Tagged / animation

Interdisciplinary research team to create short film using artificial intelligence in AHRC-funded project

Awarded & submitted bids, BU research

Researchers from BU will create a short film entirely using artificial intelligence (AI) to explore the creative and legal issues surrounding the use of these tools in media production.

The research project has been funded by the Arts and Humanities Research Council (AHRC) and will investigate the use of generative AI tools in media creation – focusing on collaboration, creativity, and representation. This includes concerns about copyright, job security, and other ethical and legal challenges.

Multiple screens in a computer generated landscape

“There has been a lot of thinking about responsible AI and the way it is used and implemented, as well as the implications for things like production and jobs and how roles in the industry will be affected,” said Dr Szilvia Ruszev, Senior Lecturer in Post Production, who is leading the project.

“We hope that through the discussions and the use of these tools, we can develop a more nuanced understanding of how we can still be creative and use AI in a responsible way.”

The BU research team also includes Dr Maxine Gee (Principal Academic in Screenwriting), Professor Xiaosong Yang (Professor of Computer Animation and Deputy Head of Department), Dr Tom Davis (Associate Professor in Music and Audio Technology) and Dr Melanie Stockton-Brown (Principal Academic in Law), as well as partners from the University of Michigan, USA and Zhejiang University, China.

They will use generative AI tools at each stage of the production process, such as the script writing, image creation, sound and music, and for the post production on the film.

They will also evaluate these tools from the perspectives of representation, collaboration and creativity as well as exploring key legal aspects, including copyright.

At each stage of the process, the team will hold workshops which will include talks about the issues being investigated and hands-on experience with helping to create the AI-generated film. The workshops will be open to BU staff and students, as well as industry stakeholders and policymakers.

Dr Ruszev said: “Fictional media has a history of shaping societal understanding of stereotypes through media representation but the data used to create content through AI is not objective and so we are looking at what sort of impact that will have on the representation of identities and groups.

“There are also issues around copyright to explore – such as who owns the idea, and the ethical and legal challenges that need to be addressed.”

The project has received over £170,000 in funding from the AHRC as part of the Bridging Responsible AI Divides (BRAID) programme, which will support the development of responsible AI and how it can be embedded across key sectors.

Professor Christopher Smith, Executive Chair of the AHRC, said: “The impact of AI can already be felt in many areas of our lives. It will transform our jobs and livelihoods, and impact on areas as diverse as education, policing and the creative industries, and much more besides.

“The research which AHRC announced today will provide lasting contributions to the definition and practice of responsible AI, informing the practice and tools that are crucial to ensure this transformative technology provides benefits for all of society.”

SIA open call for game changing concepts: Hear from BU collaborator, Paul Brookes from Siemens, about the future R&D needs of industry

BU research, BU2025, Strategic Investment Areas

Bournemouth University is delighted that Paul Brookes, Head of Innovation, Siemens ITS at Siemens Mobility Ltd, will be providing an open briefing session to BU on Thursday 15th April at 12noon. He will explore current research priorities before an open Q&A session. This online event will be chaired by SIA Conveners, Professors Christos Gatzidis and Kate Welham.

Paul’s experience spans three industry sectors: computer systems, motion control and intelligent transport systems. He has specialties in broad and deep understanding of electronics, embedded software, cloud (AWS), people management, employee development, competency frameworks, networking, design thinking, innovation and business development. Paul is currently working on 5G, IoT, connected car, infrastructure as a service, cooperative perception and AI.

Paul works closely with BU, is an External Advisory Board member for Animation, Simulation & Visualisation SIA, and has kindly agreed to provide insight from his experience as to the future research needs of industry.

This is an opportunity to develop expressions of interest for the SIA open call for game-changing research concepts.

To register for this open session, please email sia@bournemouth.ac.uk to receive the diary invitation and video conference link.

 

 

Fancy working on a project with the RNLI?

HEIF, innovation, Knowledge Exchange, Knowledge Exchange and Impact Team, Knowledge Transfer

 

RNLIlogo

Following recent  HEIF funding, this project aims to develop an alternative solution by simulating and visualising the lifeboat launching with unmanned vehicles in an immersive virtual environment. Working with staff members at the RNLI and located within The National Centre for Computer Animation (NCCA) at Bournemouth University this role will offer an exciting opportunity to join the NCCA’s research team and be involved in the design of the next generation lifeboat launching system in order to enhance safety and efficiency.

This vacancy is advertised on BU’s website with a closing date of 20 September 2015.

BFX Academic Conference 2014

Research news

The BFX Conference “Digital Convergences 2014” runs next Monday and Tuesday on the Talbot Campus.

Keynote Speakers are Professor Lev Manovich, author of ‘Software Takes Command’ and ‘The Language of New Media’; and Professor Sean Cubitt, author of ‘The Cinema Effect’ and ‘Studying the Event Film: The Lord of the Rings’.

This conference intends to present and analyse the convergences that are occurring across and within the genres of moving image, in part resulting from the impact of digital technologies. Through an interdisciplinary approach, the BFX conference invites authors to examine various theoretical positionings with a view to realign the discussion in the light of current technologies. The conference seeks to revisit the arguments that position film, animation and art as aesthetically, structurally and intellectually different.

The conference director is Ms Paula Callus of the NCCA Visual Research Group.

Further information is available from:

http://www.bfxfestival.com/conference/

https://bfxconf.bournemouth.ac.uk/index.php?conference=BFX&schedConf=2014

BFX Final Films 2013

Research news

BFX, Bournemouth’s excting new Visual Effects and Animation Festival, has finished after 6 weeks and a lot of blood, sweat and tears.  The 10 competing teams have finished their films – and they are awesome!

