranked just over the half way line in the top 800 universities in the world. Bournemouth University is in good company in the bracket (401-500) with other well-known universities such as the University of Cagliari (Italy), Charles University in Prague (Czech Republic), Curtin University (Australia), University of Waikato (New Zealand), Louisiana State University (USA) or the University of Tampere (Finland) to name but a few.
The full list of 800 universities is available here!
Prof. Edwin van Teijlingen
CMMPH
Assistive Music Technology
We would like to invite you to the first research seminar of new academic year for the Creative Technology Research Centre.
Speaker: Asha Blatherwick
Title: Assistive Music Technology
Date: Wednesday 30th September 2015
Time: 2:00PM-3:00PM
Room: P302 LT, Poole House, Talbot Campus
Abstract: Music is essential to most of us. It can light up all areas of the brain and help to develop skills with communication and establishing identity. People use musical experiences to create meaning and coherence in states and times of adversity using its transformative properties. Music can be explored actively by playing instruments, or passively, such as listening to music and can be used to enter a state of flow.
Exploring music actively in this way can be restricted for someone with cognitive, physical, or sensory impairments. The barriers they face may cause gaps between their musical gestures and the music making means available to them. Using technology, we can bridge these gaps by focusing on a person’s capability to create personal instruments that allow for active music making and exploration of sound. Technology can be used to turn tiny movements into huge sounds and tangible user interfaces can be used to investigate the relationship between the physical and digital world, leading to new modes of interaction.
My research will take an Action Research approach to create bespoke tangible tools that combine hardware and software, allowing users to create and explore sound using their capabilities in a participatory way.
We hope to see you there.
BU Research at Banksy’s Dismaland

Dr Anna Feigenbaum, a Senior Lecturer in the Faculty of Media and Communication, last week launched the #RiotID project along with John Horne from Birmingham University and the Omega Research Foundation. An output of the Fusion funded BU Datalabs project, #RiotID is a civic media guide helping people identify, monitor and record the use of riot control agents against civilians. The web-based and downloadable #RiotID guide was designed by Minute Works and is currently being distributed at Banksy’s Dismaland as part of the Cruel Designs Exhibition curated by Dr. Gavin Grindon.
Why ID?
Everyday, around the world, law enforcement officers use tear gas, stun grenades, rubber bullets and other riot control weapons on civilians. While these devices are marketed as safe and humane ‘less lethal’ weapons, they regularly cause injuries and even deaths.
The Turkish Medical Association states, “As doctors we declare that the use of tear gas whose acute and chronic effects on health have been sufficiently proven must be fully prohibited.” Likewise, members of the European Respiratory Society have shared their concerns over these weapons, “Our findings suggest that people who live and work close to protests are also seeing harmful effects on the lungs from the use of this gas. We have also found that the effect on the protesters lasts longer than we previously thought.
The ‘less lethality’ of riot control weapons is largely predicated on their appropriate use, following strict, clinically trailed guidelines. Last week marked the 25th anniversary of the United Nations Basic Principles on the Use of Force and Firearms by Law Enforcement Officials that is meant to regulate the use of riot control weapons. Yet, while regulations and guidelines are provided by the UN, there is currently no effective legal oversight or international regulation of their export, trade or everyday use.
#RiotID in Action
The #RiotID guide has already made its way into real world use during an inter-faith community protest in Beit Jala against Israel’s separation wall in Palestine that appropriates residential land. Peaceful protest participants carried the#RiotID guides with them as the marched.
#RiotID is designed to help people medically respond, monitor human rights violations, challenge use of force abuses, and identify the manufacturer and country of origin of these devices. It aims to help close the gap between how police are advised to use these weapons and how they are used in reality in ways that cause danger to civilians.
The guid enables people to photo document and upload images to twitter for identification by our team of experts. The guides are currently available in English and Arabic from: http://riotid.com/print-your-own-riotid/ More translations will follow.
Where Numbers met Narratives: A Final Review of the BU Datalabs Fusion Project
Carried out between January 2015 and July 2015, our Fusion CCCP and RKEO Small Grant funded BU Datalabs project explored the possibilities and challenges associated with the communicative power of visualizations, maps and related interactive digital media for telling data stories on sensitive subjects of societal importance.
We use the term Data Storytelling to refer to the process of creating data-driven stories, from data collection all the way through to crafting the visual and contextual narratives that give data meaning(Greshon and Ward 2001).
Through a series innovative Datalabs events and workshops, we used a hands-on, participatory approach to teaching that combined principles of scaffolded technology learning and hacklabs (Hmelo-Silver et al., 2007). Activities included:
- Data Scraping & Cleaning – Monday March 16 and Tuesday March 17, 2015
- Data Visualisation with Mapping – Monday April 27 and Tuesday April 28, 2015
- Digital Storytelling with Data – Thursday May 14 and Friday May 15, 2015
- Mapping for Justice – 2 June 2015, w/ Richmond, American University in London
- Interdisciplinary Research Week: Turning Numbers into Narratives: An introduction to digital storytelling with data –14 May 2015, Talbot Campus, Bournemouth University
- Festival of Learning: Datastorytelling: How to Give Narrative to Numbers –13 July 2015, Talbot Campus, Bournemouth University
- Civic Forensics Design Workshop – 20 July 2015, Friends House, London
Prioritising collaborative exchange, we brought together researchers, students, journalists and NGOs to generate key insights and co-create tangible outputs. Partners included the Omega Research Foundation, who co-author reports with Amnesty International, and Minute Works, whose sustainable design roster includes Greenpeace. Together with our partners we co-created visualisation outputs including the Data Distortion Layer Cake, the Reclaim Brixton map, and the #RiotID civic forensics project. Partners also went on to put their new visualisation skills into action. Our partner IRIN, a humanitarian news agency, created infographics and maps, including this interactive map of migrant deaths.
