We would like to invite you to the latest research seminar of the Creative Technology Research Centre.
Title: Spheroid of Performance, Algorithm and Speculative Nature in Spatial Texture
Speaker: Dr Erik Nyström
Composer and Performer
Leverhulme Research Fellow at The University of Birmingham
Date: Wednesday 15th November 2017
Time: 2:00PM-3:00PM
Room: Lawrence LT, Poole House, Talbot Campus
Abstract
This session uses the author’s live computer music work Spheroid as point of departure for discussing an approach to electronic music practice based on real-time composition/performance of spatial texture interior, also branching out into related topics of synthesis, spatiality and ontology of sound.
Presenting research undertaken as part of a Leverhulme Early Career Fellowship at University of Birmingham, the lecture engages in both practical and conceptual reflection on how an ostensibly acousmatic sonic terrain responds to the composition of potential rather than fixed morphology, describing a step towards a practice which attempts at achieving the richness and complexity of studio-composed multichannel music in a format that is entirely real-time and not reliant on absolute structure. This reflects a central aesthetic and conceptual emphasis on music as a process of becoming, where notions of composer, performer, material, structure, are all considered part of a synthesis which has no independent elements. The ‘spheroid’, described both as an irregularly revolving algorithm for textural growth, embedding and responding to performance, and as the physical and virtual sphere of interaction between human, nature and technology, also invites some interdisciplinary modes of thinking concerning the ‘human’ in the music of our age.
Biography
Erik Nyström is a composer and performer whose output includes live computer music, electroacoustic works, and sound installations. He is currently a Leverhulme Research Fellow at Birmingham Electro-Acoustic Sound Theatre, University of Birmingham, UK, developing new aesthetic and technological approaches for spatial texture synthesis in composition and performance. His studies include a PhD in electroacoustic composition with Denis Smalley at City University, London, and computer music at CCMIX, Paris. He performs frequently worldwide and his music has been released by empreintes DIGITALes.
We hope to see you there.







we were fortunate to be included in the programme for
planned for December 15 in Brighton’s Media Centre. Here we will be featuring the stories we are producing based on photographs and audio recordings captured during the workshops. We will also be hearing from some of the storytellers from all three workshops (Bournemouth, Brighton and Sheffield) about their experiences of the workshops and how this opportunity has opened new doors for them.
Dr Caroline Ellis-Hill from the Centre for Qualitative Research
Microscopic investigations of water samples from the half-barrel pond in Christchurch House courtyard have revealed a menagerie of single-celled life. These tiny organisms (smaller than one tenth of a millimetre) are incredibly important as they form the basis of food webs. They also play a major role in maintaining water quality as they feed on bacteria, and stalked species such as Vorticella (image) are responsible for their removal in waste-water treatment plants. The half-barrel “pond” may be almost as small as its inhabitants but it promises to become a treasure of local ‘hidden’ biodiversity!
I was given the opportunity to present some preliminary results from an ongoing study I am conducting as part of my PhD, looking into the effects of a multi-nutrient omega-3 fatty acid supplement and exercise on mobility and cognitive function in ladies aged 60+. Analysis of the baseline data revealed relationships between levels of omega-3 fatty acids in the blood with cognitive and gait outcomes, however this effect differed between non-frail and pre-frail participants.
A new report,
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