You can watch all of the films here: http://www.bfxfestival.com/bfx-final-films-2013/

There has been a great variety of work, completed in such a small period of time and with only 6-7 machines between them to work and render on – so their time keeping had to be spot on.  Most of these students haven’t even graduated yet.

Truly astonishing what they have managed to produce.

If you like what you see, leave a vote on Youtube; for a bit of fun we have a ‘ Best Film – Public Vote’ category.

Once again thanks to all the feedback and mentoring from lecturers at the NCCA, Arts University Bournemouth and artists from Framestore, Double-Negative, The Mill, MPC, Realise Studios, Hibbert Ralph Animation, Outpost VFX and Cinesite.

If your interested in making similar films, or how the creative industries work – check out our September Festival in Bournemouth 

The BFX Festival is organised by the VFX Hub, funded by BU’s HEIF grant.

BFX – The Competition update.

Awarded & submitted bids, Fusion

The BFX Competition is on now!
Following our Fusion-funded trips across the country to publicise the event we now have ten teams (54 individuals) are living on campus as they work on producing a 30 second animated or VFX sequence. The teams, which were shortlisted from an original list of 23 are being mentored by professionals from top Soho studios; MPC, The Mill, Framestore, Double Negative, Cinesite and Hibbert Ralph Animation. The work being produced by the teams covers a range of styles and uses many different production techniques, including live action, green screen, 2D animation, 3D CGI, particle effects, real world simulation and everything in between!
For the competitors, the interaction with people from other HE institutions and the Soho studios has made everyone raise their game and focus on genuine professional practice. We are now just about halfway through; all the work looks amazing and is way beyond everyone’s expectations – which means that the screening in September at the BFX Festival should be a huge success!

http://www.bfxfestival.com/competition/

http://www.facebook.com/groups/bfxcompetition/

BFX

Awarded & submitted bids, Fusion

In November 2012 the VFX Hub – a HEIF funded initiative from BU and AUB, launched BFX, a 5-day festival of Animation and Visual Effects that will be held annually in Bournemouth.

One of the highlights of BFX will be a competition which aims to discover the best new talent in Visual Effects and will run from July to mid August 2013, with the winners being announced during the festival in September. Competitors will be expected to form teams of 4-6 members and will have to submit a written creative and technical treatment that explains in detail how they intend to produce an animated or VFX sequence in answer one of five specific briefs. Following the recent award of Fusion Funding the VFX Hub team will be presenting BFX to an international audience at FMX in Stuttgart during April, as well as pitching the competition to Animation and VFX students at several other UK Universities in the coming weeks – with the aim of attracting teams from at least 8 other institutions. The teams will live on campus at BU free-of-charge for the duration of the competition and each member will receive a £70 per week stipend towards their cost of living expenses. The work produced by the teams will mentored throughout the 6-weeks by professionals from Soho VFX companies Framestore, Double Negative, Cinesite, MPC and The Mill.

The rest of the festival itinerary will be updated on the website as events, venues and personalities are confirmed; it will include master classes, workshops, screenings, an exhibition and advice on careers and education.

Developing software to improve quality of life for disabled people

Bournemouth University (BU) is proud to be a part of an exciting project, aimed at improving the quality of life for people with physical and learning disabilities.

The SHIVA Project (Sculpture for Health-care: Interaction and Virtual Art in 3D) brings together computer science groups, including the National Centre for Computer Animation (NCCA) at BU, and medical organisations working with disabled people.

Professor Alexander Pasko is leading BU’s contribution to the SHIVA project: “The main idea behind SHIVA is to give people with disabilities the opportunity to do something in the area of 3D as a way of enhancing their creativity and expressing themselves.”

The project team are currently identifying the requirements of the medical organisations, in order to develop exercises to support a range of different patient needs. These exercises will also offer a wider range of activities for patients, which can increase the chances of a successful rehabilitation.

NCCA staff at BU are developing the 3D modelling software, which can be driven by gestures, as well as hosting the HyperFun project, which is a programming and language software tool, used to create, visualise, and fabricate volumetric 3D models.

One example case the project team are working on is to help improve physical activity in patients who have suffered a stroke.

“We are also working with children who are born disabled,” explained Professor Pasko, “helping them with simple tasks that engage and activate the right side of the brain.”

The final stages of the SHIVA Project will be to raise awareness of the exercises within the medical profession, so they can be applied in the education or rehabilitation process.

The project aims to be completed by February 2014, when an exhibition will be held to display the work of the disabled participants. This will be made possible through the use of 3D printers currently available at BU.

The other organisations involved in the project are the University of Lille in France, the HOPALE Foundation from France and the Victoria School from Poole. For further information and updates visit the project website.

The SHIVA project is part-funded thanks to the action of the European Union and with a contribution of the European Regional Development Fund (ERDF)

Media related EU Funding available

EU

Development of Production Projects (including animation, creative documentaries and drama): One of the objectives of the programme is to promote, by providing financial support, the development of production projects intended for European and international markets presented by independent European production companies in the following categories: animation, creative documentary and drama. Deadlines are 25.11.11 and 13.04.12.

Development of Online and Offline Interactive Works: One of the objectives of the programme is to promote, by providing financial support, the development of production projects intended for European and international markets presented by independent European production companies. Deadlines are 25.11.11 and 13.04.12