Feedback from our survey of Datalabs participants showed that most people’s familiarity with the tools and concepts taught during the workshops increased substantially, with most participants leaving the workshops feeling ‘familiar’ or ‘experienced’ with the basic tools and techniques of Data Storytelling.
Challenges and Opportunities
The emergent area of data storytelling provides both opportunities and challenges. Like any new digital skill, visualising data requires time and resources. This puts NGOs and small organisations at a disadvantage in terms of their ability to tell compelling data stories with visualisation. This disadvantage does not only manifest itself in the lack of resources to afford certain technologies, but also to afford know-how in the form of data visualization designers that are being “snatched up” by the corporate sector to work under Non-Disclosure Agreements (Wilson 2015).
In addition, while the rise of digital tools and techniques certainly diversifies the kinds of narratives we can tell with numbers, not all data stories are easy to capture. Sensitive subjects often have no straightforward data source, documents are scattered across agencies and organisations.
Our BU Datalabs project contributed to broader initiatives to bridge the emerging ‘big data divide’ that stands to leave the third sector and SMEs behind. Here at BU, we can help to narrow this divide by bringing together our skills and resources with stakeholder partners, to co-create visual resources and data stories for public engagement.
What’s Next?
Our BU Datalabs Report reflects on the key insights that arose out of this co-creation project. The aim of the final report is to show how other universities and organisations can use our model as a template, enabling their organisations to co-create data stories with public stakeholders. A preliminary version of the report was presented at the Data Power conference in Sheffield in June 2015. A further presentation is scheduled for November 2015 at the Media Education Summit in Boston, USA.
This year we are working to institute Datalabs activities and Data Storytelling education at BU through continuing collaborations between the Faculty of Media and Communication, the Data Science Institute, and the GIS Lab. We also continue to work with our partners as we prepare for larger bids.
Our next public Datalabs event is scheduled during the ESRC Festival of Social Science. This day long workshop on Datastorytelling will take you through the full process of creating a data story, from scraping and cleaning to crafting the narrative.
To find out more about the Datalabs project you can visit civicmedia.io or email: afeigenbaum@bournemouth.ac.uk or ethorsen@bournemouth.ac.uk
References
Gershon, N. and Ward P., 2001. ‘What Storytelling Can Do For Information Visualization’. Commun. ACM, 44 (8),pp.31-37.
Hmelo-Silver, C.E., Duncan, R.G. and Chinn, C.A., 2007. Scaffolding and Achievement in Problem-Based and Inquiry Learning: A Response to Kirschner, Sweller, and Clark (2006). Educational Psychologist, 42(2), pp.99-107.
Wilson, M., 2015. What Killed The Infographic? Fast Company, [blog] 6 May, Available at: <http://www.fastcodesign.com/3045291/what-killed-the-infographic> [Accessed 27 July 2015].
Fusion co-creation project involving BU students and partners in Kosovo: rethinking post-war reconciliation via ‘gaming’ technology
In post-war societies such as in the Western Balkans, war monuments may serve to preserve a single narrative of the past. Sometime the intention is to shape future generations’ understanding of conflict, thereby perpetuating militant potentials and societal divisions. But how do young visitors really experience such war monuments? Our fusion-funded project aims to foster conflict transformation (reconciliation) by facilitating young people’s engagement with a plurality of narratives while simultaneously nurturing empathy and recognition of the cultural heritage of war via contemporary gaming technology.
BU’s fusion approach encouraged me, a Balkan specialist and social anthropologist, to seek collaboration across faculties with Dr Avital Biran (‘dark tourism’/FM); Dr Melanie Klinkner (‘transitional justice’/ FMC); and Assoc. Prof. Feng Tian (‘gaming’/ FST). The new fusion-funded project is directly related to our Conflict Transformation Studies Team’s contribution to a major European Union Horizon 2020 bid: a working package on enhancing visitors’ perception and consumption of memorials via gamification, submitted in May 2015 (Reflective Societies, RED 8756).
The team presented its overarching research concept at BU’s Interdisciplinary Week on 12 May with our interactive session on Transforming conflict after war: memory, heritage and digital media. With support of two consecutive Undergraduate Research Assistants, a social anthropological spin-off exercise entitled Reconciliation-in-Practice was then conducted at the Festival of Learning. During the sessions, to which also Wendy Cutts (FHSS) contributed, we challenged participants’ assumptions about the ease with which reconciliation expectations can be exported to countries of Western geo-political interest after war and conflict.
This fusion-funded sequel aims to co-opt interested student from different disciplines into the process of story line development and game design based on post-war memory at selected sites in Kosovo. As part of FiF strand Co-creation and Co-production, collaborations will not just include students and staff from BU’s four faculties but also external stakeholders in post-war Kosovo. We hope to include local students and colleagues of University of Prishtina, Human Rights activists, the British Council, site managers and artists.
Pending ethics approval and faculty support, our aim is – with help of the creative abilities of all involved students and partners – to explore the potentials of ‘gaming’ for education and enhancing visitors’ experience at heritage sites. We plan to, firstly, research the challenges associated with contested memorials in Kosovo; secondly, develop ideas for a story-line for gaming to promote tolerance and understanding; thirdly, explore the possibilities of designing a ‘serious game’; and, finally, under the leadership of Feng Tian, devise a Game Development Document (GDD) which may serve as a blue print for the application of gaming at post-conflict sites.
Dr Stephanie Schwandner-Sievers
Faculty of Health & Social Sciences
sssievers@bournemouth.ac.uk