Date: Friday 24 March 2017
Time: 10.00 am – 5pm
Venue: EB708, Executive Business Centre, Bournemouth University
The event is free to attend, however, places are limited and registration is required.
About the Event:
Additive Manufacturing or 3D printing as it is more commonly known, continues to push the boundaries of Intellectual Property (IP) law whilst raising questions relating to the protection and exploitation of IP.
There have been various attempts to address these questions through legal and empirical studies; yet at the same time, there continues to be limited literature and debate on the implications of 3D printing surrounding IP law, industry, society, technology and policy.
This challenge, which extends to the lucrative jewellery sector raises further questions in relation to creativity, design, copyright and licensing and these issues will be addressed at the event by bringing together experts from the cultural and business sectors including designers, manufacturers, distributors, policy makers and legal professionals.
This multi-disciplinary event which will explore the above issues will also provide the platform for a discussion of the ‘Going for Gold’ project carried out by researchers at CIPPM (Bournemouth University) in collaboration with Museotechniki Ltd and Uformia AS and will be complemented by a demonstration of 3D printed jewellery artefacts resulting from the project.
The event, based on the ‘Going for Gold’ project led by Professor Dinusha Mendis, is supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1 and builds on the BU/CIPPM-led UK Intellectual Property Office (UKIPO) Commissioned Study on 3D Printing and IP law completed in 2015.
Confirmed Participants and Speakers:
Mark Bloomfield (Electrobloom); Roger Brownsword (Bournemouth University / Kings College London); Ruth Burstall (Baker & McKenzie LLP); Frank Cooper (Jewellery Industry Innovation Centre, Birmingham Jewellery School); Lionel Dean (De Montfort University); Damian Etherington (Ipswich Museum); Nikolaos Maniatis (Museotechniki Ltd); Dids McDonald (Anti Copying in Design); Dinusha Mendis (Bournemouth University); Cherie Stamm (Uformia AS); Andrea Wallace (CREATe, University of Glasgow); Michael Weinberg (Shapeways Inc).
For inquiries, please contact Dinusha Mendis at firstname.lastname@example.org